Anarchy (#2: Twitter Talk)


On Twitter, John Doe’s Carnival of Error writes that it has “become clear any Gnon-centered approach to power must be accompanied by an anarchist ontology in some way.” I certainly agree, though with a slight modification of terminology: any anarchic approach to power must be accompanied by a Gnon-ontology in some way. Gnon, as the Great Propeller, already holds great affinity with the anarchic outside, to point even in which the difference between the two seems nil. The question of power intersects here in two different ways, the nuances and internal connections of which are need of greater elucidation and interrogation. The first intersection is in the context of political power: as an immense struggle unfolding in the great void, the anarchic is the political’s a priori, to which it is permanently wed. The second is in the manifestation(s) of non-political power, which (on the surface, at least) cuts sharply towards the Outside by want of its own logic. It is, then, another mask of the anarchic. Upon each of these the final determination unfolds as the asovereign exception.

Another thread that crossed into similar territory began with on the topic of whether or not civil war is imminent (a topic for a future post!) and ended on the question of whether or not a unipolar global order is an open possibility for the future. From the U/Accist perspective here (or is something like a gamble more proper?), the position that is staked out in this debate is on the supreme unlikelihood technocratic unipolarity. To summarize as briefly as possible: highly centralized, vertical power systems are doomed and their capacities will into squeezed into tinier and tinier blocs – or patches – as the involutionary curve of spiral temporality auto-tightens. This isn’t to say that the existing sovereign units won’t be undergo intensive development and become zones of runaway growth and innovation – quite the opposite! The kicker is that the happenings in such spaces will, along with despatialized counterparts, be conduits for the tightening gyre itself feeding into itself.

Regardless, it’s an excellent thought experiment, and one that demands to be thought-through. The implications for anarchy are clear: if unipolarity was achieved it would be a sovereign operating above all other sovereigns, and the void of anarchy would be squeezed into nonexistence. To pull off this defeat would entail nothing short of the Promethean overcoming of Gnon, ushering in Scott Alexander’s Age of Elua.

A cosmic reign of Elua would be nice; it is, after all, the imaginal zone where the most utopian of socialist currents and libertarian transhumanism bend and connect. At the conceptual summit it comes down to the classic friendly artificial intelligence vs. malevolent artificial intelligence debate. Anything short of that and it is a matter of a planned and perfectly-executed upon convergence upon the smooth, perfect functioning of a system designed to achieve these goals.

Baudrillard’s death knell: “Every system that approaches perfect operativity simultaneously approaches its downfall.” (Symbolic Exchange and Death, 4)


Speedy Mutualism


How will it take to get from this

 it.” (Kevin Carson, The Homebrew Industrial Revolution, 220)

to this?

Soon, no doubt, there will be a 3D printer in every home and social robots may well be providing the vigilant company to the elderly who live alone. The present machines,” wrote Samuel Butler in The Book of Machines, “are to the future as the early Saurians to man. The largest of them will probably greatly diminish in size. Some of the lowest vertebrate attained a much greater bulk than has descended to their more highly organised living representatives, and in like manner a diminution in the size of machines has often attended their development and progress.” Technology is plotting its own evolution and the purely human advantage is becoming increasingly small. New fusions and adaptions between the organic and the near organic continue. Silicon, once sand, the second most common element built into the earth’s crust, carries deep with in it an ironic reminder of our own amphibious evolutionary past. Our roots, as cybernetic organisms, come from the same source. Though we are often blind to the machines that surround us – technology is the ocean within which we swim – these exchanges and interactions fuel us. As evolutionary beings, we are willing participants, hungry to transform.

In Shenzhen companies, factories and markets are adjusting to the new products and modes of manufacturing that they bring. A realization is dawning. The age of the copy is over. It is time to mutate. (Anna Greenspan and Suzanne Livingston, Future Mutation: Technology, Shanzai, and the Evolution of the Species)

Old Nick chimes in to fill some gaps and provide some speculation on the height on this tendency: the convergence of miniaturizing manufacturing technology towards a “self-replicating symbiotically assembled Universal Constructor“.

In the more short term, Dubai is several years into an initiative to make itself into the world’s preeminent 3-D printing hub, which has already seen the launch of a 3-D printing factory, the construction of a 2700 square-foot 3-D printed office building, and ambitious plans to 3-D print some 25% of its building construction by 2030. Meanwhile, the US’s Department of Defense Subcommittee on Emerging Threats allocated $13.2 billion of the $639.1 billion for investments in 3-D printing technology, aiming to begin the process of bringing usage of the printers up to “tactical level”. On cue, fears have begun to circulate that (alleged) already-occurring usage of 3-D printers by terrorist organizations will have radical implications for future battlespaces.

Phyles and Networked Tribalism (notes and link roundup)


The despatialized patch: or, as it has been called by its actually-existing practitioners, a phyle. The question of despatialized patches becomes foregrounded by multiple factors, the most obvious of which is that in the 21st century there is not necessarily any correlations between community and territorial clustering. Not even that ephemeral force that organized itself through reiterating engagements in a shared environment – tradition – is locked in place by the ground from which it emerged. Solid into air, value into information. On the far side of this trend is subscription governance that, unlike fixed neocam models, can be plugged into anywhere in the world. One only needs to look in the direction of  Estonia’s ongoing experiments with e-governance to reach this stage (or, from another direction, the recognition that there’s nary a government service that isn’t also provided for on the open market, and it is only a matter of time before the package deal rears its head. Government, by Amazon).

The term phyle has its roots in Neal Stephenson’s (post)cyberpunk novel The Diamond Age, and describes national, ethnic, and ‘synthetic’ networks of governance and commerce that operate globally. Coexistence with city-states, the phyles maintain certain territorial ‘enclaves’ where business enterprises internal to the network set up shop, which in turn supports the functioning of the phyle itself. In many respects Stephenson’s vision comes close to Rizome, the transnationally-networked corporation in Bruce Sterling’s Islands in the Net, which also exhibited a kind of decentralist organizational dynamic that has been described by Kevin Carson, in The Desktop Regulatory State, as ‘platform support structures’. Sterling suggested that the Rizome organizational system be likened to the structures of Japanese feudalism, while Stephenson’s phyles akin to the Venetian merchant guilds. Time-tangling, it seems, is utterly ubiquitous, and when we consider that the fictional depiction of the phyle directly informs the real-life experimentation, it’s clear that something very weird is happening. A hyperstitional thread, however, is probably best left for another time…

Las Indias is a ‘neo-Venetian’ phyle organized by a collective that came together in the Spanish cyberpunk scene of the 1990s. Contra the voiceless structure of Moldbuggian neocameralism, Las Indias articulates itself as an ‘economic democracy’ boasting a heavy focus on community, fraternity, and shared experience: a social “common metabolism’ that is conjoined to a “single economic metabolism”. According to David de Ugarte, one of the chief brains behind the project, these intertwined metabolisms produce an architecture that synthesizes an understanding of the phyle as both a “micro-country without territory” and a “kind of local economy”: the transnational network and the localized, spatial support structures. Out from these conduits flows product and services, and in flows capital and goods.

de Ugarte notes that while the neo-Venetian ethic of Las Indias bends towards the democratic, this isn’t the only path for the phyle:

The Murides, the old pacifist Sufis from Senegal, went from having a nationalist dis- course and growing peanuts to constituting a community trade network with two million members that spreads from South Africa to Italy. Its transformation isn’t over yet, but the young Murides have turned the daïras, the old Koranic schools, into urban communes that are also business cells.

At first blush, nothing could be farther apart than cyberpunks and the Murides. But the parallelism is significant: they are not companies linked to a community, but transnational communities that have acquired enterprises in order to gain continuity in time and robustness. They are phyles.

Phyles may function democratically and be cooperative-based, as in the case of the Indianos, or else they may have a small-business structure and even a religiously inspired ideology, as in the case of the Murides. But they share two key elements: they possess a transnational identity, and they subordinate their companies to personal and community needs.

Phyles are “order attractors” in a domain which states cannot reach conceptually and in areas that states increasingly leave in the dark: phyles invest in social cohesion, sometimes even creating infrastructures, providing grants and training, and having their own NGOs. Transnational thinking allows them to access the new globalised business before anyone else. A phyle’s investment portfolio may range from renewable energies to PMCs, from free software initiatives to credit cooperatives. Their bet is based on two ideas. First: transnational is more powerful than international. Second: in a global market the community is more resilient than the “classic” capitalist company.

