ACC vs DEC

572b1a7652bcd01b008c0f94-750

Modernity is in trouble. That’s the line, at least that is emerging from a particular sector of the twitterverse. It’s not a new line, of course: it’s the common call of the environmentalist movement writ large. What makes these new voices significant, however, is that their position is not only cybernetic, but transcendental. To declare oneself a decelerationist – and this applies to both those who seek a decelerationist praxis (as in, annihilating industrial civilization) or see deceleration as a given (leaving room only for mitigation and reaction when the SHTF) – is the engendering of an inverted mirror of the accelerationist. Whereas acceleration is the diagram of modernity, understood as the tragic loop of techno-capital undergoing amplificatory self-excitation, decelerationism throws the unconditional back upon the body of the earth, rife with its own loops and pressure points.

Between each there is a glimpse of a future political terrain to be caught. As anticipated with remarkable foresight by FM-2030, this terrain will be battleground where the “upwing” and the “downwing” collide. The latter looks to the earth, and thus would be like the extensive articulation of deceleration in the realm of politics, with the former being that of acceleration, gazing skyward. To those returning to the earth, the color green, and to those taking flight, black:

FM-2030 was an inveterate up-winger whose vitrified corpse awaits resurrection at the Arizona cryonics mecca, Alcor. However, even as the ecology movement was gathering steam, FM-2030 failed to see that the down-wing tendency could generate at least as much passion as his own political faith. Nowadays, down-wingers proudly self-identify as ‘Greens’. As for the up-wingers, they have begun to be colour-coded as ‘Blacks’ — and not simply because of their 1980s dress sense. The phrase ‘Black Sky Thinking’ was coined in a 2004 study by the centre-left UK think-thank Demos, and over the past decade it has increasingly been used to refer to schemes to make the whole inky expanse of the universe fit for human habitation.

As the political binary of left and right collapse into noise and nonsense (understood in the most unproductive sense), green and black stand to be serious contenders for their replacement – implying, by extension, a host of strange mixtures and hybrids, third positions, odd ghosts, and diagonalizations, but we’re running far ahead of ourselves…

The tragic loop of acceleration is that of positive feedback. This image is convergent with the thesis of John Michael Greer, Arch-Druid and decelerationist avant la lettre: civilization, particularly in its industrial phase, unfolds through phases of explosive positive feedback, thrusting creative forces to ever-higher heights. Yet this comes at an immense cost: for Greer, positive feedback is ultimately aberrant in nature. It breaks with the higher order feedback process that dominates nature and lends to it the capacity for auto-correction – that is, negative feedback, the return to homeostasis. Stripping themselves of the ability to correct their runaway trajectories, civilizations become suicide machines. The skyward flight becomes a terrifying fall back to the earth, culminating in green pastures littered with burning wreckage.

Greer’s bloody war between positive and negative feedback is thus a rigorous cybernetic account for cyclical theories of history. Read through the lenses of Deleuze’s Difference and Repetition, one could even say that Greer’s history is a theater where repetition of the same carries out its staccato dance; after all, it is under the repetition of the same that the abstract cycle is carried out, always bringing a system back to its initial condition. A society or civilization will always be born into the world, grow, engage creatively with nature, peak, curdle with corruption, stagnate, and collapse. Trace this pattern upwards beyond individual civilizations, to the swath of human civilization understood as a whole, or up even higher, to the great movement of nature itself, or the movement of the cosmos, and you’ll arrive at the position of Greer. There’s no better way to articulate the horizon of the decelerationist thesis.

On one hand, the conflict becomes one of competing motors governing development in itself: is it the knowing homeostat with gently violent negative feedback pressure, or is the homeostat missing, with the heat of cyberpositive runaway taking precedence (there is no easy answer to this question yet, but it is worth noting that both ultimately end in doom)? On the other hand, however, things get a little murky. If deceleration is raised under the specter of the cycle, this would imply that acceleration is that of the straight line. For Kant (and Deleuze as well), time is ultimately the straight line that cuts through everything that is. It is cold, uncaring, empty and open-ended development in its most abstracted sense, the permanent revolution that composes the stretch of the infinite itself. But this isn’t the time of acceleration itself. Following Land, acceleration must be thought of as unfolding within the straight line of time, but in the form of the spiral: the diagonalization between the straight line and the cycle, the uncompensated and the compensatory mechanism, attached to the running of “innovation and tradition together as Siamese twins” across its masked surface.

If acceleration is the accurate diagram of modernity, the cycle is already present. The future terrain stays the same, but color shades subtly adjust themselves. The burning question at the heart of it all – what is modernity doing? – can be answered as thus: critique. The posing of solutions to problems. If capitalism works by breaking down, by learning to learning, it is because modernity advances itself through encounters with problems that must either be solved or routed-around. The ecological pressure cooker bearing down on global civilization is the articulation of an immense problem, one that is indeed perhaps unsolvable. The cry to assault modernity on account of this problem is a forceful posing of the problem from the interior of modernity itself, the early spasms of a coming transformation.

The future, at least in the West, looks grim. Whatever molar shake-ups that took place in 2016 and 2017 are fading, the sheer weirdness of the time being slowly but surely recoded back into a neoconservative status quo. The bourgeoisie remain stupified, the political class broken, the great underclass masses go through the rotations. Yet will this not change, by very want of impending ecological devastation? As the noose tightens, the political articulation of deceleration will only proliferate. The existential risk of conflict will hang like a storm cloud as the black and the green draw respective lines – but this rain could very well be nourishing fluids for modernity. This is not to say that the dialectical parring is what saves modernity for itself, or that on side will necessarily win against the other. Instead, such a conflict would be learning, modernity itself working through to an other side that we cannot, by necessity, know in advance.

Understood as elements tangled in auto-critique and production, black and green are both trapped right from the start. It is in the rising from this to the level of the loops that the future of civilization will be made, or will be broken.

Advertisements

Gyres

Screenshot from 2017-08-11 15-39-20

Recently I started reading Tudor Balinisteanu’s Violence, Narrative, and Myth in Joyce and Yeats: Subjective Identity and the Anarcho-Syndicalist Tradition. The first chapter proceeds with a very interesting comparison of Yeats’s gyres of creative destruction as recorded in “The Second Coming” and Sorel’s account of the Myth of the General Strike:

…, on the one hand, for Yeats, the two cones represent contrary tendencies within the self. On the other hand, as Yeats put it, ‘this figure is true also of history, for the end of an age, which always receives the revelation of the character of the next age, is represented by the coming of one gyre to its place of greatest expansion and of the other to that of its greatest contraction’. At the moment Yeats was writing he perceived that the life gyre was sweeping outward, having almost reached its greatest expansion: ‘all our scientific, democratic, fact- accumulating heterogeneous civilisation belongs to the outward gyre and prepares not the continuance of itself, but the revelation as in a lightning flash, […] of the civilisation that must slowly take its place’ Critics have noted that Yeats’s fear of the forthcoming disintegration of human civilisation was brought ashore by ‘the blood-dimmed tide’ of historical events… Such frightening falling apart of established authority, mere anarchy loosed upon the world, inspired in Yeats the apocalyptic vision of the beast which struggles to become born in the violence of the world’s remaking. But this violence is a whirl of contrary tendencies: even though destructive it is also darkly creative. As Bakunin would have it in ‘The Reaction in Germany’ (1842), ‘the passion for destruction is a creative passion, too!’ The revolving gyres unravel the world at the same time as they weave a new one: a terrible beauty is born in which both grace and violence are manifested.

