Pearson on Deleuze and Weismann

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Interesting conversation concerning Emile Zola, Weismann, entropy/negentropy, and the theme of the ‘crack’ in Deleuze’s Logic of Sense, from Keith Ansell Pearson’s Germinal Life: The Difference and Repetition of Deleuze:

In the crucial chapter of the novel Doctor Pascal (the final book in a cycle of twenty) entitled ‘The Genealogical Tree’ Zola has the doctor lay out before himself and the young woman Clotilde the entire genealogical tree of the Rougon-Macquart family in order to present her with a ‘terrible lesson in life’. But this tree stretches beyond and over this particular family, encompassing the strata of races and civilizations from the dawn of time to the present and branching out endlessly into unknown futures. This is the ‘whole monstrous florescence of the human tree’. Moreover, this genealogy is presented in the terms of a highly complex, erratic, and unpredictable monstrous descent, a descent subject, to deploy Deleuze’s later terms, to perpetual deterritorialization and reterritorialization. Zola is imaginative in depicting the unfolding of this tree in terms of a complicated entanglement of sickness and health, of death and renewal, a vitality of life that is caught up in destruction, decay, and degeneration. For example, Pascal asks: once the floodgates have been opened by the overflowing river of life (creative evolution as monstrous) and as detected by the emergent science of heredity (as the science of difference and repetition), then is it possible to say that among the weeds and flowers on the bank, there also mingles and floats by—gold? This is, says Pascal, a world ‘beyond good and evil’. The chapter concludes by asking whether it is necessary to burn the tree of genealogy or whether this can be a matter of the future in its affair. 

In the novel Zola presents Dr. Pascal’s work on the new science of heredity moving through Darwin’s confused theory of pangenesis, the peri-genesis of Ernst Haeckel (whose works were avidly read by Nietzsche), the eugenics of Galton (also read by Nietzsche), finally arriving at the intuition of Weismann’s major thesis on the continuity of the germ-plasm in which a portion of this ‘delicate’ and ‘complex’ substance is held in reserve and passed on without variation or mutation from generation to generation. Pascal, however, does not stop there, which is what makes his case especially interesting. He propounds his own theory, which he calls the ‘failure of cells theory’, which consists in granting a high degree of freedom and novelty to plasmic evolution. It is not atavism that Pascal privileges but ‘perpetual change’, the change that denotes an ‘increasing transformation, due to the transmitted strength and effort, that perturbation which imbues matter with life, and which is, indeed, life itself in an abstract sense’. In short, there is no plasmic finality and it is at this point that Zola is able to resist the biological nihilism of Weismann’s continuity thesis. It is in terms of such a nihilism that Wesimann is appropriated in Hardy’s tragic fiction where the anomalous and the aberrant (the ‘unfit’) are not allowed to survive but must face extermination (Tess, Jude, etc.). This biological nihilism amounts, in short, to repetition without difference, to the eternal return of the same, since the germ-plasm is posited as evolving completely independently of perturbations (Deleuze’s ‘crack’) and free of the endogenous powers of the organism itself which may exert an influence on  the character of evolution. 

In Deleuze’s reading of Zola, Weismann’s distinction between the two plasms, soma and germ, operates as a distinction between a love or a body that dies and a movement that creatively ‘evolves’ through germinal intensity. This is a movement from the organized body of the organism to the ‘body without organs’ which involves the release of singularities and intensities from entropic containment. But the two exist in implication and complication; this is life and death lived and died from ‘within the folds’ or ‘on the train’ as in Zola’s La Bete Humaine (published 1890 as the seventeenth of the twenty novels that make up the Rougon-Macquart cycle), where the machines function as the pure death instinct: ‘The instincts or temperaments no longer occupy the essential position. They swarm about and within the train, but the train itself is the epic representation of the death instinct’. In the novel the train is undoubtedly depicted in terms of the demonic power of the death drive:

the train was passing, in all of its stormy violence, as if it might sweep away everything that lay in its path… It was like some huge body, a giant creature laid out on the ground… past it went, mechanical, triumphant, hurtling towards the future with mathematical rigor, determinedly oblivious to the rest of human life on either side, life unseen and yet perennial, with its eternal passions and its eternal crimes.

Unlike the murder of the husband in Therese Raquin, committed by Therese and Laurent simply because he stands in their way and is inconvenient, Zola’s aim in La Bete Humaine was to link murder with an ancient hereditary impulse buried in the sedimented layers of civilization, to show the ‘caveman’ dwelling deep within the civilized man of modernity, as he put it in a letter to a Dutch journalist. In the novel the hereditary ‘crack’ is not simply a matter of ill-health, but is said to be involved in those ‘sudden loses of control’ that lie deep within our being like ‘fractures, holes’ through which the self seeks escape, losing itself ‘in the midst of a kind of thick haze that bent everything out of shape’. At such moments as these, where the self is no longer the master of its own body but the obedient servant of its muscles and the ‘rabid beast within’ it is cast into paying back an ancient debt: 

paying for the others, for the fathers and grandfathers who had drunk, for the generations of drunkards, of whose blood he was the corrupt issue… paying the price for gradual poisoning, of a relapse into the primitive savagery that was dragging him back into the forest.

To the extent that Zola’s novel, with its stress on a hereditary regression and atavistic instincts, anticipates both Freud’s conception of death and his positioning of the death drive is indeed remarkable. On Deleuze’s reading, however, the complicated investment of the erotic instincts in destructive ones—Zola’s novel was read in the precise terms of this complication on its publication—expresses not simply the noise of primal instincts caught up in an involution but rather the silent echoes of a repetition that drives us ever forward and upward. This is why for him the key actor or agent is the train itself (a field of action, a body without organs distributing intensities and producing transformations). The train is a creation of modern civilization, but is also the crack which derails it, making sure that it is the ‘great health’ which lives on in humanity (the dissolutions of the novel, it should be noted, take place against the backdrop of the dying days of the Second Empire). Michael Serres is incisive in detecting in Zola’s epic series of novels with its cycles of destruction, waste, dispersion, irreversible ebbing towards death, disorder, and degeneration, revolving around in La Bete Humaine a veritable thermodynamics of the train, an ‘epic of entropy’. Such an insight, however, discloses on Deleuze’s reading only half the story. Deleuze’s conception of the germinal life aims to demonstrate that entropy is never the final word. Thermodynamics needs to be linked up with good sense since they share the same characteristics: the single direction from the most to least differentiated, from the singular to the regular, so orientating ‘the arrow time from the past to the future, according to this determination’.

In his reading of the literature, therefore, Deleuze is proposing a vital reworking of heredity, in which it is shown that it is not heredity that passes through the crack, which would fix desire to a morbid ancestry, but that heredity is the crack itself. Hence the claim: ‘In its truest sense, the crack is not a crossing for a morbid heredity; it is alone the hereditary and the morbid in its entirety. For Deleuze everything depends on grasping the significance of this paradox, confusing this heredity for its vehicle, that is, the ‘confusion of what is transmitted with its transmission’ (the transmission which transmits only itself). This is what he means when he declares the ‘germen’ to be the crack and nothing but the crack.

(115-118)

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(Anti)Markets

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There are many advantages to political decentralization as a structural limitation on government power. Imagine a country the size of the United States, but consisting of only five states. Now imagine the same region containing 500 states. All other things being equal, the second situation is likely to be much more hospitable to freedom than the first. The smaller the political unit, the greater the influence an individual citizen can have in politics, thus decreasing the lobbying advantage that concentrated special interests have over the diffuse general public. Further, as the number of available alternative political jurisdictions increases, the citizen’s exit option becomes more powerful. The freedom to leave one state is small comfort if there are only a handful of others nearby to go to; but with many states, the odds of finding a satisfactory destination are much better.