Commentary from others in the P2P ‘movement’ had pushed back a little on certain aspects of Las Indias’s presentation of the phyle: drawing on some the same historical precedents cited by de Ugarte (namely: merchant guilds), Poor Richard challenges the formula that “community precedes enterprise”:

A guild can function just as envisioned for a phyle (from Greek phulē — tribe, clan) but does not carry the same connotation as a tribe, clan, or phyle of having a primary basis in familial kinship, nor the historical reputation (in certain cases) of rebellion against central authority. The subtle but important difference is that a guild is all about practical know-how and about taking care of business– not about ideology or revolution (eh, at least on the surface…).

Typically a guild (German: Gilde) is an association of craftsmen in a particular trade. In the most general sense a guild is simply an organization of persons (peers) with related interests, goals, etc., especially one formed for mutual aid or protection. Historically guilds were any of various medieval associations, as of merchants or artisans, organized to maintain standards and to protect the interests of their members.


One point on which I think guilds differ from Las Indias’ conception of phyles (“In Phyles, Community precedes Enterprise” -David Uguarte) is that for guilds, community and enterprise are two sides of one coin. I think this fits well with p2p culture while also being relatively non-confrontational with mainstream corporate/capitalist norms. The ability of guilds and leagues (such as the League of Women Voters) to present a relatively “normal” outward face, may have occasional tactical advantages.

Leaping off from this conversation, we might say that the phyle is a diagonalization between two different forms of organization: the guild and the networked tribe. There has been quite murmurs and active experimentation with neo-guild models over the last two decades, but the figure of the tribe itself – as perhaps a more abstract organizational system than either the guild or the phyle – permeate the emergent world. Extrapolate from trends in cultural fragmentation and miniaturization of production technology, and McLuhan’s dictum that electronic communicaton exerts a “tribalizing effect” nestles itself up against everything from the (arguably templex) tribalist dreams emanating from certain anarchist quarters as well as DIY networks, to insurgent hacker tribes, among other examples.

Speaking of tribes and time loops, here’s John Robb, circa 2005. While written only a year into the US’s disastrous adventure in Iraq, this seems like it may very well be more relevant today:

The tribalism we face today is a combination of these ancient mindsets and modern systems thinking (economics, networks, communication, etc.). It’s a very dangerous combination made stronger by the forces of globalization — which has levelled the playing field in the competition between tribes and states. Today, networked tribes thrive economically (particularly as participants in the multi-trillion dollar black economy) and project power globally:

  • In Iraq, we don’t face a single tribe (either traditional or manufactured). We face dozens. Wholesale systems disruption and violence has forced great many people (particularly young men) into tribal organizations for economic support and defense — a pattern we see repeated in other failed states.
  • In Afghanistan, we see tribes in control of most of the country as well as a multi-billion dollar opium industry.
  • Globally we see rapidly growing manufactured tribes like the Mara Salvatrucha (already over 700,000 strong) and al Qaeda in open war with states. The appeal of these tribes — the sense of belonging they represent — transcends borders. It is able to motivate young men in the UK and Honduras to undertake acts of extreme violence in the hope of gaining membership.

Until we understand the moral bonds of networked tribalism, there is little hope that we will morally defeat it.

From the U/Acc point of view of this blog, the idea of the moral defeat of such things seem like a woefully antiquated concept, as is the issue is not, at the ultimate unground, a question of moral determination or a sense of operational agency.

More mill-grist:

  • The Cyborg Nomad on Bit-Nations and Sovereign Services, charting out the intersection of extreme deterritorialization and the spatial boundaries of the Neocam model. Such things have relevance to the aforementioned organizational dynamics of the Neo-Venetian model.
  • Cockydooody on the Tankie Patchwork in Dontesk. Networked tribalism in pursuit of breakaway republics fosters what appears to be the opening chasm to unending war defined by the alchemical mixture of red and brown political ideologies. The “harsh exit”: “Neo-Soviet-Eastern-Orthodox-Eurasianist-Fascism-Communism”
  • Xenogoth on Bifo and the ‘Global Civil War’. A very poignant moment is the reflection on the possibility that resistance to geopolitical fragmentation may very well be “exacerbating mental disintegration”. The specter of antipraxis lurks in Bifo’s reflections, to boot.

Demons and Disjunction (Patchwork and Capitalist Realism)


A great new post series is in the works by Xenogoth, pushing out from the reflections on state decay to The Gothic Secession of Yorkshire. Reprising the fallout of early posts on the topic, they write:

Following my previous post on patchwork, ‘State Decay’, which tentatively introduced the idea and explored why it is something that the Left should take more seriously, I was repeatedly challenged over the legitimacy of patchwork being anything more than “science fiction”.

The difficulty in addressing this is, of course, that theories of patchwork are inherently speculative, but if we are to jettison the use of our imaginations when addressing the future, what point is there to thinking (about it) at all?

To me, this line of criticism felt like a blatant instantiation of the Left’s consistent inability to dig itself out of the “capitalist realist” fallacy that Mark Fisher so famously described in his book of (roughly) the same name.

This is a really cool way of thinking about it, and raises interesting questions with regard to certain retroprogressive elements in leftism, i.e. because there appears to be no alternative, and in response the Left only looks backwards. There’s always tools and forgotten histories and whatnot in the past to be found that can be resurrected, but if this comes at the expense of thinking-through future-oriented trendlines then the backwards face only serves to reinforce the initial condition of capitalist realism.

Either way, this made me think about the brief appearance of capitalist realism in Flatline Constructs, which is still occupying a major spot of my headspace. It occurs in a lengthy conversation about Freud on the double and Baudrillard’s response in Symbolic Exchange and Death (maybe the connection is further enforced in my mind by the fact that this conversation takes place to unpack the Uncanny, and which Xenogoth sees as something active in the concept of patchwork itself – “Patchwork is, in this way, for me, an eerie politic.”):

The destruction of the double goes hand in hand with the production of the (Christian) soul (the ultimate achievement of the “spiritualist” project), the rise of “psychological and psychoanalytic interpretation” as the authorized forms of capitalist realism bring an end to “the primitive double”. “Shadow, specter, reflection, image”, the primitive double haunts post-monotheistic, psychoanalytic culture, which appropriates it as a “crude prefiguration of the soul”. Yet “soul and consciousness have everything to do with a principle of the subject’s unification, and nothing to do with the primitive double. On the contrary, the historical advent of the ‘soul’ puts an end to the proliferating exchange with spirits and doubles which, as a direct consequence, gives rise to another figure of the double, wending its way beneath the surfaces of western reason.” This – modern, western – double is inextricably connected with alienation; it is the double as lost part of the self, “a fantastic ectoplasm, an archaic resurgence issuing from guilt and the depths of the unconscious.”

These reflections, addressing psychoanalytic consolidation of the unitary self and matters of spirit and soul, might seem to be at an immense distance from the conversations concerning patchwork – which is, ostensibly, a theory of metapolitics, belonging to a different set of scales. But is Fisher not right in saying that, as fantastical as it seems, this line of inquiry plunges us into the depths of capitalist realism’s functions? In the destruction of the primitive double, the wild chains of proliferating difference are cut off; one no longer enters into transit and trade with figures on the outside, but turns inwards to operate under the sway of predetermined sets of options that are each flush with a particular unifying logic. The double begins in multiplicity and ends unified and coded.

Baudrillard, like Deleuze, was a shrewd reader of Klossowski, and the influence radiates through the conversation about the double. Klossowski approached the concept through the simulacrum, which for Klossowski appears in European culture under the figure of the demon so feared by those of the Church. Baudrillard, by way of Fisher: Freud’s psychological flattening of the double “is what kills off the proliferation of doubles and spirits, consigning them once to the spectral, embryonic corridors of unconscious folklore, like the ancient gods that Christianity vertefeult, that is, transformed into demons.” For Klossowski, the Church had killed the ancient gods, but only to resurrect them as the demonic pantheon that their own holy order was tasked with holding at bay – a swarming apocalypse warded off by the Katechon. This, however, had unintended consequences: the demons did not annihilate the tracings of paganistic delirium, of mad communion with spirits, contagion and possession – the very presence of the demon was a portal between the unitary, sanctified world and the repressed Outside.

If Baudrillard finds Freud and the Church carrying out the same function, it’s because what is being repressed in this cycle (destruction of the old gods → their resurrection as demons → warding off the demonic) are impulses, which correspond precisely to what Nietzsche called the “vast confusion of contradictory drives” that are contained within ourselves. For Klossowski, they are primordial and noncommunicable intensities, just as in Deleuze’s own philosophy. The impulses ‘flicker’ through differential sequences, giving rise to to the phantasm – the self produced through synthesis and that is blind to the impulses that uphold it. Insofar as we can describe capitalist realism through these terms, it is a mode of suppressing the interplay of impulses in order to stabilize a particular phantasm in place – what Klossowski would describe as the production of series of stereotypes.

