Labor Between the General and the Restricted

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There’s a remarkable similarity between the two following passages, the first a remark from the Grundrisse on the equation of production with consumption and Spinoza (apparently reiterating what Pierre Macherey has argued is a misreading by Hegel of Spinoza, though I don’t have a good enough handle on the nuances of this argument to comment on it much at all), the second on the importance of the ‘production of production’ from the beginning of Anti-Oedipus:

Production is also immediately consumption. Twofold consumption, subjective and objective: the individual not only develops his abilities in production, but also expends them, uses them up in the act of production, just as natural procreation is a consumption of life forces. Secondly: consumption of the means of production, which become worn out through use, and are partly (e.g. in combustion) dissolved into their elements again. Likewise, consumption of the raw material, which loses its natural form and composition by being used up. The act of production is therefore in all its moments also an act of consumption. But the economists admit this. Production as directly identical with consumption, and consumption as directly coincident with production, is termed by them productive consumption. This identity of production and consumption amounts to Spinoza’s thesis: determinatio est negatio. But this definition of productive consumption is advanced only for the purpose of separating consumption as identical with production from consumption proper, which is conceived rather as the destructive antithesis to production. (Grundrisse90)

and

It is probable that at a certain level nature and  industry are two separate and distinct things: from one point of view, industry is the opposite of nature; from another, industry extracts its raw materials from nature; from yet another, it returns its refuse to nature; and so on. Even within society, this characteristic man-nature, industry-nature, society-nature relationship is responsible for the distinction of relatively autonomous spheres that are called production, distribution, consumption… [but] the real truth of the matter—the glaring, sober truth that resides in delirium—is that there is no such thing as relatively independent spheres or circuits: production is immediately consumption and a recording process (enregistrement), without any sort of mediation, and the recording process and consumption directly determine production, though they do so within the production process itself. Hence everything is production: production of productions, of actions and of passions; productions of recording processes, of distributions and of co-ordinates that serve as points of reference; productions of consumptions, of sensual pleasures, of anxieties, and of pain. Everything is production, since the recording processes are immediately consumed, immediately consummated, and these consumptions directly reproduced. (Anti-Oedipus4)

These two passages describe, in ever-so-slightly different ways, a pair of distinct yet fundamentally entangled positions. The first of these is a general situations; relative to the developmental pathways of human civilization at the most total level, it is what produces transhistorical conditions. The second is a more historically-bound and situated situation. The necessary inseparability of the two lies in that the historically-situated is always the expression of the transhistorical current: the latter gives rise to the former, but it is through the variations of the former are the only ways that the latter can be understood.

Bataille’s distinction between a ‘general’ and ‘restricted’ economy provided an apt vantage points to examine the two sorts of systems that characterize this split. In a footnote to the above passage, Deleuze and Guattari write that “[w]hen Georges Bataille speaks of sumptuary, nonproductive expenditure or consumption in connection with the energy of nature, these are expenditures or consumption that are not part of the supposedly independent sphere of human production, insofar as the latter is determined by ‘the useful’. They therefore have to do with what we call the production of consumption” (Anti-Oedipus, 4). The production of consumption, then, oscillates around the equation of production with consumption as it occurs within the general economy. This economy is, for Bataille, a cosmological economy, composed of immense and violent circuits of energy that are discharged as pure expenditure. The burning fury of the sun is the source of expenditure par excellence: it continually pounds the earth with pulsing solar rays, and it is this nourishing gift of radiation—which for the sun is merely waste—that is the ultimate source of terrestrial organic evolution and the synthetic things that in turn evolve from. By drawing the equivalence between waste and excess, Bataille subverts the common economic logic that situates scarcity as primacy. Not simply abundance, but overabundance reigns over all. The consequence that follows from this proposition is the flipping of the logic that governs economic organization. It’s not a mechanism for the production and distribution of scarce resources, as the bourgeois economists maintain, but a machine designed to eliminate, as much as it possibly can, a mighty and permanent wave of excess that threatens to submerge everything:

Economic science merely generalizes the isolated situation; it restricts its object to operations carried out with a view to a limited end, that of economic man. It does not take into consideration a play of energy that no particular end limits: the play of living matter in general, involved in the movement of light of which it is the result. On the surface of the globe, for living matter in general, energy is always in excess; the question is always posed in terms of extravagance. The choice is limited to how the wealth is to be squandered. It is to the particular living being, or to limited populations of living beings, that the problem of necessity presents itself. But man is not just the separate being that contends with the living world and with other men for his share of resources. The general movement of exudation (of waste) of living matter impels him, and he cannot stop it; moreover, being at the summit, his sovereignty in the living world identifies him with this movement; it destines him, in a privileged way, to that glorious operation, to useless consumption. (The Accursed Share, 23)

The logic of the ‘restricted economy’ pertains to the various ways in which this dissipation becomes organized; read historically, this means that there are a variety of different forms that the restricted economy takes at various stages of civilizational development. The capitalist mode of production, in Bataille’s account, is a unique form of the restricted economy  in that it converts this dissipation into a drive towards accumulation—and it is for this reason, as Nick Land argues in Thirst for Annihilation, that the Marxian problem of overproduction the chronic “symptomatic redundancies of labour and capital” is able to rear its head (Thirst for Annihilation, 57).

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Specters of  mechanical overproduction (source)

Deleuze and Guattari convert the Bataillean infrastructure into their productive ontology, thereby transforming the cosmos’ release of a cursed gift into the production of production, that is, into the movement from primary generative processes to the more narrow, yet still transhistorical, production processes (Jon Roffe has noted that when it comes to the relationship between Bataille and Deleuze and Guattari, the pair “have no  time for the entire thematic of transgression and its concomitants”, so it is telling that in this conversion process many of the transgressive elements are either forced into a new guise or discarded (Abstract Market Theory, 163, Note 15)). Nonetheless, the distinction between the general and the restricted is still constructive, and works well in thinking through not only through Deleuze and Guattari’s ultimately Marxian account of history (analyzing the historically-distinct forms of ‘restricted’ production in order to produce a baseline for developing a theory of how different productions of the subject occur), as well as returning to Marx himself .

In order to carry this out, a further distinction between a general-restrictive economy (not to be confused with the general economy) and a specific-restrictive economy must be posed, with each correlating, respectively, to transhistorical dimensions and historically-bound forms that express these dimensions. This can help navigate the problem-fraught space between Deleuze and Guattari’s elaboration of Marx and the writings of Marx himself. In a previous post on that topic, Andrew Culp raised the excellent point that “by claiming god=nature=industry at the beginning of AO, perhaps DG realize that they’ve put the labor theory of value into question. the problem is, of course, the labor theory of value defines the political dimension of marxism”. By analyzing (or, in a peevish maneuver, overcoding) the implications of their Spinozist-productivist equation with a diagram of a general economy, general-restrictive economy, and specific-restrictive economy, the question of the law of value can be properly re-injected back into their framework. This is because we are able to situate labor at a pivotal point between general and general-restricted economy, with passage between specific-restrictive economies serving to unveil variations of how this relationship unfolds in time.

All the elements to do this, of course, are present in Marx, and this simple fact threatens to overturn this perhaps overly-complicated presentation and render it redundant. But given the general state of confusion concerning the status of labor in Marx’s theory—something that inevitably leads to confusion about value), we’ll soldier onwards; this framework, after all, might also help communicate answers to those important questions.

As I discussed in my post on ecological readings of Marx, labor is positioned in the first chapter of Capital Volume I as a transhistorical force that, across time, has served as a mediating relation between humans and nature—or, between restricted and general economies. To quote the passage in full:

Men made clothes for thousands of years, under the compulsion of the need for clothing, without a single man ever becoming a tailor. But the existence of coats, of linen, of every element of material wealth not provided in advance by nature, had to be mediated through a specific productive activity appropriate to its purpose, a productive activity that assimilated particular natural materials to particular human requirements. Labour, then, as the creation of use-values, as useful labor, is a condition of human existence which is independent of all forms of society; it is an eternal natural necessity which mediates the metabolism of between man and nature, and therefore human life itself. (Capital Volume 1, Chapter 1: The Commodity, 133)

There are several comments to be had on this passage. First, labor is described here as a natural necessity, highlighting its status not only as something that mediates a particular relationship with nature, but is a characteristic of nature itself. What this further entails is that the status of the human is one who is subsumed in nature (they are continuous with it), while also being in opposition; this can be described in terms of somewhat reductive autonomist formula of being ‘within and against’, but also as a proper dialectical relation, the emergence of the opposite and their unity.