Yeats’s ‘The Second Coming’ is of course but one example, a most expressive one, of the perception of contrary tendencies within the modern consciousness, a consciousness in which grace and violence set each other in motion even as they revolve in opposite directions. Another expression of this dynamic can be found in Georges Sorel’s work… [it is] not so much the idea of disrupting the economy that matters to Sorel, as the idea of a narrative capable of accommodating those images which best represent the aspirations of social agents in a way that compels a joining of the fictional narrative subject and the subject of action. One finds that Sorel’s picture of the general strike has features in common with Yeats’s apocalyptic vision of the approaching of a new age, even though, it seems, Yeats feared what Sorel welcomed. While both visions of the future to come are seemingly steeped in violence, this is not merely the violence of force, but also the violence of recreation. Yeats fears the possibility of ‘new creation gone wrong’, but not the violence of creation. Sorel values the violent break with retrogressive patterns of social action, produced through the rejection of Utopias and consent to participate in the unanalysable unity of vision in which narrative subject and the subject of action inhabit each other, but not destructive violence or mere anarchy loosed upon the world.

Sorel’s position regarding the general strike as social myth expresses a movement toward unity at the levels of history and the self which in terms of Yeats’s figure of the gyres would correspond to the gyre’s movement to its place of greatest contraction. That would be the place of becoming the subject of a myth expressed in an imaginary picture (of the general strike) which embodies all the aspirations of a social group (the Socialists) giving precision and rigidity, or, rather, coherence and strength, to philosophical and political thought on social change. At the same time, this movement toward unity in the myth involves a movement toward disintegration in the sense that it expresses a complete break away from the tenets of the age which passes. This chasm which widens the opposition between the faithful and the faithless makes visible the contradictions of the established social world, thus fragmenting it and bringing it to a point which in Yeats’s figure would be that of a gyre’s greatest expansion.

Cue Amy Ireland, in The Poememenon:

When applied to the task of historical divination (our interest here), the waxing and waning of the gyres can be charted in twenty-eight phases along the path of an expanding and contracting meta-gyre or ‘Cycle’ which endures for roughly two millennia and is neatly divisible into twelve sub-gyres (comprising four cardinal phases and eight triads) each of which denotes a single twist in the larger, container Cycle. According to the system as it was originally relayed to George Yeats through the automatic script (an exact date does not appear in the Speculum Angelorum et Hominis or Judwali teachings), the twelfth gyre in our current—waxing—Cycle turns in 2050, when ‘society as mechanical force [shall] be complete at last’ and humanity, symbolized by the figure of The Fool, ‘is but a straw blown by the wind, with no mind but the wind and no act but a nameless drifting and turning’, before the first decade of the twenty-second century (a ‘phase of crisis’) ushers in an entirely new set of twelve gyres: the fourth Cycle and the first major historical phase shift in two thousand years.Laying Yeats’s awkward predictions (which he himself shelved for the 1937 edition of A Vision) to one side, the system provides material for the inference of several telling traits that can be combined to give a rough sketch of this imminent Cycle upon whose cusp we uneasily reside. Unlike the ‘primary’ religious era that has preceded it—marked by dogmatism, a drive towards unity, verticality, the need for transcendent regulation, and the symbol of the sun—the coming age will be lunar, secular, horizontal, multiple, and immanent: an ‘antithetical multiform influx’. The ‘rough beast’ of ‘The Second Coming’, Christ’s inverted double, sphinx-like (a creature of the threshold) with a ‘gaze blank and pitiless as the sun’, will bear the age forward into whatever twisted future the gyres have marked out for it.

In ‘Teleoplexy’, as the most recent, succinct expression of accelerationism in its Landian form (distinguished from the Left queering of the term more frequently associated with Srnicek and Williams’s ‘Manifesto for an Accelerationist Politics’), Land draws out the latent cybernetic structure of the Judwalis’ system and employs it to reach a similar catastrophic prediction, although the somewhat restrained invocation of ‘Techonomic Singularity’ dampens the rush of what has previously been designated as ‘a racing non-linear countdown to planetary switch’ in which ‘[z]aibatsus flip into sentience as the market melts to automatism, politics is cryogenized and dumped into the liquid-helium meat-store, drugs migrate onto neurosoft viruses and immunity is grated-open against jagged reefs of feral AI explosion, Kali culture, digital dance-dependency, black shamanism epidemic, and schizophrenic break-outs from the bin’. Like the Judwalis’ system, the medium of accelerationism is time, and the message here regarding temporality is consistent: not a circle or a line; not 0, not 1—but the torsional assemblage arising from their convergence, precisely what ‘breaks out from the bin[ary]’. Both systems, as maps of modernity, appear as, and are piloted by, the spiral (or ‘gyre’). As an unidentified carrier once put it, ‘the diagram comes first’

Pearson on Deleuze and Weismann

422px-haeckel_ophiodea_70.jpg

Interesting conversation concerning Emile Zola, Weismann, entropy/negentropy, and the theme of the ‘crack’ in Deleuze’s Logic of Sense, from Keith Ansell Pearson’s Germinal Life: The Difference and Repetition of Deleuze:

In the crucial chapter of the novel Doctor Pascal (the final book in a cycle of twenty) entitled ‘The Genealogical Tree’ Zola has the doctor lay out before himself and the young woman Clotilde the entire genealogical tree of the Rougon-Macquart family in order to present her with a ‘terrible lesson in life’. But this tree stretches beyond and over this particular family, encompassing the strata of races and civilizations from the dawn of time to the present and branching out endlessly into unknown futures. This is the ‘whole monstrous florescence of the human tree’. Moreover, this genealogy is presented in the terms of a highly complex, erratic, and unpredictable monstrous descent, a descent subject, to deploy Deleuze’s later terms, to perpetual deterritorialization and reterritorialization. Zola is imaginative in depicting the unfolding of this tree in terms of a complicated entanglement of sickness and health, of death and renewal, a vitality of life that is caught up in destruction, decay, and degeneration. For example, Pascal asks: once the floodgates have been opened by the overflowing river of life (creative evolution as monstrous) and as detected by the emergent science of heredity (as the science of difference and repetition), then is it possible to say that among the weeds and flowers on the bank, there also mingles and floats by—gold? This is, says Pascal, a world ‘beyond good and evil’. The chapter concludes by asking whether it is necessary to burn the tree of genealogy or whether this can be a matter of the future in its affair. 