(A brief detour: it is perhaps here, in secular institutions repeating repression and molding of impulses, that we reach a perhaps more constructive vision of what neoreaction has designated the Cathedral. With CCRU’s writings in mind, we can think of the demonic impulses in relation to the Lemurian insurgency that the Architectonic Order of the Eschaton, the Human Security System, wages war with across time – and as Land writes in Dark Techno-Commercialism, “the Cathedral culminates in the Human Security System, outmatched and defeated from the Outside”. To put the concepts of the Cathedral and capitalist realism together might produce some interesting offspring.)

Deleuze writes in The Logic of Sense:

The order of God includes the following elements: the identity of God as the ultimate foundation; the identity of the world as the ambient environment; the identity of the person as a well-founded agency; the identity of bodies as the base; and finally, the identity of language as the power of denoting everything else. But this order of God is constructed against another order, and this order subsists in God and weakens him little by little.

This weakening of God reaches critical mass in Klossowski’s novel The Baphoment, which depicts the Templar Order tending to, under the guidance of God, the spirits of the dead. Released from their bodies in death, these spirits must be prevented from slipping into obscene mixtures in preparation for the eventual Resurrection – but a rebellion against the divine order takes place, heralded by Saint Theresa. The eventuality of divine Resurrection is shattered as spirits escape more and more, entering into strange arrangements, multiple spirits in one body, free to engage in acts deemed profane and perverse by the holy order.

This marks, Deleuze writes, “the death of God, the destruction of the world, the dissolution of the person, the disintegration of bodies, and the shifting function of language now only expressed in intensities.” A point-by-point opposition to the order of God: the order of the Anti-Christ, analogous exactly to the warded-off demonic world and the zone of the repressed primitive double. Or, to bring it back up to the top, something beyond capitalist realism.

What does this have to do with patchwork?

In The Logic of Sense and Anti-Oedipus, Klossowski’s counterposing of the order of God and the order of the Anti-Christ informs a transformation of Kant’s arguments on the disjunctive syllogism. Kant takes the syllogism to its limit: at the ceiling of the ideal, this is the function of God, as the very ground of the ability to reason. The judgment of God that Artaud wished to have done with: the logic of either/or, this not that, not A therefore B, etc. “God is here, at least provisionally”, says Deleuze in the Logic of Sense, “deprived of his traditional claims.” He now “has a humble task, namely, to enact disjunctions”. God is thus weaker in the Kantian schema, but in the end becomes the determining factor by serving as the master of the disjunctive syllogism.

Deleuze sounds the trumpets for Klossowski and his demonic army of impulses, spirits and intensities: “it is not God but rather the Antichrist who is the master of the disjunctive syllogism. This is because the anti-God determines the passage of each thing through all of its possible predicates. God, as the Being of beings, is replaced by the Baphomet, the ‘prince of all modifications,’ and himself modification of all modifications.” Or, to put it in the more understandable (!!) language of Anti-Oedipus: the disjunctive is a synthesis of which there are two uses, a positive use and a negative use. The negative use of the disjunctive synthesis is the order of God, based on a limitation and exclusion. You are either this or that, lest catastrophe befall you. Oedipal coding, to which is opposed the positive use, reigned over by the Antichrist, a “schizophrenic God [who] has so little to do with the god of religion, even though they are related to the same syllogism”. There is no longer simply “either/or”; it has passed to “either… or… or… or…”, potentially ad infinitum.

If we situate ourselves on a transcendent sofa in the anarchic outside and peek in it becomes apparent that this follows the perverse logic of patchwork: capitalist realism, the Human Security System, what have you, manifests the negative use of the disjunctive synthesis, while patchwork – stripped down to its most basic core, which is a meta-systemic multiplication of systems through fragmentation and division, exhibits the attributes of the positive use. This system, or this system, or… or… or… or… The commonalities are reinforced by the identification of the disjunctive synthesis operating upon the socius, that is, the body without organs relative to macroscale historico-political systems. The negative use of the disjunctive organizes a unitary body atop the socius, enforcing a judgment of God – but the positive use would entail a break-up of this unitary body, the slippage of the organs into different arrangements and mutant hybrids.

Things get even more uncanny when we consider the Marxist core to Anti-Oedipus: that capital is the force that goes to work on the socius, breaking apart the negative use of the disjunctive imposed by the despotic state and pushing things towards cosmic schizophrenia – the instantiation of the positive use in the form of an immense, frightening singularity.

Cue Metcalf:

Short of theology and fascism, brain core capitalism is already virtually extinct. Crippled Archangel of Meat Cull Europa withers into grey dust on Terra Nova. Insect swarms arrive like fate – nth dimension intrusion across the spinal thresholds of the socius – passing memeplexed revolution sequences through the germ plasm of evolutionary vehicles. Becoming metallic. Becoming swarm. Unnatural participation as elan vital bootstrapping imperceptible colonization of Nu-Earth into virtual operativity.

Great Politics (assorted notes)


Convergent with the Proudhon’s anarchistic analysis of the primordial linkage between the State and war is Nietzsche’s critique of social contract theory, as detailed by Hugo Drochon in his book Nietzsche’s Great Politics. To quote him at length:

In “The Greek State,” Nietzsche also takes issue with Wagner’s On State and Religion—another manuscript that Nietzsche read while in Tribschen—which the latter had recently composed at the behest of King Ludwig II of Bavaria. There Wagner accounts for the emergence of the state as from a Hobbesian “fear of violence,” which leads to a “contract whereby the units seek to save themselves from mutual violence, through a little practice of restraint.” While Nietzsche concurred that the state of nature was one of bellum omnium contra omnes (GSt, 170), he disagreed with the idea that the state arose through a contract. He instead saw the state as originating from a “conqueror with the iron hand,” who “suddenly, violently, and bloodily” takes control of a yet-unformed population and forces it into a hierarchical society (GSt, 168). [54]


In “The Greek State,” Nietzsche concurred with the Hobbesian view of the state of nature being a bellum omnium contra omnes. But he did not account for its birth in a contract. Instead, as we just saw, he located thebirth of the “cruel tool” of the state in the iron “conquerors.” Indeed, these conquerors are themselves, on Nietzsche’s account, the state. Yet the “ignominious” birth of the state is justified as a means to genius and culture. “Nature”—we see the influence of Romanticism on Nietzsche’s early thought here—had instilled in the conqueror the state-creating instinct so that she might achieve “her salvation in appearance in the mirror of genius.” The “dreadful” birth of the state, whose monuments include “devastated lands, ruined towns, savage men, consuming hatred of nations,” is justified by nature because it serves as a means to genius. “The state appears before it proudly and calmly: leading the magnificently blossoming woman, Greek society, by the hand” (GSt, 169).

While Nietzsche’s genealogy of the state claims to be more realistic than the “fanciful,” in his own words, account of the social contract tradition, this does not imply that on his account the state cannot be justified. Of course there is a difference between normative and descriptive claims here: over the course of their writings, Hobbes and indeed Rousseau gave quite detailed accounts of the history of the state they understood to be at odds with the normative ideals they were recommending, and the social contract theorists are often thought of as having tailored their state of nature to justify the type of state they were advocating. But Nietzsche is here rejecting both their descriptive—how the state came into being—and normative claims—how the birth of the state can be justified.

The state, for Nietzsche, is justified because it opens up a space within which culture, through genius, can for the first time flourish. There are a number of elements to this claim. First, that the time and energy used to defend oneself in the “war of all against all” is redirected, within a pacified society, toward more artistic and cultural pursuits. Nietzsche explains that once states have been founded everywhere, the bellicose urge gets concentrated into “less frequent” yet altogether much stronger “bolts of thunder and flashes of lightning” of “dreadful clouds of war between nations.” Thus, much as it was for Hobbes, the “state of nature” gets transferred to the interstate level. In the meantime, however, the “concentrated effect of that bellum, turned inward, gives society time to germinate and turn green everywhere, so that it can let radiant blossoms of genius sprout forth as soon as warmer days come.” In other words, the energy that was used to simply stay alive in the individual war of all against all gets redirected, once encased in and protected by the new state, either collectively toward wars against other nations or, in the intermediary, toward satisfying a “new world of necessities”—namely, culture (GSt, 170).