In addition, competition between states can serve as a check on state power, since if any state becomes too oppressive its citizens can vote with their feet. Also, decentralization softens the impact of government mistakes. If a single centralized government decides to implement some ill-conceived plan, everybody has to suffer. But with many states implementing different policies, a bad policy can be escaped, while a good policy can be imitated. (Here too, competition can serve as a discovery process.) – Roderick T. Long, “Virtual Cantons”

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As always, Xenogoth’s blog is a machine for inducing thoughts and productivity over here on this side of things. Their latest post concerns Rana Dasgupta’s recent article for the Guardian titled “The Demise of the Nation State”, the topic of which (as the very name indicates) should be well familiar now. “For increasing numbers of people,” Dasgupta writes, “our nations and the system of which they are a part now appear unable to offer a plausible, viable future.” And yet solutions posed seems to be more of the same: avoid the fragmentation, shore up that which is dissolving, and keep on keepin’ on with progressive universalism. Xenogoth writes:

it’s universalism which is the problem here and its funneling progressivism into a single, unwavering straight line. Progressivism reveals itself to be political tunnelvision. When you’re political system starts to offer you the Kool Aid, progressivism becomes putting it down and heading for the exit. There are surely better paths on the outside.

Contra more radical (and perhaps dangerous) routes to the Outside, Dasgupta’s future-oriented politics revolves around three key elements: “global financial regulation”, “global flexible democracy”, and “new conceptions of citizenship”. Xenogoth points out that these are these continue to the drift into neoliberal globalization – and indeed, are these three things not the very idealistic summit of the global regime that has existed since the end of World War II? Empire, the Cathedral, capitalist realism, the Washington Consensus, what have you; it is the unity of regulated monopolistic competition in political economy and liberal democracy in the order of politics that serve as the twin pincers of the meta-system.

The first element will be met with inherent skepticism. After all, we’re told repeatedly that the between the crisis that brought a swift and brutal conclusion to the Fordist-Keynesianism that defined the immediate post-war period (beginning in 1968 and culminating in the Nixon Shock of 1972) and the inauguration of the so-called New Economy of the 1990s, a disastrous path of deregulatory behavior was undertaken, one that undermined the developed world’s industrial base, hollowed out civic institutions and the infrastructures of ‘modern democracy’, and sent us spiraling into cycles of crisis. But is this really the case?

In the United States, it is undeniable that there have been the neutering of regulations in certain areas – but this is only remains a part of the story. The cutting here and there – which has become major talking point for both the left and right, as objects of derision and praise, respectively – has served as the mask for a great explosion of regulatory activities. Take John Dawson and John Seater’s 2013 paper “Federal Regulation and Aggregate Economic Growth”, for instance. Looking at the Code of Federal Regulation (CFR), which logs all regulations on the books in the US, Dawson and Seater discovered that its contents multiplied sixfold between 1949 and 2005, going from the (already significant 19,335 pages to a mind-boggling 134,261 pages). This already begins to overturn conventional wisdom on the left that consistent deregulation is the overarching trend in economic development over the last four to six decades – and Dawson and Seater can only pour more gasoline on this fire:

Periods of negative growth are infrequent, and, when they do occur, the absolute value of the growth rate is small. By far, the fastest percentage growth occurred in the early 1950s. High growth also occurred in the 1970s, even though there was extensive deregulation in transportation, telecommunications, and energy. Deregulation in that period was more than offset by increased regulation in other areas, notably pertaining to the environment and occupational safety, as Hopkins (1991) has noted. The Reagan administration of the 1980s promoted deregulation as a national priority, and growth in the number of CFR pages slowed in the early and late 1980s. Nevertheless, total pages decreased in only one year, 1985. The 1990s witnessed the largest reduction in pages of regulation in the history of the CFR, with three consecutive years of decline. This reduction coincides with the Clinton administration’s “reinventing government” initiative that sought reduced regulation in general and a reduction in the number of pages in the CFR in particular. (Interestingly, the greatest percentage reduction in the CFR did not occur during either the Reagan or Clinton administrations but rather in the first year of the Kennedy administration, 1961.) There thus are several major segments in regulation’s time path, with corresponding breaks in trend (dates are approximate): (1) 1949 to 1960 (fast growth), (2) 1960 to 1972 (slow growth), (3) 1972 to 1981 (fast growth), (4) 1981 to 1985 (slow growth), (5) 1985 to 1993 (fast growth), and (6) 1993 to 2005 (slow growth).

There’s a similar lip-service paid to classical political economy and ideological obfuscation going on where “free trade” is concerned. While the right-wing (outside of its populist sector, of course) sounds the trumpets in the name of laissez-faire and the nationalist right and the left-of-center viciously denounce it, what goes in the West under the name of free trade is anything but. While agreements like NAFTA, CAFTA, TPP and institutions like the WTO, the IMF, and the like seem to reduce this argument to an absurdity, there is an immense gulf between the sort of free trade advocated by classical political economists like David Ricardo – aaand Karl Marx – and these agreements reached by government negotiators.

Free trade would entail something very simple: the parties in question decide to mutually eliminate barriers, including but not limited to tariffs, to one another’s domestic market places. The contemporary agreement like NAFTA or the TPP, by contrast, consists of thousands upon thousands of pages of legal qualifications, special protections, and what are called “investor-state dispute settlements”. The result is an uneven playing field dominated by entrenched quasi-monopolistic corporations, protected by the state, who have suspended free trade for something profoundly different. Tariffs might have been avoided (until the looming US-China trade war, at least), but corporate protectionism reigns supreme.

A counterpoint might that this is precisely what free trade produces: concentration of power in a handful of corporate entities, who bend the legal apparatuses of the state to fix things their favor (such as implementing protectionist policies that further enforce their hegemony). It’s a good story, and one that makes clear who would be the bad guys and the bad systems (corporations! free trade!), and easy solutions (tightening the grip in advance on the exchange circuits before we get to this disastrous state of affairs). Unfortunately – or maybe not so unfortunately – it isn’t true, and one of the reasons has to do with the ubiquity of regulatory behavior. But more on that in a moment.

Perhaps the best way to look at the global system that is now in crisis is by returning to Deleuze and Guattari’s analysis of shifting modes of social organization around the mechanisms of warding off the forces that would undo them. The despotic state was dependent on coding and territorialization of flows in a particular way; it had to, at all costs, ward off the progressive decoding and deterritorializing of flows – and to do this, it had to prevent the arrival of capital, that alien mutagen that draws power from annihilating the very limits and barriers that a socius needs to maintain organization. Hence the sheer apocalypticism of capital and the dread it instills – but the despotic state does not disappear in its dark arrival. It undergoes a transformation into the capitalist state, a unit of “anti-production” that is subordinated to the flux of capitalist deterritorialization.

The capitalist state finds itself in a paradoxical situation: it is founded atop capital’s flows, but it still must ward off their ultimate – and inevitable – trajectory, that is, the acceleration into absolute deterritorialization. Maybe it is across this tension wire that we must place something like the free trade agreement, or even the rates of regulation growth and occasional deregulation. Read this way, the free trade agreement would be series of measures taken to channel flows, to situate institutional entities and political blocs atop the slipstream of global marketization, without falling into them – which would bring the order to its very demise.

Is this not precisely an incredible compensatory mechanism, at one time aimed at global installation? Is this not a more accurate picture of what is splitting apart than most progressivist ideologues argue? And, by extension, does this not mean that the progressivist solution is ultimately to turn back the clock and complete the global installation?

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Braudel’s famous argument, implicit in Capitalism and Schizophrenia (this is the topic of a current in-progress work) and operationalized in full by Manuel Delanda, is that the market and capitalism must be made distinct from one another, and that capitalism must be thought as something oppositional to the market: an anti-market. The market – or micro-capitalism – is the realm of “economic life”; it is full of highly visible activities, the interchanges of commerce happening at rapid speeds, and variables profit rates attached to quickly shifting registers of price. “The market spells liberation, openness, access to another world”. Capitalism, by contrast, is defined large-scale centralization, bureaucracy, oligopoly, and decreased mobility in the price regime. Markets link themselves together in networks of “horizontal communication” between smaller firms and actors bound up in competitive behavior. Anti-markets are based around monopoly, and thus ward off the specter of competition.

We could say that, shifting into Deleuze and Guattari’s framework, the market/micro-capitalism corresponds the schizophrenizing, deterritorializing edge where capital rushes towards its ultimate limits, while the anti-market/capitalism side of the economic meshwork aligns with reterritorialization. Indeed, the capitalist state, identified by Deleuze and Guattari as composing a Katechonic mechanism for reterritorializing capital in order to avoid the end of things, is similarly found by Braudel as guarantor and protector of monopolistic entities. In the void of strong states, warding off occurs less and less, and the market emerges a norm; in the presence of them, it is capitalism that is business as usual.