In the novel Zola presents Dr. Pascal’s work on the new science of heredity moving through Darwin’s confused theory of pangenesis, the peri-genesis of Ernst Haeckel (whose works were avidly read by Nietzsche), the eugenics of Galton (also read by Nietzsche), finally arriving at the intuition of Weismann’s major thesis on the continuity of the germ-plasm in which a portion of this ‘delicate’ and ‘complex’ substance is held in reserve and passed on without variation or mutation from generation to generation. Pascal, however, does not stop there, which is what makes his case especially interesting. He propounds his own theory, which he calls the ‘failure of cells theory’, which consists in granting a high degree of freedom and novelty to plasmic evolution. It is not atavism that Pascal privileges but ‘perpetual change’, the change that denotes an ‘increasing transformation, due to the transmitted strength and effort, that perturbation which imbues matter with life, and which is, indeed, life itself in an abstract sense’. In short, there is no plasmic finality and it is at this point that Zola is able to resist the biological nihilism of Weismann’s continuity thesis. It is in terms of such a nihilism that Wesimann is appropriated in Hardy’s tragic fiction where the anomalous and the aberrant (the ‘unfit’) are not allowed to survive but must face extermination (Tess, Jude, etc.). This biological nihilism amounts, in short, to repetition without difference, to the eternal return of the same, since the germ-plasm is posited as evolving completely independently of perturbations (Deleuze’s ‘crack’) and free of the endogenous powers of the organism itself which may exert an influence on  the character of evolution. 

In Deleuze’s reading of Zola, Weismann’s distinction between the two plasms, soma and germ, operates as a distinction between a love or a body that dies and a movement that creatively ‘evolves’ through germinal intensity. This is a movement from the organized body of the organism to the ‘body without organs’ which involves the release of singularities and intensities from entropic containment. But the two exist in implication and complication; this is life and death lived and died from ‘within the folds’ or ‘on the train’ as in Zola’s La Bete Humaine (published 1890 as the seventeenth of the twenty novels that make up the Rougon-Macquart cycle), where the machines function as the pure death instinct: ‘The instincts or temperaments no longer occupy the essential position. They swarm about and within the train, but the train itself is the epic representation of the death instinct’. In the novel the train is undoubtedly depicted in terms of the demonic power of the death drive:

the train was passing, in all of its stormy violence, as if it might sweep away everything that lay in its path… It was like some huge body, a giant creature laid out on the ground… past it went, mechanical, triumphant, hurtling towards the future with mathematical rigor, determinedly oblivious to the rest of human life on either side, life unseen and yet perennial, with its eternal passions and its eternal crimes.

Unlike the murder of the husband in Therese Raquin, committed by Therese and Laurent simply because he stands in their way and is inconvenient, Zola’s aim in La Bete Humaine was to link murder with an ancient hereditary impulse buried in the sedimented layers of civilization, to show the ‘caveman’ dwelling deep within the civilized man of modernity, as he put it in a letter to a Dutch journalist. In the novel the hereditary ‘crack’ is not simply a matter of ill-health, but is said to be involved in those ‘sudden loses of control’ that lie deep within our being like ‘fractures, holes’ through which the self seeks escape, losing itself ‘in the midst of a kind of thick haze that bent everything out of shape’. At such moments as these, where the self is no longer the master of its own body but the obedient servant of its muscles and the ‘rabid beast within’ it is cast into paying back an ancient debt: 

paying for the others, for the fathers and grandfathers who had drunk, for the generations of drunkards, of whose blood he was the corrupt issue… paying the price for gradual poisoning, of a relapse into the primitive savagery that was dragging him back into the forest.

To the extent that Zola’s novel, with its stress on a hereditary regression and atavistic instincts, anticipates both Freud’s conception of death and his positioning of the death drive is indeed remarkable. On Deleuze’s reading, however, the complicated investment of the erotic instincts in destructive ones—Zola’s novel was read in the precise terms of this complication on its publication—expresses not simply the noise of primal instincts caught up in an involution but rather the silent echoes of a repetition that drives us ever forward and upward. This is why for him the key actor or agent is the train itself (a field of action, a body without organs distributing intensities and producing transformations). The train is a creation of modern civilization, but is also the crack which derails it, making sure that it is the ‘great health’ which lives on in humanity (the dissolutions of the novel, it should be noted, take place against the backdrop of the dying days of the Second Empire). Michael Serres is incisive in detecting in Zola’s epic series of novels with its cycles of destruction, waste, dispersion, irreversible ebbing towards death, disorder, and degeneration, revolving around in La Bete Humaine a veritable thermodynamics of the train, an ‘epic of entropy’. Such an insight, however, discloses on Deleuze’s reading only half the story. Deleuze’s conception of the germinal life aims to demonstrate that entropy is never the final word. Thermodynamics needs to be linked up with good sense since they share the same characteristics: the single direction from the most to least differentiated, from the singular to the regular, so orientating ‘the arrow time from the past to the future, according to this determination’.

In his reading of the literature, therefore, Deleuze is proposing a vital reworking of heredity, in which it is shown that it is not heredity that passes through the crack, which would fix desire to a morbid ancestry, but that heredity is the crack itself. Hence the claim: ‘In its truest sense, the crack is not a crossing for a morbid heredity; it is alone the hereditary and the morbid in its entirety. For Deleuze everything depends on grasping the significance of this paradox, confusing this heredity for its vehicle, that is, the ‘confusion of what is transmitted with its transmission’ (the transmission which transmits only itself). This is what he means when he declares the ‘germen’ to be the crack and nothing but the crack.

(115-118)

(Anti)Markets

Screenshot from 2018-04-07 23-13-59

There are many advantages to political decentralization as a structural limitation on government power. Imagine a country the size of the United States, but consisting of only five states. Now imagine the same region containing 500 states. All other things being equal, the second situation is likely to be much more hospitable to freedom than the first. The smaller the political unit, the greater the influence an individual citizen can have in politics, thus decreasing the lobbying advantage that concentrated special interests have over the diffuse general public. Further, as the number of available alternative political jurisdictions increases, the citizen’s exit option becomes more powerful. The freedom to leave one state is small comfort if there are only a handful of others nearby to go to; but with many states, the odds of finding a satisfactory destination are much better.