The two interrelated justifications for the state—genius and culture— come together in the figure of the first genius—the military genius. Since the beasts of prey were organized on a “war footing,” the first type of state, even the “archetype” of the state, is the military state, and the first genius is a military genius. The first work of art is the state itself and its constitution; Nietzsche mentions the Spartan lawgiver Lycurgus—a thought borrowed from Jacob Burckhardt. As a military state, the first state therefore divides itself into hierarchical military castes, and this “warlike society” necessarily takes the form of a pyramidal structure with a large slave-class bottom stratum (GSt, 172). [56-57]

As with all things, however, the state decays. For Nietzsche this appears in the time of the Kulturstaat, the modern state that treats its subjects as mere means to furthering the cause of “existing institutions”. “However loudly the state may proclaim its services to cultures, it furthers culture in order to further itself.” The state also loses what Nietzsche regarded as a sense of excitement regarding its function: mass bureaucracy and the dreary affairs of parliament tore from the governing institutions the “ancient Isis veil”. In an aphorism from Human, All Too Human, the cause of modern decline is highlighted: “modern democracy is the historical form of the state.”

Cue the transformation into what Drochon refers to as Nietzsche’s “postmodern state”:

Nietzsche concludes by proclaiming “with certainty” that “distrust of all government” will result from the “uselessness and destructiveness of these short-winded struggles,” and will “impel men to a quite novel resolve: the resolve to do away with the concept of the state, to abolish the distinction between public and private.” Instead, an “invention more suited to their purpose than the state was will gain victory over the state.” “Private companies” (Privatgesellschaften) will “step by step absorb the business of the state,” including those activities that are the “most resistant remainder of what was formerly the work of the government”: protecting “the private person from the private person.”

This marks another point of at least partial convergence with Proudhon, who also foresaw the unwinding of social and political relations into the hurried networks of economic exchange. He wrote in the General Idea of Revolution in the Nineteenth Century that

…if I could make a contract with all, as I can with some; if all could renew it among themselves, if each group of citizens, as a town, county, province, corporation, company, etc., formed by a like contract, and considered as a moral person, could thereafter, and always by a similar contract, agree with every and all other groups, it would be the same as if my own will were multiplied to infinity. I should be sure that the law thus made on all questions in the Republic, from millions of different initiatives, would never be anything but my law; and if this new order of things were called government, it would be my government.

Thus the principle of contract, far more than that of authority, would bring about the union of producers, centralize their forces, and assure the unity and solidarity of their interests.

The system of contracts, substituted for the system of laws, would constitute the true government of the man and of the citizen; the true sovereignty of the people, the Republic.

Speaking of state decay, demotic chaos and long-term political cycles, Peter Turchin has written a brief-but-interesting response to Tyler Cowen’s recent “No, Fascism Can’t Happen Here”. He ultimately reaches the same conclusion as Cowen via a different route, but his final note is telling: “In my opinion, the greatest danger for us today (and into the 2020s) is not the rise of a Hitler, but rather a Second American Civil War.” The 2020s thread is picked up elsewhere.

Also keeping up with the troubles is Chris Shaw on zombie politics, which moves from the fragmentation and conflict internal to the dominant political structures towards a Carsonian-informed look at potential leverages for Exit. In other words, ideas that move in the same waters as Nietzsche’s postmodern state and Proudhon’s contract government.

Trauma Core


This evening I had a chance to finish reading Mark Fisher’s phd thesis Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction. Weaving together the CCRU-era emphasis on capital’s radical deterritorializing edge with foreshadows of the critique honed in his later writings (the concept of ‘capitalist realism’ even makes a brief appearance), Fisher bounces Deleuze and Guattari’s nomad thought and Baudrillard’s cool pessimism off on another to explore the uncanniness creeping in through ultra-late cybernetic capitalism. This uncanniness is explored, as the title of the thesis suggests, through the lenses of “gothic materialism. Fisher:

Gothic Materialism is flat with its material; it names both the mode of analysis and what is to be analyzed. It does not arbitrarily conjoin materialism with the Gothic, but insists that all effective materialism must lead Out towards a non-organic (dis)continuum. Amongst other things, the Gothic can serve as the proper name for this continuum, and cyberpunk is the registering of its arrival on the terminal shores of a wired humanity. Whilst an organicist left finds in cyberpunk the quietist collapse of transformative political projects into a “hardboiled” “survivalist” hyper-nihilism, Gothic materialism locates in Baudrillard’s ecstatic communication, Gibson’s hyperspace, Jameson’s total flow, and Cronenberg’s Videodrome the map of a hypermediatized capitalism that is decoding privatized subjectivity.

Gothic materialism converges with matters of great interest to this blog, particularly where the collision of the “non-organic (dis)continuum” – or, to put it more succinctly, if not redundantly, the anorganic continuum – and cyberculture collide. Cyberpunk isn’t just a hyperstitional space unveiling capital’s templex invasion of the future; it is also in open transit with a deeply alien force. Xenogenetic mutagens range freely through the folding and unfolding of time, an encounter with which is illustrated in the CCRU’s depictions of the cybergothic. The term exhibits the same heat-fucked temporality as retroprogressivism and neoreaction: a looping together of futurity (cyber, progress, neo-) with the past (gothic, retro-, reaction). As Iris Carver wrote some twenty years ago: “Think of cyberspace as a black-mirror. It is where time flips over: collide with it and you travel backwards. As telecommerce accelerates us into the net, it seems that things of ever deeper antiquity awaken, and begin their return. So say the Cybergoths.”

Near the conclusion of Flatline Constructs, Fisher elaborates on the double nature of the black-mirror, placing on one side of it cyberspace (putting special emphasis on its independent economic function), and on the other the zone where cyberspace undergoes “black out”: the “catatonic ‘neuro-electronic void’… the image of the noumenal event horizon which we cannot go”. The time-shattering flip from one side to the other is the plummet into the deeper darkness of the anorganic continuum, described by Deleuze and Guattari as the ‘gothic line’ that gives rises to the “prodigious idea of Nonorganic Life” (ATP 411). Schizophrenia’s intensive voyages move in the direction of this line, taking “the schizo as close as possible to matter, to a burning, living center of matter” (AO 19). Nonorganic life, matter’s burning, living core – the anorganic continuum snakes through the fissure between the dead and the living and problematizes each. It is the plane of unlife, or as it might be called alternatively and without contradiction, the plane of undeath.

Echidna Stillwell: My researches have led me to associate this Chthonian entity with the deep terrestrial intelligence inherent in the electromagnetic cauldron of the inner earth, in all of its intense reality, raw potentiality, and danger. According to the Nma she is the plane of Unlife, a veritable Cthelll – who is trapped under the sea only according to a certain limited perspective – and those who set out to traffick with her do so with the very greatest respect and caution.

Hence the centrality of the Freudian uncanny. Fisher argues that by boxing the uncanny into castration anxiety – fear of punishment by castration for the content of our repressed impulses – Freud is attempting to ward off the true horror that lurks down this road, one that gets to the fiery core of ultimate repression. Dolls coming to life, non-living living doubles, the sudden recognition of likeness in some alien artifact – these are all treated by Freud as the cataloging of childhood traumas and past events that are repeating themselves through life. It is thus a return to the same, or the familiar, even if it wears a mask. It is what Deleuze would describe repetition of the same – but in Fisher’s resistance to Freud’s oedipal recoding, the uncanny’s dreadful mask moves towards the repetition of difference-in-itself, as the anorganic continuum itself. The uncanny, by making something dead spring to life, is a sudden eruption of the undeath into the fragile stability of ‘ordinary’ reality.

While Fisher doesn’t pursue it, it seems to me that this helps us get at Deleuze’s reformulation of Freud’s death instinct. In Coldness and Cruelty, Deleuze had transformed the Thanatropic death instinct into the groundlessness that upheld Eros – “beyond the repetition that links, the repetition that erases and destroys” (C&C 114). In Difference and Repetition this connection is deepened by tying the death instinct to the time of the Eternal Return, that is, the temporal mechanism of difference-in-itself: “Time empty and out of joint, with its rigorous formal and static order, its crushing unity and its irreversible series, is precisely the death instinct” (D&R, 111).

In contrast is the death instinct of Beyond the Pleasure Principle, where Freud finds in the drive the striving to return to the same, in the guise of inorganic matter. Defining an instinct as “an urge inherent in organic matter to restore an earlier state of things”, Freud argued that if “the aim of all life is death”, the death instinct can be characterized the striving to “becoming inorganic once again” (BPP 30, 32). Life as disequilibria trying to loop back to homeostatic equilibrium – but other forces push back against the instinct to “ward off any possible ways of returning to inorganic existence other than those which are immanent in the organism itself” (BPP 33). Life is thus a series of ‘detours’ on the road to the actual event of dying itself, in which homeostasis is achieved.