I definitely hope to draw this argument out more in soon-to-be finished Vast Abrupt essay on SchizoMarketization and economic eschatology; in the meantime, however, I’d like to do something different and put forth the exceedingly questionable suggestion that the two of the ideological poles of economic governance in the US – Jeffersonianism and Hamiltonianism – can be roughly mapped to this schema of markets and antimarkets, in both their unity and opposition.

The Jeffersonian ideal moved power in a decentralizing direction, towards smaller and smaller, more localized levels; it opposed aristocracy and remained suspicious of mercantile, industrial and financial interests. The yeoman, an archetypal figure for small-scale, non-slaving owning farmers running the gamut from subsistence farmers to medium-range commercial entities, was the focal point of Jeffersonianism – making it a kind of populism that foreshadows many of the characteristics of certain libertarian factions in existence today.

Jeffersonianism seems to capture the ideological screen erected by the Washington establishment, but the order of business falls more under the purview of Hamiltonianism, with its emphasis on centralization of power, the supremacy of the Federal level above the local, and the creation of powerful and wealthy industrial and financial classes. The tenets of the “American School of Economics” (also known as the ‘National System’), developed in point-by-point opposition to those of classical liberalism, epitomize the Hamiltonian perspective. To quote from the wiki page, the three primary principles were:

  1. Protecting industry through selective high tariffs (1861 – 1932) and through subsidies (especially 1932-1970).
  2. Government investments in infrastructure creating targeted internal improvements (especially in transportation.
  3. A national bank with policies that promote the growth of productive enterprises rather than speculation.

If we’re to talk of the groundwork for the globalizing regime that is organized around transnational corporate protectionism, regulatory behavior, and liberal democracy, it is paramount not to mistake the Hamiltonian platform for free trade – especially given that the beginning of the globalization of this model corresponds with the arrival of US hegemony in the wake of the Second World War. It is an apparatus for producing monopolies – the dynamic generator of anti-market systems.

In 1888, well into the Hamiltonian era, Benjamin Tucker advocated what he described as an “unterrified Jeffersonianism” – a radical free market socialism that served as the “the logical carrying out of the Manchester doctrine; laissez faire the universal rule”. Blocking the path to this world were the four monopolies: “the money monopoly, the land monopoly, the tariff monopoly, and the patent monopoly.” The money monopoly is the state’s exclusive right to establish and produce a medium for circulation, which effectively cut-off the ability for competition between currencies to take place, and alloted greater power to banks and other lending institutions. The land monopoly, meanwhile, is “the enforcement by government of land titles which do not rest upon personal occupancy and cultivation”, while the tariff monopoly needs little mention. The patent monopoly – which, up until recently, was the far more pressing obstruction to international free trade than tariffs – is the domination of ideas under the rubric of intellectual property laws.

To these Kevin Carson adds a fifth: the transportation monopoly, in which roads and other infrastructures are designed and paid for by the state. In both the land monopoly and the transportation monopoly, costs are externalized onto the taxpayer, either in the form of law enforcement or public works. While collective pooling of resources for a common goal is one thing, in the context of the monopoly system this means that businesses are automatically exempt from certain costs. Wal-Mart, for example, has its distribution infrastructure already established by the transportation system. Or, in another case, a landowner who must bear the costs of protecting ownership is going to own considerably less land due to that price tag.

For Tucker, examples such as these – and many others – point to how elimination of the monopolies would proceed from the elimination of the state that made them possible in the first place, and that their removal would clear the way for real competition to occur, the Braudelian market rising up to fill the void. With more competition comes lower costs, and without heavy regulatory burden the barriers to entry implode – which adds to more competition, and lower costs still. The effect would be less distance between market price and what the classical political economists called the “natural price” – the costs inputs that were expended in advance in order to initially bring something to the market.

Carson suggests an even radical transformation: the implosion of homogeneity in socio-cultural formation and politico-economic governance, and the rapid multiplication of other ways of life. Speaking from the left-libertarian perspective, he writes in The Homebrew Industrial Revolution that

…it’s extremely unlikely in my opinion that the collapse of centralized state and corporate power will be driven by,or that the post‐corporate state society that replaces it will be organized according to, any single libertarian ideology… although the kinds of communal institutions, mutual aid networks and primary social units
into which people coalesce may strike the typical right‐wing flavor of free market libertarian as “authoritarian” or “collectivist,” a society in which such institutions are the dominant form of organization is by no means necessarily a violation of the substantive values of self‐ownership and nonaggression… it seems to me that the libertarian concepts of self‐ownership and nonaggression are entirely consistent with a wide variety of voluntary social frameworks, while at the same time the practical application of those concepts would vary widely.

To exit from the globalist anti-market is to be propelled towards the strangeness of patchwork.

Cthelllic Tendrils (#3a: Possession and Return)

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From inside the Turning she whispers to the Bottomless Pit: Ogun the metal-bodied, one who is many, breaker of masks. The hour of her coming draws near, and her Cloud of Dispersion already casts its abysmal shadow. – Mother Mary Ann Haddok, Industrial Church of the Nine Knocks

In the final pages of Flatline Constructs, Mark Fisher turned his attention to John Carpenter’s 1994 horror film In the Mouth of Madness, which he provocatively described as something of a companion piece to the two volumes of Deleuze and Guattari’s Capitalism and Schizophrenia project. In the Mouth of Madness is the story of a freelance investigator by the name of John Trent, who is hired by a large New York City-based publishing company to look into the disappearance of Sutter Cane, a popular horror novelist whose novels are reputed to have ‘strange effects’ on certain types of readers. Things go off the rails fairly quickly when Trent and Linda Styles, Cane’s editor, arrive in the town of Hobb’s Endan otherwise idyllic little New England ‘burg, besides a sinisterly beckoning church that loom up on the outskirts and the fact that the town itself is a fictional setting in Cane’s novels.

What binds In the Mouth of Madness to Capitalism and Schizophrenia is the twisting red thread of market apocalypticism. Cane is ultimately revealed to be to be a conduit – initially unwittingly – for the Old Ones, who are invading the world through his books, with the massive capitalist market serving as a contagion vector for belief. The more people read, the more they believe, and the more they believe, the more time accelerates towards the impending arrival of the ancients from the Abyss. In the film’s closing moments, we hear emergency broadcasts reporting in from somewhere, panicked voices warning of mass outbreaks of schizophrenia, of waves of violence and social disintegration, and of afflicted human bodies undergoing horrific mutation. A hyperstitional configuration par excellence: fiction writing itself into reality, the Outside invading in via the wildly oscillating hype(r) circuitry of capital.

So too it goes in Capitalism and Schizophrenia: capital, described in Anti-Oedipus as a flow of “abstract or fictional quantities”, is oriented towards “the wilderness where the decoded flows run free, the end of the world, the apocalypse”. This plane of cosmic schizophrenia is constantly ward-offed by Oedipal and statist compensators – yet the more capital itself proliferates, the greater the schizophrenization that explodes back from the periphery to the center, and the more the compensatory mechanisms shake and, ultimately, shatter. When social bodiesthemselves compositions of fictional quantities and mythsare “confronted with this real limit, repressed from within, but returns to them from without, they regard this event with melancholy as the sign of their approaching death”.

Cane’s role is that of the xenocommunicant: here is a figure who is opened up, unwittingly at first, to the Outside, though which the infection of the “schizo-signal” spreads. It’s not hard to see him as a composite of, on the one hand, Stephen King, with his utterly insane sales figures and strangely mutagenic effect on cultural formations; and on the other Lovecraft (another point of connectivity with Capitalism and Schizophrenia, the second volume is particular). Carpenter filled In the Mouth of Madness with references to Lovecraft’s cosmic horror, from structure of the film itself, to the names of characters, to the New England setting, to the final actualization of the long-awaited return of the Old Ones.