In addition, competition between states can serve as a check on state power, since if any state becomes too oppressive its citizens can vote with their feet. Also, decentralization softens the impact of government mistakes. If a single centralized government decides to implement some ill-conceived plan, everybody has to suffer. But with many states implementing different policies, a bad policy can be escaped, while a good policy can be imitated. (Here too, competition can serve as a discovery process.) – Roderick T. Long, “Virtual Cantons”

________________

As always, Xenogoth’s blog is a machine for inducing thoughts and productivity over here on this side of things. Their latest post concerns Rana Dasgupta’s recent article for the Guardian titled “The Demise of the Nation State”, the topic of which (as the very name indicates) should be well familiar now. “For increasing numbers of people,” Dasgupta writes, “our nations and the system of which they are a part now appear unable to offer a plausible, viable future.” And yet solutions posed seems to be more of the same: avoid the fragmentation, shore up that which is dissolving, and keep on keepin’ on with progressive universalism. Xenogoth writes:

it’s universalism which is the problem here and its funneling progressivism into a single, unwavering straight line. Progressivism reveals itself to be political tunnelvision. When you’re political system starts to offer you the Kool Aid, progressivism becomes putting it down and heading for the exit. There are surely better paths on the outside.

Contra more radical (and perhaps dangerous) routes to the Outside, Dasgupta’s future-oriented politics revolves around three key elements: “global financial regulation”, “global flexible democracy”, and “new conceptions of citizenship”. Xenogoth points out that these are these continue to the drift into neoliberal globalization – and indeed, are these three things not the very idealistic summit of the global regime that has existed since the end of World War II? Empire, the Cathedral, capitalist realism, the Washington Consensus, what have you; it is the unity of regulated monopolistic competition in political economy and liberal democracy in the order of politics that serve as the twin pincers of the meta-system.

The first element will be met with inherent skepticism. After all, we’re told repeatedly that the between the crisis that brought a swift and brutal conclusion to the Fordist-Keynesianism that defined the immediate post-war period (beginning in 1968 and culminating in the Nixon Shock of 1972) and the inauguration of the so-called New Economy of the 1990s, a disastrous path of deregulatory behavior was undertaken, one that undermined the developed world’s industrial base, hollowed out civic institutions and the infrastructures of ‘modern democracy’, and sent us spiraling into cycles of crisis. But is this really the case?

In the United States, it is undeniable that there have been the neutering of regulations in certain areas – but this is only remains a part of the story. The cutting here and there – which has become major talking point for both the left and right, as objects of derision and praise, respectively – has served as the mask for a great explosion of regulatory activities. Take John Dawson and John Seater’s 2013 paper “Federal Regulation and Aggregate Economic Growth”, for instance. Looking at the Code of Federal Regulation (CFR), which logs all regulations on the books in the US, Dawson and Seater discovered that its contents multiplied sixfold between 1949 and 2005, going from the (already significant 19,335 pages to a mind-boggling 134,261 pages). This already begins to overturn conventional wisdom on the left that consistent deregulation is the overarching trend in economic development over the last four to six decades – and Dawson and Seater can only pour more gasoline on this fire:

Periods of negative growth are infrequent, and, when they do occur, the absolute value of the growth rate is small. By far, the fastest percentage growth occurred in the early 1950s. High growth also occurred in the 1970s, even though there was extensive deregulation in transportation, telecommunications, and energy. Deregulation in that period was more than offset by increased regulation in other areas, notably pertaining to the environment and occupational safety, as Hopkins (1991) has noted. The Reagan administration of the 1980s promoted deregulation as a national priority, and growth in the number of CFR pages slowed in the early and late 1980s. Nevertheless, total pages decreased in only one year, 1985. The 1990s witnessed the largest reduction in pages of regulation in the history of the CFR, with three consecutive years of decline. This reduction coincides with the Clinton administration’s “reinventing government” initiative that sought reduced regulation in general and a reduction in the number of pages in the CFR in particular. (Interestingly, the greatest percentage reduction in the CFR did not occur during either the Reagan or Clinton administrations but rather in the first year of the Kennedy administration, 1961.) There thus are several major segments in regulation’s time path, with corresponding breaks in trend (dates are approximate): (1) 1949 to 1960 (fast growth), (2) 1960 to 1972 (slow growth), (3) 1972 to 1981 (fast growth), (4) 1981 to 1985 (slow growth), (5) 1985 to 1993 (fast growth), and (6) 1993 to 2005 (slow growth).

There’s a similar lip-service paid to classical political economy and ideological obfuscation going on where “free trade” is concerned. While the right-wing (outside of its populist sector, of course) sounds the trumpets in the name of laissez-faire and the nationalist right and the left-of-center viciously denounce it, what goes in the West under the name of free trade is anything but. While agreements like NAFTA, CAFTA, TPP and institutions like the WTO, the IMF, and the like seem to reduce this argument to an absurdity, there is an immense gulf between the sort of free trade advocated by classical political economists like David Ricardo – aaand Karl Marx – and these agreements reached by government negotiators.

Free trade would entail something very simple: the parties in question decide to mutually eliminate barriers, including but not limited to tariffs, to one another’s domestic market places. The contemporary agreement like NAFTA or the TPP, by contrast, consists of thousands upon thousands of pages of legal qualifications, special protections, and what are called “investor-state dispute settlements”. The result is an uneven playing field dominated by entrenched quasi-monopolistic corporations, protected by the state, who have suspended free trade for something profoundly different. Tariffs might have been avoided (until the looming US-China trade war, at least), but corporate protectionism reigns supreme.

A counterpoint might that this is precisely what free trade produces: concentration of power in a handful of corporate entities, who bend the legal apparatuses of the state to fix things their favor (such as implementing protectionist policies that further enforce their hegemony). It’s a good story, and one that makes clear who would be the bad guys and the bad systems (corporations! free trade!), and easy solutions (tightening the grip in advance on the exchange circuits before we get to this disastrous state of affairs). Unfortunately – or maybe not so unfortunately – it isn’t true, and one of the reasons has to do with the ubiquity of regulatory behavior. But more on that in a moment.

Perhaps the best way to look at the global system that is now in crisis is by returning to Deleuze and Guattari’s analysis of shifting modes of social organization around the mechanisms of warding off the forces that would undo them. The despotic state was dependent on coding and territorialization of flows in a particular way; it had to, at all costs, ward off the progressive decoding and deterritorializing of flows – and to do this, it had to prevent the arrival of capital, that alien mutagen that draws power from annihilating the very limits and barriers that a socius needs to maintain organization. Hence the sheer apocalypticism of capital and the dread it instills – but the despotic state does not disappear in its dark arrival. It undergoes a transformation into the capitalist state, a unit of “anti-production” that is subordinated to the flux of capitalist deterritorialization.