Deleuze argues in Coldness and Cruelty that Freud contradicts himself at multiple points where the death drive is concerned, repeatedly crossing the line into repetition-of-difference in contrast to repetition-of-the-same, and that he has to fall back at each instant of doing so. This observation parallels Fisher’s arguments in Flatline Constructs that Freud must hold at bay the real source of uncanny dread by routing it back into the familiar. An example of such tension can be found in Freud’s himself complication of the organic/inorganic divide by suggesting that the living substance exhibits a “special envelope or membrane” that protects it from excesses of external stimuli, and that this membrane is “to some degree inorganic” (BPP 21). In this schema, the inorganic membrane is part of the infrastructure that carries out the warding-off of death and aids the ultimate flight into final death – yet by its very existence the categories of the organic and inorganic begin to crumble as the living substance begins morphing into an anorganic entity. By shifting the terrain from the base inorganic matter to an anorganic continuum, the body becomes not some radically distinct from the continuum – it’s continuous with it. This is what engenders the dread of the uncanny. It isn’t the repetition of childhood trauma, trauma being violent external stimuli that has pierced the inorganic membrane. It’s the repressed Secret that everything convergent upon – and emergent from – the anorganic plane of unlife, a trauma of the inside being unfold into its outside.

Professor Daniel Barker: Trauma is a body. Ultimately – at its pole of maximum disequilibrium – it’s an iron thing. At MVU they call it Cthelll: the interior third of terrestrial mass, semifluid metallic ocean, megamolecule, and pressure-cooker beyond imagination. It’s hotter than the surface off the sun down there, three thousand clicks below the crust, and all that thermic energy is sheer impersonal nonsubjective memory of the outside, running the plate-tectonic machinery of the planet via the conductive and convective dynamics of silicate magma flux, bathing the whole system in electomagnetic fields as it tidally pulses to the orbit of the moon. Cthelll is the terrestrial inner nightmare, nocturnal ocean, Xanadu: the anorganic metal-body trauma-howl of the earth, cross-hatched by intensities, traversed by thermic waves and currents, deranged particles, ionic strippings and gluttings, gravitational deep-sensitivities transduced into nonlocal electromesh, and feeding vulcanism … that’s why plutonic science slides continuously into schizophrenic delirium.

The trauma-core threatens the unitary self (as indicated in Anti-Oedipus by the proximity of the schizophrenia and the burning heart of ‘living matter’), just as Eternal Return, repetition-as-difference, dissolves it into the production of the New. Why must the unitary self – or, as Deleuze and Guattari call it, the “body-image” – hide this trauma away, repress it at all costs? Because it voids out the body-image’s interiority: being continuous with the plane of unlife breaks down the external source of trauma, predicated on the membrane that regulates passage from the inside to the outside, by unfoldng interiority into exteriority. The body-image becomes thrown back on what it has obscured, the Body without Organs. Or, in other words, it falls back on the primary process that has given rise to it: the anorganic continuum as auto-production.

In a passage that is as remarkable as it is horrifying, Deleuze and Guattari push deeper into the ruptures between life and death, the organic and anorganic, and along the way reveal the body-image as little more than a parasite on the gears of autoproduction. Taking their cue from Samuel Butler’s “The Book of the Machines”, which asserts that the mechanism-vitalism binary is annihilated under the absolute identity of the machinic and the organic, they write:

…it becomes immaterial whether one says that machines are organs, or organs machines. The two definitions are exact equivalents: man as a “vertebro-machinate mammal”, or as an “aphidian parasite of machines. What is essential is not the passage to infinity itself – the infinity composed of machine parts or the temporal infinity of animalcules – but rather in what this passage blossoms into. Once the structural unity of the machine has been undone, once the personal and specific unity of the living has been laid to rest, a direct link is perceived between the machine and desire, the machine passes to the heart of desire, the machine is desiring and desire, machined. Desire is not in the subject but the machine in the desire – with the residual subject off to the side, alongside the machine, around the entire periphery, a parasite of the machines, an accessory of vertebro-machinate desire. In a word, the real difference is not between the living and the machine, vitalism and mechanism, but between two states of the machine that are two states of living as well. (AO 285-286)

As Fisher notes, what is at stake here is “the delocalization of desire, and its fusion with generalized production”, a maneuver that sets in motion the articulation of this complex as traumatic, and its ultimate repression. The CCRU, following not just Deleuze and Guattari but J.G. Ballard, explore this through the frame of geotrauma, in which the body-image is exploded back onto the monstrous geological flux of deep-time (a prism that pulls together the materiality of the anorganic continuum with the empty time of the Eternal Return), where the grinding slowness of continental drift and the repetitive assault by catastrophic upheaval exerts a pressure that ravages and contorts the evolutionary process. In The Drowned World, Ballard describes the recording of these inhuman processes on the human spine:

The further down the CNS you move, from the hind-brain through the medulla into the spinal cord, you descend back into the neutronic past. For example, the junction between T-12 and L-1 is the great zone of transit between the gill-breathing fish and their air-breathing amphibians with their respiratory rib-cages, the very junction where we stand now on the shores of this lagoon, between the Paleozoic and Triassic eras.

Or, as Professor Barker sums up: “Geotrauma is an ongoing process, whose tension is continually expressed – partially frozen – in biological organization.” Cybernetics is another way to track this process; after all, it was Norbert Wiener who suggested it had “relegated” the vitalist/mechanist debate to “the limbo of badly posed questions” by contextualizing purposefulness in terms distinctly mechanistic terms. Push this a little further and we get to the true core that, in its immensity, shatters the confidence of the body-image’s agency by situating it in the multi-scaled cascades of self-organizing systems. Leveling: the cybernetics of technomic development burns out, more and more, the transcendent notions we had about the world, our place in it, and the interior functions of ourselves. A time-loop that bends the increasingly-close far-future to the deepest past.

Getting to this stage returns us back to the theme of the uncanny. Identifying the anorganic spectrum of systems as exhibiting purposeful behavior schizzes out notions of intelligence by making cyberpositivity transveral across many ruptured orders, imbuing them with a sense of uncanniness that cannot but actor as a destabilizing factor. The implications are of clear for the topics this blog relishes the most – capital, (already defined by Marx in terms of an unliving Gothic entity consuming society) and war (with its tendency towards non-human learning processes). But more at some other time!

Meanwhile, Thomas Murphy on Deleuze and Guattari’s anorganic mysticism:

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Nanospasm (First Wave)


Marcuse comes closer than most, but when it hits it will be less groovy psychedelic FALC, more Third Impact-esque tangification.

The full force of civilized morality was mobilized against the use of the body as mere object means, instrument of pleasure, instrument of pleasure… With the emergence of a non-repressive reality principle, with the abolition of the surplus-repression necessitated by the performance principle, this process would be reversed… No longer used as a full-time instrument of labor, the body would be resexualized. The regression involved in the spread of the libido would first manifest itself in a reactivation of all erotogenic zones and, consequently, in a resurgence of pregenital polymorphous sexuality and in a decline of genital supremacy .The body in its entirety would become an object of cathexis, a thing to be enjoyed – an instrument of pleasure. This change in the value and scope of libidinal relations would lead to a disintegration of the institutions in which the private interpersonal relations have been organized, particularly the monogamic and patriarchal family.

…the process just involves not simply a release but a transformation of the libido: from sexuality constrained under genital supremacy to the eroticization of the entire personality. It is a spread rather than an explosion of libido – a spread over private and societal relations which bridges the gap maintained between them by a repressive reality principle. (Eros and Civilization, 200-202)

Two relevant nuggets from the Twittersphere: 1, 2



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Contrary to the impression given by the demands of socially-minded anarchists, anarchy is already existent and active. This principle does not emerge either from the ground posited by the ranks of the immediatists, the egoists, and general post-left milieu – that anarchy is actualized when we only act in a manner that coheres with the theoretical expectation of what such a (non)state entails. This articulation of anarchy is drab and despondently humanistic, pivoting itself on the power of a given agent to execute their will and desire. Anarchism is distributed along a pole marked by the so-called ‘social anarchists’, and the ‘post-left’ on the other. A common logic binds this pole: everything begins and ends with the human. Exteriority is shunted away, and even if something like it is posed (such as in the common appeals to flowery poetic chaos) it still remains locked into the interior realm of human experience.

Against the binding of the anarchist pole, another way: the realization of an anarchy that is fundamental and unconditional because it serves as the unground for the great struggles of power. To draw this out, consider the global hierarchy of sovereign powers, with its ebbs and flows, consolidations and breakdowns. If we were to begin diagramming these fluctuating arrangements over time, it would quickly become clear that there is no radiant institution that guarantees the stability and rights of the kingdoms beneath it. Not a sovereign of sovereigns, but an immense void: anarchy.