If the fictional Cane is an xenocommunicant, is it a stretch to grant that same designation to the ‘real’ Lovecraft? Ludicrous as it may seemand it is only going to get strangerthis is the position that was taken by Kenneth Grant, who in the 1970s began to cross-pollinate Crowley’s Thelema doctrines with Lovecraft and UFOlogy. In Beyond The Mauve Zone Grant would even suggest that the signals tapped into by the author were “strange sigils swirled by the power-waves of [Frater] Achad’s work” – Achad being Charles Stansfeld Jones, a ceremonial magician and purported ‘magical child’ of Crowley. Peter Levenda also takes up this question in his work on Lovecraft, Crowley and Grant titled The Dark Lord; to quote him at length:

In Liber Liberi vel Lapidus Lazuli, Crowley refers to several of the images with which Lovecraft would be consumed in his stories, but especially in “The Call of Cthulhu.” Here we have a buried god that is awakened from a stone, in a coffin, in a sepulchre, and mysterious words written in an ancient book, including Tutulu. And “of pure black marble is the sorry statue” resonates with the black stone on which the statue of Cthulhu squats.Crowley believed that the first two books [the Holy Books of Thelema] mentioned above were not his writing, but were inspired works dictated to him by his Holy Guardian Angel, the ancient Sumerian personality Aiwass, after Crowley had attained samadhi during a course of rituals he undertook with his colleague, George Cecil Jones, in England. Even the undecipherable language of “Olalam Imal Tutulu” has its counterpart in the enigmatic hieroglyphics of the Cthulhu statue and the ecstatic, glossolalia-like cries of the worshippers in the Louisiana swamps. Both men—the American author and the English magician—were dealing with the same subject matter, and indeed Lovecraft had dated the first appearance of the Cthulhu statue to the same year, month and day that Crowley began writing these sections of the Holy Books.

Levenda suggests that these may not be mere coincidences (as if there is anything mere about coincidence!), but could very well be an indication of some alien entity at work: “Either Lovecraft was in some kind of telepathic communication with Crowley, or both men were in telepathic communication with… Something Else.”

[If anyone is on the fence thus far, consider Levenda’s innocuous capitalizations in light of the following AQ equivalence: SOMETHING ELSE = 268 = SCHIZOPHRENIA]

In 1949a year after Crowley’s death, the beginnings of the modern UFO phenomenon (by way of the Kenneth Arnold sighting and the mythical Roswell Crash), and the inauguration of the Aeon of MaatPeter Vysparov convened a small group of researches together to study, among other things, these very sorts of “cryptic communications from the Old Ones, signaling return”. In a manner very close to Grant’s own untimely remixing of the edgeland currents rippling through cosmic post-war modernity, Vysparov’s goal was to find the key that would zip together Lovecraft’s ‘fiction’ with the body of work produced by Crowley and his acolytes, as well as with that of certain Indonesian indigenous populations. In his correspondence with the anthropologist Echidna Stillwell, he described this nexus as the zone of “Cthulhoid contagion”. On these matters Stillwell would response with a sense of knowing hesitance:

Whilst not in any way accusing you of frivolity, I feel bound to state the obvious warning: Cthulhu is not to be approached lightly. My researches have led me to associate this Chthonian entity with the deep terrestrial intelligence inherent in the electromagnetic cauldron of the inner earth, in all of its intense reality, raw potentiality, and danger. According to the Nma she is the plane of Unlife, a veritable Cthelll—who is trapped under the sea only according to a certain limited perspective—and those who set out to traffic with her do so with the greatest respect and caution.

Down and under…

Compensation and Escape

 

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In the earlier post Mixed Bag, I mentioned briefly Land’s argument that long-term cyberpositive trends – that is, cybernetic excitation or positive feedback unfolding primarily through technomic cycling – is continually dampened by a compensatory mechanism. Perhaps we can think of being similar to the importance of frequency compensation in electrical engineering, particularly in the case of amplifiers, which deploy negative feedback  mechanisms in order to pull back the wild oscillations and distortion engender by the lock-in to a positive feedback loop. Slotting this into the historical drift of technomic escalation, however, changes this a bit: the positive feedback process remains in the primary position, and dampening can only be secondary. Paradoxically – and this is where things get truly loopy – is that this secondary becomes a conduit through which the primary expresses itself. Consider the three forms of cybernetic circuits that cut across cyberpositive and cybernegative tendencies, as described by Land in his CCRU-era essay “Circuitries”:

  1. Long-range positive feedback: the primary cyberpositive process, characterized by continual escalation and the folding-in of machinic convergence (the ultimate unknown unknown of impending technomic concresence).
  2. Short-range positive feedback: short, harsh, unstable bursts of cyberpositivity that burn themselves out.
  3. Stabilization mechanisms: circuits that operate against cyberpositive in an attempt to suppress mutation and contagion. Ecumenonical.

These forms can be further related to the cybernetic model of history cultivated by Deleuze and Guattari in Anti-Oedipus, where development unfolds through the coding, territorialization, decoding, and deterritorialization of flows, and the modulation of these forms through mechanisms that ward off  mutagenic shocks to each historical stage. The primitive socius carried out a dual-warding suspended between the figure of the warrior and the shaman; the former, as Clastres demonstrated, played a role in preventing the formation of the State through the use of constant warfare, while the latter capture deterritorializing flows that threatened to return the socius to the biocosmic ocean. In the age of the despotic State, it was the body of the despot itself that capture these flows, which in the age of the Civilized Capitalist Machine passed to the capitalist state (as the force of anti-production that is subordinated to, yet aids, capitalist production) and Oedipus itself. For the despotic State, warding-off the impending flux of capital was paramount; for the Civilized Capitalist Machine, it is the pull of capital itself towards the edge of the edge, where everything gives way to burning, cosmic schizophrenia. Schizo-Marketization.

The long arc that bends towards this future apocalypse is the long-range positive feedback process, and the mechanisms for warding-off and capture constitute stabilization mechanisms. In each case the slippage towards what is warded off can be deferred for a while, but can never be absolute. It happens despite all attempts to halt it. What does tend to get churned out, however, are those explosions of short-range positive feedback.

In the parlance of Land’s more contemporary work, the stabilization mechanism of the capitalist epoch is precisely what Moldbug described as the Cathedral. To return to Re-accelerationism:

…the Cathedral acquires its teleological definition from its emergent function as the cancellation of capitalism: what it has to become is the more-or-less precise negative of historical primary process, such that it composes — together with the ever more wide-flung society-in-liquidation it parasitizes — a metastatic cybernetic megasystem, or super-social trap. ‘Progress’ in its overt, mature, ideological incarnation is the anti-trend required to bring history to a halt. Conceive what is needed to prevent acceleration into techno-commercial Singularity, and the Cathedral is what it will be.

In a great post on this same topic, Uri the Cyborg Nomad drops this excellent diagram of the dampening effects of the Cathedral on technomic cyberpositivity. Hopefully he won’t mind it being reproduced here:

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This may seem different from the usual image of the Cathedral offered by neoreactionaries, which often seems to be a stand-in for progressive policies they don’t like. This isn’t to say that it doesn’t encompass that – the opposite, in fact! Far from being a particular mode of politics, the Cathedral defines totality of the political machine, which is intrinsically bound to self-replication (far from being stupid, politics wants more of itself), self-preservation, profit-seeking, hegemonic functioning, and – as a result from each of these – an inclination towards universalism in increasingly more managerial modes. It is for this reason that Land describes a Left Singularity that is locked into a doomed conflict with an impending future Right Singularity

[Many will immediately jump on this point and point out that this framing of singularities along a Left – Right line doesn’t quite gel with the muddied (and frankly nonsensical) history of these terms. I know, I know. To ward off in advance the endless quagmire of debate over what these terms means, consider the way in which Land is using them here: taken most generally, Left here designates the political, and Right designates anti-politics. Consider that what is being called unconditional accelerationism was, originally, called right accelerationism by Land:

a framework which would slot both the left accelerarionism and right accelerationism critiqued by unconditional accelerationism into the the framework of the Left. U/Acc, however, moves in a different direction by referring to the political in terms of a grand Left, but a mutually reinforcing secondary circuit in which left and right self-excite one another through reinforcement, antagonism, and constructive blurring. Clear as mud? Cool.]