The capitalist state finds itself in a paradoxical situation: it is founded atop capital’s flows, but it still must ward off their ultimate – and inevitable – trajectory, that is, the acceleration into absolute deterritorialization. Maybe it is across this tension wire that we must place something like the free trade agreement, or even the rates of regulation growth and occasional deregulation. Read this way, the free trade agreement would be series of measures taken to channel flows, to situate institutional entities and political blocs atop the slipstream of global marketization, without falling into them – which would bring the order to its very demise.

Is this not precisely an incredible compensatory mechanism, at one time aimed at global installation? Is this not a more accurate picture of what is splitting apart than most progressivist ideologues argue? And, by extension, does this not mean that the progressivist solution is ultimately to turn back the clock and complete the global installation?

________________

Braudel’s famous argument, implicit in Capitalism and Schizophrenia (this is the topic of a current in-progress work) and operationalized in full by Manuel Delanda, is that the market and capitalism must be made distinct from one another, and that capitalism must be thought as something oppositional to the market: an anti-market. The market – or micro-capitalism – is the realm of “economic life”; it is full of highly visible activities, the interchanges of commerce happening at rapid speeds, and variables profit rates attached to quickly shifting registers of price. “The market spells liberation, openness, access to another world”. Capitalism, by contrast, is defined large-scale centralization, bureaucracy, oligopoly, and decreased mobility in the price regime. Markets link themselves together in networks of “horizontal communication” between smaller firms and actors bound up in competitive behavior. Anti-markets are based around monopoly, and thus ward off the specter of competition.

We could say that, shifting into Deleuze and Guattari’s framework, the market/micro-capitalism corresponds the schizophrenizing, deterritorializing edge where capital rushes towards its ultimate limits, while the anti-market/capitalism side of the economic meshwork aligns with reterritorialization. Indeed, the capitalist state, identified by Deleuze and Guattari as composing a Katechonic mechanism for reterritorializing capital in order to avoid the end of things, is similarly found by Braudel as guarantor and protector of monopolistic entities. In the void of strong states, warding off occurs less and less, and the market emerges a norm; in the presence of them, it is capitalism that is business as usual.

I definitely hope to draw this argument out more in soon-to-be finished Vast Abrupt essay on SchizoMarketization and economic eschatology; in the meantime, however, I’d like to do something different and put forth the exceedingly questionable suggestion that the two of the ideological poles of economic governance in the US – Jeffersonianism and Hamiltonianism – can be roughly mapped to this schema of markets and antimarkets, in both their unity and opposition.

The Jeffersonian ideal moved power in a decentralizing direction, towards smaller and smaller, more localized levels; it opposed aristocracy and remained suspicious of mercantile, industrial and financial interests. The yeoman, an archetypal figure for small-scale, non-slaving owning farmers running the gamut from subsistence farmers to medium-range commercial entities, was the focal point of Jeffersonianism – making it a kind of populism that foreshadows many of the characteristics of certain libertarian factions in existence today.

Jeffersonianism seems to capture the ideological screen erected by the Washington establishment, but the order of business falls more under the purview of Hamiltonianism, with its emphasis on centralization of power, the supremacy of the Federal level above the local, and the creation of powerful and wealthy industrial and financial classes. The tenets of the “American School of Economics” (also known as the ‘National System’), developed in point-by-point opposition to those of classical liberalism, epitomize the Hamiltonian perspective. To quote from the wiki page, the three primary principles were:

  1. Protecting industry through selective high tariffs (1861 – 1932) and through subsidies (especially 1932-1970).
  2. Government investments in infrastructure creating targeted internal improvements (especially in transportation.
  3. A national bank with policies that promote the growth of productive enterprises rather than speculation.

If we’re to talk of the groundwork for the globalizing regime that is organized around transnational corporate protectionism, regulatory behavior, and liberal democracy, it is paramount not to mistake the Hamiltonian platform for free trade – especially given that the beginning of the globalization of this model corresponds with the arrival of US hegemony in the wake of the Second World War. It is an apparatus for producing monopolies – the dynamic generator of anti-market systems.

In 1888, well into the Hamiltonian era, Benjamin Tucker advocated what he described as an “unterrified Jeffersonianism” – a radical free market socialism that served as the “the logical carrying out of the Manchester doctrine; laissez faire the universal rule”. Blocking the path to this world were the four monopolies: “the money monopoly, the land monopoly, the tariff monopoly, and the patent monopoly.” The money monopoly is the state’s exclusive right to establish and produce a medium for circulation, which effectively cut-off the ability for competition between currencies to take place, and alloted greater power to banks and other lending institutions. The land monopoly, meanwhile, is “the enforcement by government of land titles which do not rest upon personal occupancy and cultivation”, while the tariff monopoly needs little mention. The patent monopoly – which, up until recently, was the far more pressing obstruction to international free trade than tariffs – is the domination of ideas under the rubric of intellectual property laws.

To these Kevin Carson adds a fifth: the transportation monopoly, in which roads and other infrastructures are designed and paid for by the state. In both the land monopoly and the transportation monopoly, costs are externalized onto the taxpayer, either in the form of law enforcement or public works. While collective pooling of resources for a common goal is one thing, in the context of the monopoly system this means that businesses are automatically exempt from certain costs. Wal-Mart, for example, has its distribution infrastructure already established by the transportation system. Or, in another case, a landowner who must bear the costs of protecting ownership is going to own considerably less land due to that price tag.

For Tucker, examples such as these – and many others – point to how elimination of the monopolies would proceed from the elimination of the state that made them possible in the first place, and that their removal would clear the way for real competition to occur, the Braudelian market rising up to fill the void. With more competition comes lower costs, and without heavy regulatory burden the barriers to entry implode – which adds to more competition, and lower costs still. The effect would be less distance between market price and what the classical political economists called the “natural price” – the costs inputs that were expended in advance in order to initially bring something to the market.

Carson suggests an even radical transformation: the implosion of homogeneity in socio-cultural formation and politico-economic governance, and the rapid multiplication of other ways of life. Speaking from the left-libertarian perspective, he writes in The Homebrew Industrial Revolution that

…it’s extremely unlikely in my opinion that the collapse of centralized state and corporate power will be driven by,or that the post‐corporate state society that replaces it will be organized according to, any single libertarian ideology… although the kinds of communal institutions, mutual aid networks and primary social units
into which people coalesce may strike the typical right‐wing flavor of free market libertarian as “authoritarian” or “collectivist,” a society in which such institutions are the dominant form of organization is by no means necessarily a violation of the substantive values of self‐ownership and nonaggression… it seems to me that the libertarian concepts of self‐ownership and nonaggression are entirely consistent with a wide variety of voluntary social frameworks, while at the same time the practical application of those concepts would vary widely.

To exit from the globalist anti-market is to be propelled towards the strangeness of patchwork.