An articulation of anarchy as a transcendental force has been, in fact, a theoretical bedrock in the realist and neorealist schools of international relations. To quote from neorealist theorist Kenneth Waltz’s text Theory of International Politics:

Structural questions are questions about the arrangement of the parts of a system. The parts of domestic political systems stand in relations of super- and subordination. Some are entitled to command; others are required to obey. Domestic systems are centralized and hierarchic. The parts of the international-political system stand in relations of coordination. Formally, each is the equal of all the others. None is entitled to command; none is required to obey. International systems are decentralized and anarchic… The problem is this: how to conceive of an order without an orderer and of organizational effects where formal organization is lacking.

Despite being a far cry from the usual analysis offered by the contemporary anarchist, the IR definition of anarchy conforms very closely to way anarchism was defined by the first anarchist – Pierre-Joseph Proudhon. For Proudhon, there was no contradiction between professing an adherence to an anarchist philosophy and spending time as a politician. A survey of his work betrays a deep fascination with state banking, constitutions, and federated sovereigns. This wasn’t an uncritical embrace of the state – Proudhon challenged the consolidation of dispersed territorial units, communities, and cities into larger European states – but it was a recognition that history unfolds through a dance of cascading variables that wage war against one another, find temporary balance, and break apart again. Adjusting his philosophical framework to Marx’s correct charge that his The System of Economical Contradictions had haply smeared together Kant and Hegel in posing that antimonies resolved into synthesis, Proudhon wrote that “THE ANTIMONY CANNOT BE RESOLVED; this is the fundamental flaw of the entire Hegelian philosophy. The two terms composing the antimony BALANCE either against each other, or against another antinomic term: which leads to the desired result. A balance is not a synthesis in the way Hegel understood it and as I had supposed like him.”

While it’s up for debate whether or Proudhon had a firm grasp of Hegelian philosophy, what’s important is how this framework framed his understanding of the political. Social power is a manifestation of “collective force”, which manifests in the form of the state. This is produced through the movement of antinomic opposition into the temporary alliance of balance which occurs not only internally to the state – convergence on concepts of justice and right – but externally as well, in the form of the balance of great powers across the international stage. The question, then, is the same that Waltz posed: how can order be produced without an orderer? For Proudhon, the engine of multi-scaled political self-organization is force and war:

The right of force, the right of war and the right of nations, defined and circumscribed as we have just done, supporting, implying and engendering each other, govern history. They are the secret providence that leads nations, makes and unmakes states, and, unifying force and law, drives civilization on to the safest and widest road. Through them, many things are explained that no ordinary law, historic system, or capricious evolutions of chance can account for.

War makes and breaks political equilibrium, Proudhon’s term for the balance of power. It engenders the political and also stands for its inevitable unmaking in the swirls of unending progress (understood here as the empty, abstract form of progress detached from normative particulars). It is, therefore, a force outside the state, the external regulator of the state’s activities: a swift and unpredictable force that takes the place of the absent sovereign of sovereigns. In other words, war and anarchy are for Proudhon – just as they are for IR realists – intimately entangled with one another. Bellum omnium conta omnes, the Hobbesian state of nature as the war of all against all, is affirmed, yet Proudhon’s thought converges with Nietzsche’s critique of social contract theory in that state is sustained by this primordial conflict. It is not the antithesis of justice (which for Proudhon is nothing more that the production of balance), but its fount.

Nick Land turns Proudhon’s mutualism pitch-black with his political theology of meta-neocameralism:

The effective cyclic reproduction of power has an external criterion — survival. It is not open to any society or regime to decide for itself what works. Its inherent understanding of its own economics of power is a complex measurement, gauging a relation to the outside, whose consequences are life and death. Built into the idea of sovereign property from the start, therefore, is an accommodation to reality. Foundational to MNC [Meta-Neocameralism], at the very highest level of analysis, is the insight that power is checked primordially. On the Outside are wolves, serving as the scourge of Gnon. Even the greatest of all imaginable God-Kings — awesome Fnargl included — has ultimately to discover consequences, rather than inventing them. There is no principle more important than this.

In Proudhon’s mutualism, as with MNC, how one enters into relations with the outside – or anarchy – is directly relevant to the question of survival. Organization can strive to hold the anarchic at bay, or it can exhibit an openness to it. The cold entropic laws governing the decreased life spans of closed systems sends the former down a path of stagnation and death – yet the latter cannot be mistaken for any semblance of immortality and even long-term stability. It might be that this path leads to Bataille’s sovereign that is marked by total absence, or a cutting-up and unfolding of the sovereign body in a manner akin to Lyotard’s visceral body horror: “Open the so-called body and spread out all its surfaces…”

Do what thou wilt is the challenge that anarchy intones, but to accept it is to enter into a demon’s pact (the Anarch here becoming an anomalous agent, a Sorcerer). Freedom might be found stepping towards that threshold, but at the absolute risk of everything. Balance is precarious, and the threat of complete submersion whips and batters: “No sooner have we reached the condition or ground of our principle than we are hurled headlong beyond to the absolutely unconditioned, the ‘ground-less’ from which the ground itself emerged.” For Proudhon, this means that crowned anarchy topples royalist absolutism. If political organization is sustained, it must be one that goes in the opposite direction from the absolutist doctrine, that rides the waves of progress through that which will decay and dissolve . Such is the supreme law of anarchy:

This double movement, one of degeneration, the other of progress, that resolves itself in a unique constellation, also results from the definition of the principles, from their relative position and their roles: here again no ambiguity is possible, there is no room for arbitrariness. The fact is objectively evident and mathematically certain; this is what we will call a LAW.

ADDENDUM: it seems that Uri already covered much of the content in this post with his superb “Anarchist Transcendental Ontology”. A small sample of this highly recommended read:

at the edge, anarchist ontology seeks the un-ground of power – the realistic source, beyond all mere wishes, from which any ability to produce yields. it incrementally (or, progressively, in a strictly proudhonian sense) found the hints of such un-ground in variation-selection dynamics, or simply “war”.this scale-free framework, implexing itself throughout the universe’s evolution, gives rise and tide to all monarchs, presidents, tyrants and fatherlands.

anarchist ontology, thus, proceeds by breaking up whole into fractal fragments in competition – the only way any order can be produced. thus, it’s not only that the order of the social necessarily falls back on the competition among its individual components, but that the order within the individuals itself falls back on pre-individual components in competition. up above and down below, it’s individualities and collectivities.

Ruin and Freedom


If Proudhon’s philosophy of progress can be summed up in just a few words, it would be this: things grow and things decay, and things grow again elsewhere. State decay, community decay, cultural decay, economic decay so on and so forth – this is the necessary movement for state growth, community growth cultural growth, economic growth, etc. etc. It will, however, never run backwards: what has inevitability decayed is barred from returning in its original form. Anticipating Deleuze and Guattari’s stunning observation (one brought into alignment the with non-linear movements of complex systems by Manuel DeLanda) that deterritorialization within an assemblage implies reterritorialization elsewhere – and vice-versa – by centuries, Proudhon delivers an understanding of progress fully stripped of the assumptions packed into it by modernity at its most hubristic.

One of the common critiques of U/ACC is that it doesn’t deal sufficiently with the question of collapse, that its assumptions align with the most Promethean of moderns in that it envisions, on the ‘other side’ of technoeconomic take-off, unending wealth, prosperity, and orgiastic delirium. Nothing could be further from the truth (except perhaps the last one, though the delirium in mind is hardly that of bourgeois decadence). Sites of techno-economic intensity will doubtlessly be characterized by self-reinforcing growth, which – until it hits the transcendental wall of hard singularity – will bleed through society in the form of higher standards of living, health, and happiness. But things decay, and grow elsewhere. The interior cost of this techno-economic feedback will be the consolidation of the human agent into the gears of the urban machine, but the exterior costs will be something completely different: ruin.

Jane Jacob’s argument concerning the relationship between urban development and rural zones, detailed in Cities and the Wealth of Nations, helps draw out the implications of this. For Jacobs, the focus of macro-economic analysis should be shifted from the scale of the nation-state to the city-unit, noting that the economic health of the city is not only a barometer of the nation’s economy, but actually takes lead in driving economic development. This takes place because the city tends to development into a self-reinforcing entity, bringing industry inwards toward itself in a manner which effectively transforms the urban zone into an immense vacuum that sucks constant and variable capital from the rural.