Something that I’ve been interested in is how Land sees Neoreaction itself fitting into this schema. It designates something still internal to the Age of the Civilized Capitalist Machine – the encounter with the Dweller on the Threshold is still a ways off yet – but past the Cathedral proper, which is anticipated to be shattered into countless, fractioning polities. The death of politics, by way of the insane multiplication? Such a maneuver would constitute the annihilation of the universalist stabilization mechanisms, though it would – in the patchwork model, at least – make possible all sorts of localized, dynamic, and variable stabilization mechanisms available. This flips back to an argument posed on this blog before: that what Land designates the Cathedral and Fisher assessed as “capitalist realism” are, in fact, the same thing (once we separate capitalism from cyberpositive capital, and approach capitalist realism via the former), and that breaking through to the other side of these immense blockages opens into a plane of differentiation: micro-scaled units rising up like a nano-swarm. But, Land argues, and yet this is ultimately as doomed as the Cathedral itself, as is made clear by the brief comments on the ultimate fate of neoreaction at the end of Dark Techno-Commercialism:

Dark Techno-Commercialism — provisionally summarized — is the suspicion that the ‘Right Singularity’ is destined to occur in surreptitious and antagonistic relation to finalistic political institutions, that the Cathedral culminates in the Human Security System, outmatched and defeated from the Outside, and that all hopes that these ultimate historical potentialities will be harnessed for politically intelligible ends are vain. It is, therefore, the comprehension of capitalism ‘in-itself’ as an outsider that will never know — or need — political representation. Instead, as the ultimate enemy, it will envelop the entirety of political philosophy — including anything neoreaction can contribute to the genre — as the futile strategic initiatives (or death spasms) of its prey. (emphasis added)

There’s a rabbit hole to tumble down here, full of numogrammatic, Deleuzeguattarian, and Thelemaic resonances that are best left for future investigation – though it’s worth considering how the above relates to the neoreactionary Trichotomy. This triad model is used to survey the terrain of NRx in a way that, on one hand, illustrates its opposition to the Cathedral, and on the other illustrates its own internal oppositions. By sketching all of these out, the Trike reveals an intended motor of fragmentation, where the pieces can never really fit into a higher unity synthesis, and can only ever proceed through ongoing shattering. The three sides are: Theonomy, Ethnonationalism, and Techno-commercialism. The first finds itself into opposition to the treatment of religion under progressivist universalism, and is resolutely opposed to ethnonationalism and techno-commercialism; the second rejects political integration and the demand for multiculturalism, and is opposed to theonomy and techno-commercialism; and techno-commercialism clashes with the technomic dampening of the stabilization mechanisms, and can only ever be structurally opposed to theonomy and ethnonationalism (it’s clear that this latter force is intrinsically linked to the primary accelerating process, hence the identification of a dark techno-commercialism that rides beyond NRx into the unutterable void of futurity).

Behind the Neoreactionary Trichotomy is a second, more esoteric triadic formation that maps not the political, but fate itself: the Horrorist Trichotomy. Each point is rendered as that which cannot be escaped from: Providence, Heredity, and Catallaxy. If the Neoreactionary Trike is ecumenonical, the Horrorist Trike serves as the planomenon. The alignments are clear: Theonomy to Providence, Ethnonationalism to Heredity, and Catallaxy to Techno-commercialism.

What relevance does this strange architecture, twisting as it does through the political and arcane materialism, have to these questions of compensation and accelerating trendlines (or: why this deep dive into the far end of NRx theory)? The answer to this follows the introduction of yet another triadic formulation, one that clearly anticipates the Neoreactionary Trichotomy: the “Golden Meme” introduced by Walter Russell Mead, and discussed by Land in an ancient post from waaay back in 2011 titled “Reign of the Tripod” (reign indeed!). In Mead’s historiography, the Golden Meme (i.e. the concept of the invisible hand) is the formula that produced the two centuries of “Anglosphere hegemony” – or what ensured the long-term stability of the British empire and the United States. Three points of a triangle: “Newtonian celestial mechanics” (serving as the modernization of “the religious idea of providence”), “Smithian political economy”,  and “Darwinian evolutionary biology. Again, the alignments are clear, though at the same time they cannot put fracture a little. Both Newtonian celestial mechanics and theonomy derive from providence, but one charts a secularizing path whilst the other stakes out a religious one. Something is shifting here.

Land writes that opposition that cannot be reconciled via synthesis becomes institutionalized in a power balance. In other words, the Golden Meme functioned because the three points checked one another. A compensatory dynamo is generated, one capable of pressing down on short-term burnouts that could arise from each triangle tip. Yet what stabilizes also sows the seeds for fracture:

Cultural hegemony follows from a semi-deliberate fatalization, as the sovereign center is displaced by a substantially automated social process, which no social agent is able to master or entirely impede. Each major faction steps back into its position in the triangle, from which it can strategically engage the others, but never fully dominate or eradicate them. The triangle as a whole constitutes a social and historical motor, without adequate representation at any identifiable point.

By placing the three Trichotomies in alignment, we arrive at a picture of ecumenonic consolidation and subsequent fragmentation, both shot through with the concealed Horrorist diagram of fate:

[Providence] :: Newtonian point of the Golden Meme –> Theonomy

[Heredity] :: Darwinian point of the Golden Meme –> Ethnonationalism

[Catallaxy] :: Smithian point of the Golden Meme –> Techno-commercialism

This picture is clearly a messy one and needs further work into integrating it into a more cohesive model, but it reveals a certain insight into neoreaction itself (or at least the form that Land is sifting through, which seems to go far beyond the work of many of his interlocutors). If the Golden Meme is the production and governing protocols for the Anglospherical compensatory mechanism, then it is what produces the Cathedral itself, which would as the Atlantean summit of this development. It follows, then, that if the NRx Trike etches a cartography of fragmentation that proceeds from this, then NRx is not simply an opposition to the Cathedral (as an activist movement for politico-cultural restoration would be, for example); it is the dynamical fall-out of the Cathedral’s fracturing in itself.

This is the very position staked out by Land in a post titled “Crypto-Brahmins”:

The Brahmin priest caste, like the digital elite, specializes in signs, but they are signs of exhortation, rather than of intrinsic efficiency. Is not the Cathedral precisely a name for that apparatus of signs — (non-STEM) academia, media, bureaucracy, politics … — which cannot in principle ever compile? The Cathedral is a secular religion, which has to preach because it does not work.

When NRx insists upon a division within ‘progress’ between techno-economics (which works) and socio-politics (which decays), it opens a rift that splits the Brahmins, rather than further separating them from social inferiors. NRx, at its core, is a ‘Brahmin’ civil war.

There’s much more to be said here, especially in light of how US democracy promotion exercises export Cathedral-capitalist realist-style governing protocols around the world through a model of capture that relies on keeping elite power balanced between multiple competitive fractions – not to mention the analysis offered by Peter Turchin on the relationship between elite overproduction and political fragmentation. But best to leave these thoughts for another post!

Some excellent recent posts that are swimming in similar waters:

Xenobuddhism: Non-Oriented Accelerationism

Xenogoth: Nationalist Realism

Wash Out

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America is nothing but the West, and that’s the land of the dead. No sign here of a new world – let alone a New World Order. Something Old

Not far from my home is a town called Horse Cave. Once a tourist trap – the main event being a larger cave entrance in the middle of downtown, which lends the town its name – most of the buildings now sit empty, and abandoned. Keep driving past them and you’ll be on an open stretch of highway, dotted by faded industrial sites, trailers, and the county high school. The highway connects Horse Cave to Cave City, and in all reality the towns are one and the same, divided only by the county line. The closer you get to Cave City more and more of the landscape becomes dotted with old, strange roadside attractions – take the Wigwam Village, for instance. Built in the late 1930s as part of a motel chain that spanned the US (of the seven that were built, only three are left), this utterly-impractical dwelling was an expression of the emergent automobile culture, its then-already kitsch-retro contours etched into landscape.

More motels proliferate inside Cave City proper. Most of these were built in the decade following the Wigwam Village, as indicated by undeniable influence of Googie architecture on their design. Like the faux-Americana of the Wigwam Village, Googie in a temporal index: its roots are in the aesthetic of the car culture, buts its gaze is directed towards outer space. The vector for this gaze is the Atomic Age. The automobile, atoms, and flying saucers collide in Googie, along with gentle borrowings from the European avant-garde. The utopian, plastic, left accelerationist offspring of Streamline Modernism.