Cthelllic Tendrils (#3a: Possession and Return)

Screenshot from 2018-03-28 23-36-41

From inside the Turning she whispers to the Bottomless Pit: Ogun the metal-bodied, one who is many, breaker of masks. The hour of her coming draws near, and her Cloud of Dispersion already casts its abysmal shadow. – Mother Mary Ann Haddok, Industrial Church of the Nine Knocks

In the final pages of Flatline Constructs, Mark Fisher turned his attention to John Carpenter’s 1994 horror film In the Mouth of Madness, which he provocatively described as something of a companion piece to the two volumes of Deleuze and Guattari’s Capitalism and Schizophrenia project. In the Mouth of Madness is the story of a freelance investigator by the name of John Trent, who is hired by a large New York City-based publishing company to look into the disappearance of Sutter Cane, a popular horror novelist whose novels are reputed to have ‘strange effects’ on certain types of readers. Things go off the rails fairly quickly when Trent and Linda Styles, Cane’s editor, arrive in the town of Hobb’s Endan otherwise idyllic little New England ‘burg, besides a sinisterly beckoning church that loom up on the outskirts and the fact that the town itself is a fictional setting in Cane’s novels.

What binds In the Mouth of Madness to Capitalism and Schizophrenia is the twisting red thread of market apocalypticism. Cane is ultimately revealed to be to be a conduit – initially unwittingly – for the Old Ones, who are invading the world through his books, with the massive capitalist market serving as a contagion vector for belief. The more people read, the more they believe, and the more they believe, the more time accelerates towards the impending arrival of the ancients from the Abyss. In the film’s closing moments, we hear emergency broadcasts reporting in from somewhere, panicked voices warning of mass outbreaks of schizophrenia, of waves of violence and social disintegration, and of afflicted human bodies undergoing horrific mutation. A hyperstitional configuration par excellence: fiction writing itself into reality, the Outside invading in via the wildly oscillating hype(r) circuitry of capital.

So too it goes in Capitalism and Schizophrenia: capital, described in Anti-Oedipus as a flow of “abstract or fictional quantities”, is oriented towards “the wilderness where the decoded flows run free, the end of the world, the apocalypse”. This plane of cosmic schizophrenia is constantly ward-offed by Oedipal and statist compensators – yet the more capital itself proliferates, the greater the schizophrenization that explodes back from the periphery to the center, and the more the compensatory mechanisms shake and, ultimately, shatter. When social bodiesthemselves compositions of fictional quantities and mythsare “confronted with this real limit, repressed from within, but returns to them from without, they regard this event with melancholy as the sign of their approaching death”.

Cane’s role is that of the xenocommunicant: here is a figure who is opened up, unwittingly at first, to the Outside, though which the infection of the “schizo-signal” spreads. It’s not hard to see him as a composite of, on the one hand, Stephen King, with his utterly insane sales figures and strangely mutagenic effect on cultural formations; and on the other Lovecraft (another point of connectivity with Capitalism and Schizophrenia, the second volume is particular). Carpenter filled In the Mouth of Madness with references to Lovecraft’s cosmic horror, from structure of the film itself, to the names of characters, to the New England setting, to the final actualization of the long-awaited return of the Old Ones.

If the fictional Cane is an xenocommunicant, is it a stretch to grant that same designation to the ‘real’ Lovecraft? Ludicrous as it may seemand it is only going to get strangerthis is the position that was taken by Kenneth Grant, who in the 1970s began to cross-pollinate Crowley’s Thelema doctrines with Lovecraft and UFOlogy. In Beyond The Mauve Zone Grant would even suggest that the signals tapped into by the author were “strange sigils swirled by the power-waves of [Frater] Achad’s work” – Achad being Charles Stansfeld Jones, a ceremonial magician and purported ‘magical child’ of Crowley. Peter Levenda also takes up this question in his work on Lovecraft, Crowley and Grant titled The Dark Lord; to quote him at length:

In Liber Liberi vel Lapidus Lazuli, Crowley refers to several of the images with which Lovecraft would be consumed in his stories, but especially in “The Call of Cthulhu.” Here we have a buried god that is awakened from a stone, in a coffin, in a sepulchre, and mysterious words written in an ancient book, including Tutulu. And “of pure black marble is the sorry statue” resonates with the black stone on which the statue of Cthulhu squats.Crowley believed that the first two books [the Holy Books of Thelema] mentioned above were not his writing, but were inspired works dictated to him by his Holy Guardian Angel, the ancient Sumerian personality Aiwass, after Crowley had attained samadhi during a course of rituals he undertook with his colleague, George Cecil Jones, in England. Even the undecipherable language of “Olalam Imal Tutulu” has its counterpart in the enigmatic hieroglyphics of the Cthulhu statue and the ecstatic, glossolalia-like cries of the worshippers in the Louisiana swamps. Both men—the American author and the English magician—were dealing with the same subject matter, and indeed Lovecraft had dated the first appearance of the Cthulhu statue to the same year, month and day that Crowley began writing these sections of the Holy Books.

Levenda suggests that these may not be mere coincidences (as if there is anything mere about coincidence!), but could very well be an indication of some alien entity at work: “Either Lovecraft was in some kind of telepathic communication with Crowley, or both men were in telepathic communication with… Something Else.”

[If anyone is on the fence thus far, consider Levenda’s innocuous capitalizations in light of the following AQ equivalence: SOMETHING ELSE = 268 = SCHIZOPHRENIA]

In 1949a year after Crowley’s death, the beginnings of the modern UFO phenomenon (by way of the Kenneth Arnold sighting and the mythical Roswell Crash), and the inauguration of the Aeon of MaatPeter Vysparov convened a small group of researches together to study, among other things, these very sorts of “cryptic communications from the Old Ones, signaling return”. In a manner very close to Grant’s own untimely remixing of the edgeland currents rippling through cosmic post-war modernity, Vysparov’s goal was to find the key that would zip together Lovecraft’s ‘fiction’ with the body of work produced by Crowley and his acolytes, as well as with that of certain Indonesian indigenous populations. In his correspondence with the anthropologist Echidna Stillwell, he described this nexus as the zone of “Cthulhoid contagion”. On these matters Stillwell would response with a sense of knowing hesitance:

Whilst not in any way accusing you of frivolity, I feel bound to state the obvious warning: Cthulhu is not to be approached lightly. My researches have led me to associate this Chthonian entity with the deep terrestrial intelligence inherent in the electromagnetic cauldron of the inner earth, in all of its intense reality, raw potentiality, and danger. According to the Nma she is the plane of Unlife, a veritable Cthelll—who is trapped under the sea only according to a certain limited perspective—and those who set out to traffic with her do so with the greatest respect and caution.