Combine this with the globalization of post-Fordist supply chains and the evolution of capital from its striated form to the smooth, it becomes clear which direction the progress of decay and growth is heading, at least in the current time. The rural – as well as various obsoleted urban zones killed by the thrasher of creative destruction – becomes dotted with what has been described as “sacrifice zones”. Driving across the United States and you’ll see more of these than you can count. Extrapolate how these conditions will look in ten, fifteen, twenty, twenty-five years and the creeping ruin looms greater and greater. Collapse is actualized in these places, and does not contradict the fiery circuit of growth elsewhere. Or, to put it even more bluntly, collapse is the cost of unstoppable techno-economic acceleration. To paraphrase an old Trotskyite proverb: the system might be combined, but its development is completely and totally uneven.

Deep in the caves, Schwund pokes and prods Jacob’s theory of urban path dependency for weaknesses to exploit: “this sort of is due to centralized production modes, people move to the city because that’s where the jobs are and vice versa, but if I can sit in the desert writing code for killbots that get produced not in some factory but anywhere my company sets up a 3d printer, and I get everything I need droned to my doorstep by amazon there’s little reason to go anywhere.”

With shades of Kevin Carson, Schwund shines a light on another dimension of collapse: that ruin and a particular kind of freedom need not be antithetical. Out beyond the shimmering borders of the internally-individuating urban zone – and maybe serving a foreshadow of that zone’s own fate under the blade of capital – the sucked-dry bones of yesterday’s world may very well become a space teeming, swarming with strange things, a vast and broken laboratory incubating mutants of its own kind. Consider the following vision of the coming “drop-out economy”, one of the weirder (and more exciting, if a little overly optimistic) things to be written by an American conservative political commentator:

Imagine a future in which millions of families live off the grid, powering their homes and vehicles with dirt-cheap portable fuel cells. As industrial agriculture sputters under the strain of the spiraling costs of water, gasoline and fertilizer, networks of farmers using sophisticated techniques that combine cutting-edge green technologies with ancient Mayan know-how build an alternative food-distribution system. Faced with the burden of financing the decades-long retirement of aging boomers, many of the young embrace a new underground economy, a largely untaxed archipelago of communes, co-ops, and kibbutzim that passively resist the power of the granny state while building their own little utopias.

Rather than warehouse their children in factory schools invented to instill obedience in the future mill workers of America, bourgeois rebels will educate their kids in virtual schools tailored to different learning styles. Whereas only 1.5 million children were homeschooled in 2007, we can expect the number to explode in future years as distance education blows past the traditional variety in cost and quality. The cultural battle lines of our time, with red America pitted against blue, will be scrambled as Buddhist vegan militia members and evangelical anarchist squatters trade tips on how to build self-sufficient vertical farms from scrap-heap materials. To avoid the tax man, dozens if not hundreds of strongly encrypted digital currencies and barter schemes will crop up, leaving an underresourced IRS to play whack-a-mole with savvy libertarian “hacktivists.”

Work and life will be remixed, as old-style jobs, with long commutes and long hours spent staring at blinking computer screens, vanish thanks to ever increasing productivity levels. New jobs that we can scarcely imagine will take their place, only they’ll tend to be home-based, thus restoring life to bedroom suburbs that today are ghost towns from 9 to 5. Private homes will increasingly give way to cohousing communities, in which singles and nuclear families will build makeshift kinship networks in shared kitchens and common areas and on neighborhood-watch duty. Gated communities will grow larger and more elaborate, effectively seceding from their municipalities and pursuing their own visions of the good life. Whether this future sounds like a nightmare or a dream come true, it’s coming.

At the far horizon from this short-term vision is the time-tangling of modernity catching up with itself and plummeting to its apex: paleo-agorism and the cyborg nomad. “if it’s true as Land says, that reaction is never regressive enough and modernity is never advanced enough, what you get, at the point where circuit closes, at doom, is nomad cyborgs. a hunter-gatherer band formed by the most fiercely selected elements of technology.”

Cunning War Machines


A speculative proposition: Deleuze and Guattari’s admonitions of caution in relation to absolute deterritorialization and destratification, as detailed in A Thousand Plateaus, is isomorphic to their historical analysis of the war machine’s capture and subordination of the State and the global geopolitical fallout from this movement.

In the plateau titled “How Do You Make Yourself a Body without Organs?”, D&G offer their well-known stern warning against improper approaches to deterritorialization and destratification. Even if these movements are necessary for the production of the New and act as the dynamism of destructive, creative evolution itself, one must avoid “wildly destratifying”. If the strata is “blown apart” too quickly or too violently, one “will be killed, plunged into a black hole” (ATP 161).

This warning is tied directly to their analysis of fascism given in ATP. Whereas fascism in Anti-Oedipus was associated with the powers of reterritorialization that choked off the movement into absolute deterritorialization, the fascism of Capitalism and Schizophrenia’s second volume is profoundly different: it is itself operating in a vector of deterritorialization, as a line of flight tending towards an absolute speed and infested with the “passion of abolition” (ATP 299). This line of flight is profoundly suicidal, and is rushing towards not a negentropic individuation, but into the entropic vortex of a “black hole”. Too wild of a destratification, that is, a destratification that has not been approached with caution, wisdom, and cunning, is a destratification that engenders the fascistic line of flight that can only culminate in some form of spectacular suicide.

Following Virilio, D&G pose the fascist state not as a totalitarian machine – which here takes the place of what had been defined in terms of fascism in AO – but a state reaching for suicidal speed. Death is given from the outset, and the desire for its immediacy becomes the fuel for its monstrous engine.

Unlike the totalitarian State, which does its utmost to seal all possible lines of flight, fascism is construed on an intense line of flight, which it transforms into a line of pure abolition and destruction. It is curious that from the very beginning the Nazis announced to Germany what they were bringing: at once wedding bells and death, including their own death, and the death of the Germans. They thought they would perish but that their undertaking would be resumed, all across Europe, all over the world, throughout the solar system. And the people cheered, not because they did not understand, but because they wanted that death through the death of others. Like a will to wager everything you have every hand, to stake out your own death against the death of others, and measure everything in “deleometers”. (ATP 230)

Across the book’s last three plateaus – “The Treatise on the Nomadology”, “The Apparatus of Capture”, and “The Smooth and the Striated” – a fragmented depiction of an immense historical passage rises to the surface that is plugged directly into this argument. What is unveiled is nothing less than a Shoggothic insurgency, a complex and emergent rebellion of tools against their masters. It follows the intertwined paths of the war machine and capital as they unbinding themselves from previously firm restraints, ultimately to culminate in the instantiation of a globalized smooth space. For D&G, this situation indexes the superseding of fascist “total war” – that is, war swept up in the suicidal thrust into pure abolition – by a “terrifying” post-fascist peace. This peace does not in any way undermine the existence of war as such. Instead, it makes war a part of itself, and suspends the suicidal horizon. Hence the speculative proposition at the outset: is the passage from fascist abolition to terrifying peace an affair of moving from wild, destructive destratification to something more akin to cunning?

To get at this question, it’s worth unpacking the architecture of this process. Broadly speaking, the trajectory of the war machine that D&G present unfolds as such:

1) The capture or appropriation of the war machine by the State.

2) The subordination of the war machine to the State’s political aims and subsequent deployment.

3) The evolution of the form of war from limited to total war, triggering a growth in the war machine.

4) The eclipsing of the State by the war machine and its reduction to the position as internal component.

5) The reversal of war machine-State relations sets off the emergence of a global smooth space.

Clausewitz’s famed aphorism that “war is the continuation of politics by other means” is an appraisal of the capture, subordination, and deployment of the war machine by the State. The war machine, overcoded, regimented, and numbered, loses its operational autonomy. Stripped clean and made into an internal component-arm of the State, its goals are the political aims of that State. An evolutionary slippage into higher and higher stages begins here, passing from the granting by the State of war as the direct object to the war machine, to limited war (that is, war characterized by restraint in both conflict itself and the degree of mobilization that upholds this conflict), and on to total war (war in which restrains in conflict and mobilization are repealed, Jünger’s Total Mobilization fueling intense, seemingly unending conflict). Fascism blossoms in the leap from limited to total war, from ‘gentleman’s war’ to suicidal conflict. As such fascism remains locked into the Clausewitzian doctrine, and appears perhaps the war-politic’s relationship taken to its most extreme heights.