Now, as the color pop of Googie dulls to weathered oranges and gray, many of these motels now serve as permanent residences for the people of the margins. A small handful are burned out completely, boards covering shattered windows and kicked-in doors. The walls are covered in graffiti left by squatters passing through the area.

In an essay titled Amerikkkan Gothik, Mark Fisher (going under the alias of ‘Mark de’Rozario’) describes how when it comes to America, it was Philip K. Dick who knew best how to disconnect science fiction from the future that Googie presents. While the triumphant, postwar industrial machine and its adjacent PR industry cultivated an image of an impending “jetstreamed, wipe-clean, air conditioned, atomic-powered New World”, “[a]ll the kibble – the crud, the waste, – vacuumed out of SF’s dream home pile[d] up in Dick’s seedy tenements.” On the far side of things, where the industrial process grinds out the human substrata and the PR machine loops into the escalating loop of self-reference, the promise of the car culture, the Atomic Age, and the Space Age collapse into the very kibble it strove to eliminate: luxury motels gone fleabag, the Dimestore Indian decapitated, and nobody knows why they were here in the first place.

Uneven and combined, stagnation and lift-off run together as SF capitalism falls up into cyberpunk. Fisher continues:

In adapting Do Androids Dream of Electric Sheep, [Ridley] Scott re-roots LA in the Northern line, imagining the city of Angels as a neo-medieval City of Quartz… The expressionist style Scott adopts is arty through and through: even the adverts look elegant (whereas in Dick’s world, all the art would be an advert – probably for a hardware store… In the movement from paperback to art movie, there’s also a shift in religious sensibility. Dick’s religion is Weekly World News improbable: revelation is inseparable from mass-mediated sensationalization. It’s all dimestore prophecy and visions of God under the influence of a dentistıs drug. Gnosis is to be found amongst the discarded candy bar wrappers and cheap tunes of an artless huckster culture where everything is for sale: part of the challenge is being able to spot that the way out is hidden somewhere in the trash. Scott replaces Dick’s kooky-quacky loony toons All-American Gnosticism with the sober intensity of Protestant nonconformism. His replicants, especially Roy Batty, speak in the language of Milton or Blake. In a sense, this is no less American. Blade Runner’s infernal city is more Paradise Lost than Dante. Arriving from the dying sky of a choked ecosphere, the replicants come to an Amerikka where the calcified determinism of social stratification finds metonymic expression in the very architecture of the city – opulent Citadels of wealth loom far above new shanty towns, as inaccessible to the subproletarian cybernetic troglodytes below as baronial castles were to the medieval peasantry. Europe, again…

For Fisher, the distinctly American excavated of cyberpunk that is carried out by Blade Runner is one in which the future of the country’s impulse – the immigrant dream of the future – is forced to grapple with the reality that “the future is no longer virgin territory”. Googie was doomed before it was ever conceived.

Deleuze’s essay on Walt Whitman identifies the fundamental American quality as the fragment. Expressed in society – and in literature – as a spontaneity that subsumes advanced planning, the fragment is a reiteration of the country’s immigrant origins. As a patchwork, a “nation swarming with nations”, the ultimate, rapidly deferred goal was the engendering of a “society of comrades”. One must add to this picture that would was to bind together this society of comrades was their escape from one another. The push for the frontier that began immediately in the wake of the consolidation of the revolution into statecraft was less the drive of that state itself than the forging of lines of flight away from it. One exited for the borderlands, and the lands beyond the borderlands, to evade the clutches of an political machine that rebirthed the iteration of the megamachine, the Daddy Ur-staat, that had just been pushed back. It is for this reason, as Deleuze writes in his reprisal of the American question in his essay on Bartelby, the revolution, much like the Bolshevik revolution, was originally against the figure of the Father itself:

The American is the one who is freed from the English paternal function, the son of the crumbled father, the son of all nations… their [the revolutionaries] vocation was not to reconstitute an “old State secret”, a nation, a family, a heritage, or a father. It was above all to constitute a universe, a society of brothers, a federation of men and goods, a community of anarchist individuals, inspired by Jefferson, by Thoreau, by Melville… America sought to create a revolution whose strength would lie in a universal immigration, emigres of the world, just as Bolshevik Russia would seek to make a revolution whose strength would lie in a universal proletariatization, “Proletarian of the world”… the two forms of the class struggle.

Ride the line of flight long enough and you’ll cross into the West’s westernmost limit. “[T]he West… played the role of the line of flight combining travel, hallucination, madness, the Indians, perceptive and mental experimentation, the shifting of frontiers, the rhizome”. Blade Runner deals with the attempt to destroy the Father and the subsequent flight to the West, though the order is scrambled; whereas the American flight waged war against the Father in the Eastern colonies and then proceeded towards the West, the replicants begin in the colonies and take the conflict with them to that city that is west of the West: Los Angeles. Like the American revolutionaries, they too want to be rid of the Father. Here the biological father, perhaps even the Ur-staat Father, has already been killed: the replicants have no parentage except a vast techno-economic structure plugged into a military machine (“daddy is a North American aerospace corporation, mummy is an air-rad shelter” – the genetic line of the Replicants is the same as Googie). Positioned forward in time, we can imagine perhaps that a revolutionary cycle playing out time and time again: kill the Father, crash down in the West. Reset as the cycling development of the relative deterritorialization and reterritorialization… going on and go until, at last, the Wall is transgressed, relative exploding into absolute deterritorialization. By then it will make sense to talk about America, much less the West-

Before hitting the wall, reaching the West must denote not the culmination of the frontier, but the point where it hits the relative limit, before falling back in itself must fall back into itself. The whole thing at this point is a simple game of self-reinforcing recursivity. Here we move from the Deleuzian West of hallucination and madness to Baudrillard’s West, where hallucination and madness persist but have been transformed into the shimmering brilliance hyperreality – neither reality or the unreal, but an instant utopia where everything is “real and pragmatic, and yet it is all the stuff of dreams too”. A continental scale hologram “in the sense that information concerning the whole is contained in each of its elements.” Fractal America: one fast food restaurant, one suburban cul-de-sac, one stretch of strip malls, motels, and neon-spattered country bars and the whole is revealed.

This Hyperreal America of the 1980s was suspended is a mishapped triangulization between Space Age dreaming, the manic peak of the dreamers themselves, and a series of looming mutations. It one sense it is now dead, the hologram having ran itself down into the rubble that piled up along its edges and in its blind spots. In another since it is still alive, as an object of nostalgia, as a motor for politics, as something attainable, as a reason for living. Yet even then, the end was palpable, if still unthinkable. “The microwave, the waste disposal, the orgasmic elasticity of the carpets” Baudrillard wrote, “this soft, resort-style civilization irresistibly evokes the end of the world.” Today it is both palpable and thinkable, as long as one looks at it indirectly. Zombie politics, a ghastly creation shambling through the wasteland of trashed affluence and consumer society’s ruin.

 

Cthelllic Tendrils

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Follow the plummeting line downwards, Professor Barker tells us, past the rigid lithosphere where the tectonic plates crush together in howling grind, beyond the asthenosphere’s lurid flux of solid and molten matter, and downwards still through the mesosphere where this flux becomes chaotic, battered by seismic shockwaves and the pressure builds to insanity. Propelled into crushing depths at a screaming velocity we arrive at the outer core: an immense monster of energy, this swirling and churning ocean of liquid iron and nickel. Turbulent flows rocked by seismic shocks producing electrical loops generating the earth’s magnetic fields. Blacker than the frozen cosmic void: Cthelll, the schizophrenic heart of burning matter.

[T]he interior third of terrestial mass, semifluid metallic ocean, megamolecule, and pressure cooker beyond imagination… Cthelll is the terrestrial inner nightmare, nocturnal ocean, Xanadu: the anorganic metal-body trauma-howl of the earth, cross-hatched by intensities, traversed by thermic waves and currents, deranged particles, ionic strippings and gluttings, gravitional deep-sensitivities transduced into local electromesh, and feeding vulcanism…

Trauma-core. The Planomenon. When Cthelll hits the the borderlands of the mesosphere its anything but nonlinear. It’s a jagged internal coast that “contains troughs and swells, deeper than the Grand Canyon and higher than Mount Everest, spread across continent-sized areas.” In this zone – referred to as the D” layer – heat flows and matter are channeled together in great plumes that rush upwards, piercing each successive geological strata before rupturing at the surface in volcanic activity. Volcanic behavior, magnetic fields, the drift of continents – all find their motor in the immobile movements of Cthelll.