Down and under…

Compensation and Escape

 

tumblr_ovrpzvtcMD1r5fazco1_1280

In the earlier post Mixed Bag, I mentioned briefly Land’s argument that long-term cyberpositive trends – that is, cybernetic excitation or positive feedback unfolding primarily through technomic cycling – is continually dampened by a compensatory mechanism. Perhaps we can think of being similar to the importance of frequency compensation in electrical engineering, particularly in the case of amplifiers, which deploy negative feedback  mechanisms in order to pull back the wild oscillations and distortion engender by the lock-in to a positive feedback loop. Slotting this into the historical drift of technomic escalation, however, changes this a bit: the positive feedback process remains in the primary position, and dampening can only be secondary. Paradoxically – and this is where things get truly loopy – is that this secondary becomes a conduit through which the primary expresses itself. Consider the three forms of cybernetic circuits that cut across cyberpositive and cybernegative tendencies, as described by Land in his CCRU-era essay “Circuitries”:

  1. Long-range positive feedback: the primary cyberpositive process, characterized by continual escalation and the folding-in of machinic convergence (the ultimate unknown unknown of impending technomic concresence).
  2. Short-range positive feedback: short, harsh, unstable bursts of cyberpositivity that burn themselves out.
  3. Stabilization mechanisms: circuits that operate against cyberpositive in an attempt to suppress mutation and contagion. Ecumenonical.

These forms can be further related to the cybernetic model of history cultivated by Deleuze and Guattari in Anti-Oedipus, where development unfolds through the coding, territorialization, decoding, and deterritorialization of flows, and the modulation of these forms through mechanisms that ward off  mutagenic shocks to each historical stage. The primitive socius carried out a dual-warding suspended between the figure of the warrior and the shaman; the former, as Clastres demonstrated, played a role in preventing the formation of the State through the use of constant warfare, while the latter capture deterritorializing flows that threatened to return the socius to the biocosmic ocean. In the age of the despotic State, it was the body of the despot itself that capture these flows, which in the age of the Civilized Capitalist Machine passed to the capitalist state (as the force of anti-production that is subordinated to, yet aids, capitalist production) and Oedipus itself. For the despotic State, warding-off the impending flux of capital was paramount; for the Civilized Capitalist Machine, it is the pull of capital itself towards the edge of the edge, where everything gives way to burning, cosmic schizophrenia. Schizo-Marketization.

The long arc that bends towards this future apocalypse is the long-range positive feedback process, and the mechanisms for warding-off and capture constitute stabilization mechanisms. In each case the slippage towards what is warded off can be deferred for a while, but can never be absolute. It happens despite all attempts to halt it. What does tend to get churned out, however, are those explosions of short-range positive feedback.

In the parlance of Land’s more contemporary work, the stabilization mechanism of the capitalist epoch is precisely what Moldbug described as the Cathedral. To return to Re-accelerationism:

…the Cathedral acquires its teleological definition from its emergent function as the cancellation of capitalism: what it has to become is the more-or-less precise negative of historical primary process, such that it composes — together with the ever more wide-flung society-in-liquidation it parasitizes — a metastatic cybernetic megasystem, or super-social trap. ‘Progress’ in its overt, mature, ideological incarnation is the anti-trend required to bring history to a halt. Conceive what is needed to prevent acceleration into techno-commercial Singularity, and the Cathedral is what it will be.

In a great post on this same topic, Uri the Cyborg Nomad drops this excellent diagram of the dampening effects of the Cathedral on technomic cyberpositivity. Hopefully he won’t mind it being reproduced here:

the-cathedral

This may seem different from the usual image of the Cathedral offered by neoreactionaries, which often seems to be a stand-in for progressive policies they don’t like. This isn’t to say that it doesn’t encompass that – the opposite, in fact! Far from being a particular mode of politics, the Cathedral defines totality of the political machine, which is intrinsically bound to self-replication (far from being stupid, politics wants more of itself), self-preservation, profit-seeking, hegemonic functioning, and – as a result from each of these – an inclination towards universalism in increasingly more managerial modes. It is for this reason that Land describes a Left Singularity that is locked into a doomed conflict with an impending future Right Singularity

[Many will immediately jump on this point and point out that this framing of singularities along a Left – Right line doesn’t quite gel with the muddied (and frankly nonsensical) history of these terms. I know, I know. To ward off in advance the endless quagmire of debate over what these terms means, consider the way in which Land is using them here: taken most generally, Left here designates the political, and Right designates anti-politics. Consider that what is being called unconditional accelerationism was, originally, called right accelerationism by Land:

a framework which would slot both the left accelerarionism and right accelerationism critiqued by unconditional accelerationism into the the framework of the Left. U/Acc, however, moves in a different direction by referring to the political in terms of a grand Left, but a mutually reinforcing secondary circuit in which left and right self-excite one another through reinforcement, antagonism, and constructive blurring. Clear as mud? Cool.]

Something that I’ve been interested in is how Land sees Neoreaction itself fitting into this schema. It designates something still internal to the Age of the Civilized Capitalist Machine – the encounter with the Dweller on the Threshold is still a ways off yet – but past the Cathedral proper, which is anticipated to be shattered into countless, fractioning polities. The death of politics, by way of the insane multiplication? Such a maneuver would constitute the annihilation of the universalist stabilization mechanisms, though it would – in the patchwork model, at least – make possible all sorts of localized, dynamic, and variable stabilization mechanisms available. This flips back to an argument posed on this blog before: that what Land designates the Cathedral and Fisher assessed as “capitalist realism” are, in fact, the same thing (once we separate capitalism from cyberpositive capital, and approach capitalist realism via the former), and that breaking through to the other side of these immense blockages opens into a plane of differentiation: micro-scaled units rising up like a nano-swarm. But, Land argues, and yet this is ultimately as doomed as the Cathedral itself, as is made clear by the brief comments on the ultimate fate of neoreaction at the end of Dark Techno-Commercialism:

Dark Techno-Commercialism — provisionally summarized — is the suspicion that the ‘Right Singularity’ is destined to occur in surreptitious and antagonistic relation to finalistic political institutions, that the Cathedral culminates in the Human Security System, outmatched and defeated from the Outside, and that all hopes that these ultimate historical potentialities will be harnessed for politically intelligible ends are vain. It is, therefore, the comprehension of capitalism ‘in-itself’ as an outsider that will never know — or need — political representation. Instead, as the ultimate enemy, it will envelop the entirety of political philosophy — including anything neoreaction can contribute to the genre — as the futile strategic initiatives (or death spasms) of its prey. (emphasis added)

There’s a rabbit hole to tumble down here, full of numogrammatic, Deleuzeguattarian, and Thelemaic resonances that are best left for future investigation – though it’s worth considering how the above relates to the neoreactionary Trichotomy. This triad model is used to survey the terrain of NRx in a way that, on one hand, illustrates its opposition to the Cathedral, and on the other illustrates its own internal oppositions. By sketching all of these out, the Trike reveals an intended motor of fragmentation, where the pieces can never really fit into a higher unity synthesis, and can only ever proceed through ongoing shattering. The three sides are: Theonomy, Ethnonationalism, and Techno-commercialism. The first finds itself into opposition to the treatment of religion under progressivist universalism, and is resolutely opposed to ethnonationalism and techno-commercialism; the second rejects political integration and the demand for multiculturalism, and is opposed to theonomy and techno-commercialism; and techno-commercialism clashes with the technomic dampening of the stabilization mechanisms, and can only ever be structurally opposed to theonomy and ethnonationalism (it’s clear that this latter force is intrinsically linked to the primary accelerating process, hence the identification of a dark techno-commercialism that rides beyond NRx into the unutterable void of futurity).