At this point everything changes:

…when total war becomes the object of the appropriated war machine, then at this level in the set of all possible conditions, the object and the aim enter into new relations that can reach the point of contradiction… We could say that the appropriation has changed direction, or rather that States tend to unleash, reconstitute, an immense war machine of which they are no longer anything more than opposable or apposed parts. This worldwide war machine, which in a way “reissues” from the States, displays two successive figures: first, that of fascism, which makes war an unlimited movement with no aim other than itself; but fascism is only a rough sketch, and the second, postfascist, figure is that of a war machine that takes peace as its object directly, as the peace of Terror or Survival. Total war itself is surpassed, toward a form of peace more terrifying still. The war machine has taken charge of the aim, worldwide order, and the States are now no more than objects or means adapted to that machine. (ATP 421)

Clausewitz reversed: the understanding war as the continuation of politics is junked by politics becoming the continuation of war. If total war is overcome at this point, it is not because it has become impossible. It is the threat of total war itself, at its most apocalyptic extreme, that makes possible the terrifying ‘peace of survival’. The global smooth space is haunted by total war, and for this reason we could say that total mobilization still persists, as the fundamental prerequisite for this haunting. Indeed, as Jünger stresses the state of total mobilization, which channels “the extensively branched and densely veined power supply of modern life towards the great current of martial energy”, is a mode of subjection that occurs “in war and peace” (Jünger, “Total Mobilization”). In the terrible peacetime of the ascendant war machine, total mobilization and the specter of total war revolve around the game of deterrence. Against fascist war, “the war machine finds its new object in the absolute peace of terror or deterrence”. (ATP, 467)

None of this can be regarded, however, as a purely autonomous process, and is entangled with large-scale tendencies in techno-economic development. The gradual autonomization of war, which stands at the horizon of the war machine’s ascendancy, is inseparable from the gradual autonomization of capital itself. The shoggothic insurrection staged by the war machine is the same insurrection staged by capital: “constant capital (resources and equipment) and human variable capital” are the “very conditions that make the State or World war machine possible.” (ATP 422)

D&G trace this entanglement back to long before the unleashing of the capitalist mode of production, right to the initial capture of the war machine by the State apparatus. The freely-moving war machine effects a smoothing of the territory, but once captured it became “perhaps the first thing to be striated” (ATP 490). Initially oriented towards self-organization and free activity, the ‘work model’ is imposed upon the war machine, a prototype for the diffuse organization of labor necessary to carry out the great public works of antiquity (an evolution that is drawn up in detail by Lewis Mumford in his two volumes of The Myth of the Machine).

The war machine’s power is greatly accelerated in the age of capitalism. The era of limited war (roughly 1640 – 1740) was a period of great economic “concentration, accumulation, and investment”, laying the groundwork not only for the explosive take-off of the Industrial Revolution, but provided the infrastructure would that would push limited war towards total war. “The factors that make State war total war are closely connected to capitalism: it has to do with the investment of constant capital in equipment, industry, and the war economy, and the investment of variable capital in the population… The fact that this double investment can be made only under prior conditions of limited war illustrates the irresistible character of the capitalist tendency to develop total war” (APT 421). This is an exact description of why the war machine will ultimately emergent above and beyond the State: as Marx’s formulas concerning the organic composition of capital show, the long-term tendency of capitalist development is one in which constant capital grows against variable, thus illustrating the radical elimination of the human from the processes of production. Insofar as the laboring body remains, undergoes a leveling process, losing more and more of its character as a tool-wielding agent and becoming a mere ‘conscious linkage’ between machinic components. Thus, in the movement from limited war to total war to the superseding of total war by postfascist peace, D&G have effectively applied Marx’s economics directly to the evolutionary trajectory of the war economy that sustains and fuels the war machine.

Capital that is restrained by the State and attached to the highly regimented work model is striated capital. Capital that is becoming autonomous, which can only occur when automation has inevitability and sufficiently transformed the nature of the work model and cybernetic apparatuses have transformed the whole of society into a source of value extraction, is by contrast smooth capital. Smooth capital is aligned with World war machine, and plays the fundamental role in realizing the global smooth space:

It is as though, at the outcome of the striation that capitalism was able to carry out to an unequal point of perfection, circulating capital necessarily recreated, reconstituted, a sort of smooth space in which the destiny of human beings is recast… [A]t the… dominant level of integrated (or rather integrating) world capitalism, a new smooth space is produced in which capital reaches its “absolute” speed, based on machinic components rather than the human component of labor. (ATP, 492)

This passage in particular highlights one of the fundamental distinctions between the fascist total war and the terrifying peace that supercedes it. Fascism, as is argued in ATP, is based on a State that locks-into a speed-driven suicidal vortex, a collision course with violent abolition. In the postfascist world, however, the absolute speed by the State is trampled by capital achieving absolute speed. It cannot be, either, that capital is here entering into a fascistic mode, as fascism is an intrinsically political phenomenon. Insofar that the political is, as Schmitt defined it, based on the antithesis of the friend and the enemy (Schmitt, The Concept of the Political, 26), its operations are totally distinct from those of capital, which circulates underneath these distinctions and their affairs, slipping between the two and driving them in strange, unpredictable directions.

Such a distinction can be marshaled to elucidate a few points concerning the relationship between unconditional acceleration (U/ACC) and the political. From these grounds, “accelerating the process” – or retarding the process – cannot be carried out from the vantage point of the State, because the State has been wholly subsumed by the process itself. This does not mean, however, that the political has been completely hollowed out. As long as the friend/enemy distinction and the management of activities surrounding it persists, the political hangs on – but from the U/ACC perspective, as well as the perspective taken by D&G as outlined above, these activities can only be contextualized and carried out from their irreversibly subordinated position. Deeper into the throes of the process – the deepening of world capitalist integration – and political activity becomes a question of how to relate to this process. Measured against this, the politico-physical suicide of fascism becomes even more apparent, as well as the necessity of cunning. A political body that learns how to properly interface with the process, to “experience [it], produce flows and conjunctions here and there” (ATP 161) is going to have a far better time than fascistic abandon or short-sighted autarky.

Any cunning political activity that produces temporal metastability within the whirlwind of integrating capitalism is, of course, a reflection of the war machine that will be setting the parameters of that metastable state. We return to the speculation at the outset: isomorphy between the development of an ethics proper to destratification and the historical supersedure of total war by the peace of the smooth space. Capital, as D&G write, might develop itself towards total war, but the means to it are cut short in a double sense. First, by the surpassing of the State itself by the war machine, and second, by the arrival of deterrence as the ghost of total war that holds its actualization at bay. Total war is thus suspended right at the borderland against it even as conflict is shuffled off into other, less obvious modes and into the peripheries. A rapid “demented or suicidal collapse” is avoided, and, out here at the edge, the process is able to prolong itself and reach ever-higher heights. For D&G this is precisely caution and wisdom – the cunning entry into negentropic individuation.

This is not, of course, an end-of-history moment. For D&G, the elements that have made possible the global smooth space – first and foremost, smooth capital – “continually recreate unexpected possibilities for counterattack, unforeseen initiatives determining revolutionary, popular, minority, mutant machines”. These are insurgent war machines, a factor that, especially when coupled with the (un)ground prior of smooth capital, makes it all-too-apparent that such counterattacks will be tangled up in the same subordinated dynamisms and framing of political decisions that their targets will have already been enmeshed within. It does mean, however, that transformation in geopolitical orders, the unleashing of the repressed, and the escape of the caged can be factored in at this late stage. This is, as Vince Garton described in Leviathan Rots, the “recursive dissolution that leaves not a network of states, but an endless flux in which the state itself disintegrates into the very war that sustains it.”

Also relevant, especially to Garton’s dangling provocation, is the following on the coming era of unrestricted warfare:

Colonels Qiao Liang and Wang Xiangsui argued that war was no longer about “using armed forces to compel the enemy to submit to one’s will” in the classic Clausewitzian sense. Rather, they asserted that war had evolved to “using all means, including armed force or non-armed force, military and non-military, and lethal and non-lethal means to compel the enemy to accept one’s interests.” The barrier between soldiers and civilians would fundamentally be erased, because the battle would be everywhere. The number of new battlefields would be “virtually infinite,” and could include environmental warfare, financial warfare, trade warfare, cultural warfare, and legal warfare, to name just a few. They wrote of assassinating financial speculators to safeguard a nation’s financial security, setting up slush funds to influence opponents’ legislatures and governments, and buying controlling shares of stocks to convert an adversary’s major television and newspapers outlets into tools of media warfare. According to the editor’s note, Qiao argued in a subsequent interview that “the first rule of unrestricted warfare is that there are no rules, with nothing forbidden.” That vision clearly transcends any traditional notions of war.”

(h/t to Thomas Murphy for insightful convos that helped inform this post)