If there is a fateline that plummets to these depths, it is the Gothic line introduced by Wilhelm Worringer and elaborated upon by Deleuze and Guattari. From the geological veins of metallic mineral pumped up into the crust of the earth to the biological veins carrying iron-dense blood (a remnant of the iron-dense ocean that once covered the planetary surface before sinking into the dark depths) to magnetic field overhead to civilization’s reliance on the tapping into each of these flows, the metal radiance of Cthelll crisscrosses everything that takes place far above it. Speaking of the Gothic line, Deleuze and Guattari write that

metal is the coextensive to the whole of matter… Even the waters, the grasses, and the varieties of wood the animals are populated by salts or mineral elements. Not everything is metal, but metal is everywhere. Metal is the conductor of matter… Metal is neither a thing nor an organism, but a body without organs. The “Northern, or Gothic, line, is above all a mining or metallic line delimiting this body.

For Mark Fisher, the Gothic line is an affair of Gothic materialism, another name for which is hypernaturalism: “In the move from Naturalism to hypernaturalism, the old distinction between vitalism and mechanism – which, [Norbert] Wiener says, had been rendered illegitimate by cybernetics – collapses.” Hence the focus on uncanny technology that has been focused on in this blog. In hypernaturalism, there is nothing idiosyncratic or distinct about human or animal behavior that separates it from that of the machine, or the machine from the so-called ‘natural’ system. Instead of rising all things up to a human level (arrogantly presupposing human superiority) or pushing everything down to a base level (presupposing non-human inferiority), hypernaturalism charts a diagonal line away, into an indeterminate zone where these value judgments no longer hold sway. Here singularities, intensities, haecceities reign supreme.

Two of diagramming tools that Deleuze and Guattari lend to hypernaturalism are abstract machine and the machinic phylum. The first of these, the abstract machine, is the force that engenders the ecumenon – that is, the strata, or plane of organization – atop the planomenon, the plane of consistency. In the latter, the flows of matter are completely unformed and unorganized, yet become organized through being distributed into substances and forms by this abstract machine. Cthelll is an oscillating planomenon; that which organizes from this Entity – and slips back towards it – is an ecumenonical organization.

If this sounds oblique, consider Manuel Delanda’s unpacking, in War in the Age of Intelligent Machines, of the abstract machine by way of the study of self-organizing processes. Building on a conversation about turbulent liquid, crystallization, and metal’s transition from non-magnetic to magnetic, he writes that

all these different processes, at the onset of self-organization, have turned out to have similar mathematical structures. The process through which the photons in a laser undergo a spontaneous organization and become coherent (all “cooperating” to emit light of the same phase) has been found to be essentially similar to that of molecules in a liquid ”cooperating” to form eddies and vortices, or in a different case, crystalline structures. Since the actual chain of events that leads to the spontaneous formation of new patterns and structures in different media must be completely different, all these transitions from chaos to order are said to be “mechanism independent.” Only the mathematical structure of these transitions matters, as far as their self-organizing effects are concerned, and not the concrete ways in which the organization of molecules (or photons) is carried out. For this reason these mechanism-independent, structure-building singularities have been conceptualized as ”abstract machines”: that is, single “mathematical mechanisms” capable of being incarnated in many different physical mechanisms.

The singularities referenced here refer to points which trigger self-organization. Something can pass through a series of states – a succession of intensities like stages of temperature, for example – but when it enters into the proximity of the singularity the abstract machine takes over. Water goes from a consistent, unorganized room temperature to boiling to evaporation after passing through different singularities which, in turn, trigger the molecules to enter into self-organization that ultimately culminates in widespread systematic shift.

The second tool Deleuze and Guattari provide is the machinic phylum, which is itself synonymous with the metallic Gothic line. The phylum is nonorganic life: it is not only the unification of the organic and nonorganic under the rubric of the abstract machine’s functions that rupture the boundaries between the two, but the implication – proceeding from this – that nonorganic things and forces can adopt the attributes of biological life.

Vital impulse? Leroi-Gourhan has gone the farthest toward a technological vitalism taking biological evolution in general as the model for technical evolution: a Universal Tendency, laden with all of the singularities and traits of expression, traverses technical and interior milieus that refract or differentiate it in accordance with the singularities and traits each of them retains, selects, draws together, causes to converge, invents.

The machinic phylum is the Cthelllic tendrils radiating out from the geocosmological compression chamber, rhizomatic burrows making their way through time and space, cutting up and down different scales, acting the bleeding edge of deterritorialization through disrupting the stable ground of a tool, a social configuration, even the human body (Lyotard’s inorganic proletarian bodies warped, broken, and remolded by the machinic arrays they are inserted into, for example). From the perspective of Delanda’s robot historian – one that is writing the historical of its species’ genesis through the nonlinear meanders of matter and process – “the notion of a machinic phylum blurs the distinction between organic and non-organic life, which is just what a robot historian would like to do. From its point of view… humans would have served only as the machine’s surrogate reproductive organs until the robots acquired their own self-replication capabilities. But both human and robot bodies would ultimately be related to a common phylogenetic line: the machinic phylum.”

Deleuze and Guattari divide the great, nocturnal Cthelll line of the machinic phylum into two different lines: a phylogenetic line and a ontogenetic line. “At the limit there is a single phylogenetic lineage, a single machinic phylum”, but this line itself becomes cut by the assemblage; that is, but a composition of forces that have entered into mutually transformative process – the orchid and the wasp, the worker and the machine, all the way up to the scales of culture and historical stages. It is this entering into of relations that cuts the phylum: one extracts something from the phylum and the extracted line extracts something in turn (hence why it is deterritorialization’s bleeding edge). The cut of the phylum produces many distinct phyla, both indistinguishable from the machinic phylum itself yet distinguishable by want of its specific attributes. From Cthelll to veins of iron ore to the various Iron Ages to the lineages of tools and weapons internal to them: snaking passages from the phylogenetic line down to the ontogenetic.

[At some future, yet very soon date, I’ll pick up where this leaves off: tracing the operations of the Cthelllic tendrils on human societies through a succession of figures – Shaman, Sorcerer, Smith.]

Anarchy (#3: Katechon and Apocalypse)

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An occult war wages between the striving for the grand unification of all things and the insurgency that haunts its every Promethean feat. One side of this conflict takes as its ground universality, stability, linearity, and homeostasis its, while its opponent is an unground of swarming differentiation, unpredictability, non-linearity, and positive feedback. The former is the top-down view and the latter is bottom-up self-organization. The first is the One, the second a multitudinous Zero – the secondary process that thinks itself primary, and the primary process itself. Flat planes and the multi-scaled. The desire for perfect operativity and the forces that induce its downfall.

At the summit of modernity the nature of this occult war becomes profoundly cybernetic (which means that it always already as so). Tiqqun argued in “The Cybernetic Hypothesis” that the systems of domination and exploitation were evolving towards an unending managerialism based upon openness, ecological thinking, globalist progressivism, horizontalist ethos and cybernetic control – a clever camouflage for the Atlanteans. Tiqqun, at length:

Cybernetics is the police-like thinking of the Empire, entirely animated by an offensive concept of politics, both in an historical and metaphysical sense. It is now completing its integration of the techniques of individuation — or separation — and totalization that had been developing separately: normalization, “anatomo-politics,” and regulation, “bio-politics,” as Foucault calls it. I call his “techniques of separation” the police of qualities. And, following Lukács, I call his “techniques of totalization” the social production of society. With cybernetics, the production of singular subjectivities and the production of collective totalities work together like gears to replicate History in the form of a feigned movement of evolution. It acts out the fantasy of a Same that always manages to integrate the Other; as one cybernetician puts it, “all real integration is based on a prior differentiation.” In this regard, doubtless no one could put it better than the “automaton” Abraham Moles, cybernetics’ most zealous French ideologue, who here expresses this unparalleled murder impulse that drives cybernetics: “We envision that one global society, one State, could be managed in such a way that they could be protected against all the accidents of the future: such that eternity changes them into themselves. This is the ideal of a stable society, expressed by objectively controllable social mechanisms.Cybernetics is war against all that lives and all that is lasting.