Behind the Neoreactionary Trichotomy is a second, more esoteric triadic formation that maps not the political, but fate itself: the Horrorist Trichotomy. Each point is rendered as that which cannot be escaped from: Providence, Heredity, and Catallaxy. If the Neoreactionary Trike is ecumenonical, the Horrorist Trike serves as the planomenon. The alignments are clear: Theonomy to Providence, Ethnonationalism to Heredity, and Catallaxy to Techno-commercialism.

What relevance does this strange architecture, twisting as it does through the political and arcane materialism, have to these questions of compensation and accelerating trendlines (or: why this deep dive into the far end of NRx theory)? The answer to this follows the introduction of yet another triadic formulation, one that clearly anticipates the Neoreactionary Trichotomy: the “Golden Meme” introduced by Walter Russell Mead, and discussed by Land in an ancient post from waaay back in 2011 titled “Reign of the Tripod” (reign indeed!). In Mead’s historiography, the Golden Meme (i.e. the concept of the invisible hand) is the formula that produced the two centuries of “Anglosphere hegemony” – or what ensured the long-term stability of the British empire and the United States. Three points of a triangle: “Newtonian celestial mechanics” (serving as the modernization of “the religious idea of providence”), “Smithian political economy”,  and “Darwinian evolutionary biology. Again, the alignments are clear, though at the same time they cannot put fracture a little. Both Newtonian celestial mechanics and theonomy derive from providence, but one charts a secularizing path whilst the other stakes out a religious one. Something is shifting here.

Land writes that opposition that cannot be reconciled via synthesis becomes institutionalized in a power balance. In other words, the Golden Meme functioned because the three points checked one another. A compensatory dynamo is generated, one capable of pressing down on short-term burnouts that could arise from each triangle tip. Yet what stabilizes also sows the seeds for fracture:

Cultural hegemony follows from a semi-deliberate fatalization, as the sovereign center is displaced by a substantially automated social process, which no social agent is able to master or entirely impede. Each major faction steps back into its position in the triangle, from which it can strategically engage the others, but never fully dominate or eradicate them. The triangle as a whole constitutes a social and historical motor, without adequate representation at any identifiable point.

By placing the three Trichotomies in alignment, we arrive at a picture of ecumenonic consolidation and subsequent fragmentation, both shot through with the concealed Horrorist diagram of fate:

[Providence] :: Newtonian point of the Golden Meme –> Theonomy

[Heredity] :: Darwinian point of the Golden Meme –> Ethnonationalism

[Catallaxy] :: Smithian point of the Golden Meme –> Techno-commercialism

This picture is clearly a messy one and needs further work into integrating it into a more cohesive model, but it reveals a certain insight into neoreaction itself (or at least the form that Land is sifting through, which seems to go far beyond the work of many of his interlocutors). If the Golden Meme is the production and governing protocols for the Anglospherical compensatory mechanism, then it is what produces the Cathedral itself, which would as the Atlantean summit of this development. It follows, then, that if the NRx Trike etches a cartography of fragmentation that proceeds from this, then NRx is not simply an opposition to the Cathedral (as an activist movement for politico-cultural restoration would be, for example); it is the dynamical fall-out of the Cathedral’s fracturing in itself.

This is the very position staked out by Land in a post titled “Crypto-Brahmins”:

The Brahmin priest caste, like the digital elite, specializes in signs, but they are signs of exhortation, rather than of intrinsic efficiency. Is not the Cathedral precisely a name for that apparatus of signs — (non-STEM) academia, media, bureaucracy, politics … — which cannot in principle ever compile? The Cathedral is a secular religion, which has to preach because it does not work.

When NRx insists upon a division within ‘progress’ between techno-economics (which works) and socio-politics (which decays), it opens a rift that splits the Brahmins, rather than further separating them from social inferiors. NRx, at its core, is a ‘Brahmin’ civil war.

There’s much more to be said here, especially in light of how US democracy promotion exercises export Cathedral-capitalist realist-style governing protocols around the world through a model of capture that relies on keeping elite power balanced between multiple competitive fractions – not to mention the analysis offered by Peter Turchin on the relationship between elite overproduction and political fragmentation. But best to leave these thoughts for another post!

Some excellent recent posts that are swimming in similar waters:

Xenobuddhism: Non-Oriented Accelerationism

Xenogoth: Nationalist Realism

Deep End

Server-blessing-Poland

If the QWERTY keyboard is the production of a destiny by serving as an (ultimately sub-optimal) lock-in driven by the positive feedback of increasing returns – and can be cognitively handled as “a key to the nature of modernistic time”, the “Capitalist Revelation” – is it insane to make the leap from

esc key + function keys

1234567890

QWERTYUIOP

ASDFGHJKL

ZXCVBNM

to

EARTH

CLOUD

CITY

ADDRESS

INTERFACE

USER

Two six-layered Stacks, each articulated as an accident, both are phenomenon of global-scale computation (and the infrastructure for it), and both cut across each other at all scales. The question: how did these particular stratifications become produced the way that they have?

Some vital background:

Paul A. David – “Clio and the Economics of QWERTY”

S.J. Liebowtiz and Stephen E. Margolis – “The Fable of the Keys”

Hyperstition blog – “Intro to Qwernomics”

Deeper still: Bratton writes that the Black Stack, the Stack-to-come, ” is less the anarchist stack, or the death-metal stack, or the utterly opaque stack, than the computational totality-to-come, defined at this moment by what it is not, by the empty content fields of its framework, and by its dire inevitability… It is less a ‘possible future’ than an escape from the present” (emphasis added).

If we need to locate escape in the keyboard stack, it is the top row – the esc key. Run through the generative matrices of Anglossic Qabalah and this decodes to 54, a supremely ominous number due to the immediate Katak-ian resonances (as well as certain Egyptian demons summoned via meme magic during the course of 2016). Reversed, and we get 45, the number coding to Lo – the first message sent over the ARPAnet on October 29th, 1969.

Deeper ever more: Fifty Four and Forty Five are the same and each are 207 – the sum of the syzygies composing the numbers of the Hex.