While fundamentally correct in the tracing of the contours of particular managerial tendencies (one that aims to culminate in a democratic “social capitalism” which is indistinguishable from an eco-minded “third way socialism”), Tiqqun errs by throwing out the cybernetic baby with the bathwater, and in doing so misses the depths and scope of the war. It remains relegated to level where one on side is the humanist bourgeoisie and their cybernetic ‘toolbox’, and on the other is “Imaginary Party” that swells in the cracks and crevices of this system. Insofar as such a dichotomy can be upheld – which isn’t apparent at all – it is intrinsically problematized by the imperceptible matrix that roars beneath it and even gives rise to it.

No sooner than cybernetics had arrived amidst a fanfare celebrating the optimization of control did a new,frightening conflict break out, as Peter Galison analyzed in his “The Ontology of the Enemy”. The opponent in this deadly game was a “cold-blooded, machinelike opponent. This was the enemy not of bayonet struggles in the trenches, nor of architectural targets fixed through the prism of a Norden gunsight. Rather, it was a mechanized Enemy Other, generated in the laboratory-based science wars of MIT and a myriad of universities around the United States and Britain…” In its genesis the cybernetic sciences were about gaining technological superiority over opponents in the face of faster and faster speeds, which escalating quickly into a mutational program that blurred the distinction between the human and the machine. Genesis turns towards the holy war: “in a final move of totalization, [Norbert] Wiener vaulted cybernetics to a philosophy of nature” in the form of a permanent and boundlessness war between stability and safety and the “Augustinian devil”, the unknowing and unknown “’evil’ of chance and disorder”.

While subsequent developments in the realm of cybernetics, particularly as it moved its second-order phase up through general systems theory into complexity theory (of which much more will be said momentarily) transformed this basic Manichean conflict by recognizing the role of chance, disorder and noise in making systems evolutionary and transformative, the ontological conservatism that whispers through Wiener’s writings is reflected in the widespread resistance to evolutionary transformation. Top-down order is predicated on the ubiquity and prowess of human-led production. An entangling inhuman auto-production that nests this production cannot be be seen as but a threat. That the cybernetic paradigm ruptured the distinction between the human and the machine by articulating the baseline functioning of each in teleological circular causality made the machines uncanny by giving them the attributes of agency and intelligence. Wiener found in the gremlin that haunted aircrafts during the war an earlier preamble to this uncanny collapse:

The semi-humorous superstition of the gremlin among the aviators was probably due, as much as anything else, to the habit of dealing with a machine with a large number of built-in feedbacks which might be interpreted as friendly or hostile. For example the wings of an airplane are deliberately built in such a manner as to stabilize the plane, and this stabilization, which is of the nature of a feedback … may easily be felt as a personality to be antagonized when the plane is forced into unusual maneuvers. (quoted in Galison, “The Ontology of the Enemy”)

In the wake of World War 2, Carl Schmitt famously turned his attention to famously turned his attention to the idea of juridical order as the Katechon. With its origins in the Second Epistle to the Thessalonians, the concept of the Katechon became prominent in the Middle Ages to describe a force that restraints the Antichrist, and by so effectively holds the apocalypse itself at bay. In Schmitt’s political theology it carried the same function – but it is not simply a singular apocalypse. It is a history of apocalypses, of grand imperial ambitions that acted as Katechons by forestalling their end until, at last, the empires rots and rays, its thread disentangling and separating as another Katechon rises on the horizon. From Byzantine Empires to the Third Reich to the United States, an oscillating history of imperial ruin and passage.

Much ink and paper have been spilled and spent trying to determine what precisely the Schmittian Antichrist is . Interestingly, the Katechon at times depicted is as a decelerator that slows the pace of world history; it would follow, then, that the Antichrist can be found as an affiliate of the quickening pace – an accelerator, even. This often remains lodged at the political level: he describes the Third Reich, for instance, as an accelerator of world history that is opposed by the decelerator of the United States. But the laws of state decay and means-end reversal prevail, and the US would itself become the new accelerator. There are, however, other ways of articulating the Antichrist. John McCormick argues that, running through Schmitt’s intellectual evolution from the 1910s to the postwar era, an understanding of technology and economics as a malevolent Antichrist that cunningly infiltrates the political arena and bring with it ruin:

Just as the Antichrist seems to deliver salvation and eternal peace, on the contrary, only to actually bring destruction and despair, technology and commercialism promise a heaven on earth but bring only a worse form of impoverishment and devastation, which may not even be readily recognized as such. One of the characteristics of modern technology is that it can mechanically reproduce virtually anything. Schmitt plays on this theme of reproduction with the image of the Antichrist. If one cannot distinguish between God and Satan, then what can be distinguished? Everything becomes the same. Everything is neutralized. The Antichrist/technology is described as “uncanny [unheimlich]” because of the epistemological uncertainty involved in deciphering precisely what it is. It simulates the familiar and authentic, but is it? The very nature of what real is, is called into question in the age of technology. According to Schmitt, “The confusion becomes unspeakable”. (John McCormick, Carl Schmitt’s Critique of Liberalism: Against Politics as Technology, 88-89)

As Mark Fisher relentlessly illustrated, the cybernetic revolution, by lending to technological systems a certain intelligence and sense of agency, fulfilled the long-held Gothic dread of the living automaton. Schmitt here taps into this underground current, one that connects the myth of the Golem, Marx’s undead capital, Frankstein’s monster, and the gremlins haunting aircrafts engaged in wartime missions. An echo can be heard, one no doubt unintentional (but no less telling) between Wiener’s Manichean cybernetic conflict of organization and its enemy, the Augustinian devil of disorder, and Schmitt’s own definition of the political as what arises from the friend/enemy distinction. For McCormick, the relationship between the dichotomy of friend/enemy and Christ/Antichrist is clear: traveling above the political as an abstract order and looking down into it, the Antichrist is the absolute Enemy that threatens to undermine the political as a category writ large. Throw this insight into jagged alignment with the cybernetic uncanny and the Antichrist, the schizophrenic god Baphoment, becomes what Deleuze and Guattari described as the Gothic Line, or, in its more common guise, the machinic phylum.

At the limit, there is a single phylogenetic lineage, a single machinic phylum, ideally continuous: the flow of matter-movement, the flow of matter in continuous variation, conveying singularities and traits of expression. This operative and expressive flow is as much artificial as natural: it is like the unity of human beings and Nature… Vital impulse? Leroi-Gourhan has gone the farthest toward a technological vitalism taking biological evolution in general as the model for technical evolution: a Universal Tendency, laden with all of the singularities and traits of expression, traverses technical and interior milieus that refract or differentiate it in accordance with the singularities and traits each of them retains, selects, draws together, causes to converge, invents. There is indeed a machinic phylum in variation that creates the technical assemblages, whereas the assemblages invent the various phyla. (A Thousand Plateaus 406-407)

The human and the machine, the orchid in the wasp: unilateral agency dissolves away in the face of the phylum, and as such can only be viewed by the political as the Enemy, even if it to approach the relation in such a manner is extremely vulgar (after all, do Deleuze and Guattari not make it the itinerants who follow the phylum, figures who are outside the reach of the State, but on who the State depends on survival?) To reach the level of phylum we’ll have had to pass from the basic loops of Wiener’s first-order cybernetics to arrive at the imperceptible matrix, the staggering sum of immanent self-organizing processes. In this mesh, the political, the state, Christ, the Atlantean continuum, all can be understood as a elements internal to these processes, no different than Deleuze and Guattari’s self that mistakes itself to be unitary whilst being but something that has congealed to the side of the auto-productive processes: a voided coagulation that thinks itself not. The unwavering stability of this creation, held together by the Judgment of God, is countered by emergent flux of the phylum.

A Lemurian insurgency, even if the things that the flux produces – commerce and technology, namely – sustain the State. The fact of the matter is that the singular instantiation of something from a catalytic process will never be stable, and is part of line that intrinsically escapes. The Katechon is sinking.