Second, relations of labor are intrinsically productive relations. The mediation of human and labor, of the general and restrictive economies, is also the link between the production of production and that ‘secondary’ production.

The third point concerns how Marx rises from this general condition to the specificity of labor relations under the capitalist mode of production. Insofar as Marx’s critics are concerned, the category of value is something that can only be grasped through narrow economic lenses, which is why they are so ready to pull the rug out from under the labor theory of value for a theory of value that operates at the level of appearance. For these bourgeois economists, value is but a measure of social valuation, itself an aggregate of individuals valuating in accordance with their personal preferences. Marx’s understanding of value cannot, however, be properly understood from the point of view of social valuation in this way, because it is intended to articulate how this society itself is produced by the economic relations. Value-theory is an analysis of the specific-restrictive economy that is the capitalist mode of production, but it follows from what Marx says above: because labor mediates a relationship between humans and nature, it also becomes the force that mediates relations between humans. Or, more properly, it imparts itself as social mediation.

It’s not just labor-time, but labor-time as well, that becomes transhistorical. In the discussion of communal production in the Grundrisse, Marx writes

On the basis of communal production, the determination of time remains, of course, essential. The less time the society requires to produce wheat, cattle etc., the more time it wins for the other production, material or mental. Just as in the case of an individual, the multiplicity of its development, its enjoyment and its activity depends on economization of time. Economy of time, to this all economy ultimately reduces itself. Society likewise has to distribute its time in a purposeful way, in order to achieve a production adequate  to its overall needs; just as the individual has to distribute his time correctly in order to satisfy the various demands on his activity.

In Time in Marx, Stavros Tombazos translates the bold passage above as the far-less unwieldy “every economy is an economy of time” (Time in Marx, 13). As he further points out, the word economy being used here shouldn’t be thought in a narrow point of view (i.e. like those given by the bourgeois economists), but should be seen first and foremost as an form of organization—a reading consistent with the above and with the Bataillean notion of a restricted economy. This means that social mediation can also be framed temporally, as distilling the economy to time itself highlights the way in which time, or the experience of time, becomes organized. If there is variation between restrictive economies, which is to say variation between the way labor-as-mediation materially manifests, then there is variation in the experience of time itself.

All of this is made abundantly clear in a short passage found in Marx’s Letters on Capital:

That this necessity of distributing social labour in definite proportions cannot be done away with by the particular form of social production, but can only change the form it assumes, is self evident. No natural laws can be done away with. What can change, in changing historical circumstances, is the form in which these laws operate. (quoted in Time in Marx, 14)

In pages of the Grundrisse these natural laws themselves seem to shake. Even if time still determines the post-capitalist economy, social mediation is transformed as the dominant logic swings from labor-time to time outside of labor (which is why Jehu is so adamant that the progressive elimination of labor-hours is the only real means of realizing “a so-called ‘post-capitalist society'”, or why Postone argues that Capital should not be understood as a “critique of capitalism from the standpoint of labor… [but] a critique of labor in capitalism” (Time, Labor, and Social Domination, 5)). What this implies is that which exists beyond the capitalist mode of production—what the capitalist mode of production is incubating within itself—must be understood as qualitatively and quantitative different from every social formation that has existed. It implies nothing less than the breakdown of the very logic of the so-called restricted economy.

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Postone on Capital and History

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This Moishe Postone lecture has been the soundtrack to this morning’s chores. It’s really great, and provides a straightforward unpacking of a lot the stuff going on in his dense-but-awesome 1993 work Time, Labor, and Social Domination.

One of the very intriguing points that Postone makes in his book is the way that, in chapter four Capital Volume 1 – the chapter that introduces the classic M – C – M’ ‘feedback loop’ schema – Marx resurrects Hegel’s depiction of the Geist, as an independent or self-moving substance, to describe capital itself. It’s an incredibly important point for understanding what is going on in Marx’s mature work, as undoes the common perception of the proletariat or humanity (ascending to the realization of its species-being) as the ‘subject’ of history, and attributes this position instead to capital itself.

Postone delves into this in the lecture above, and it’s worth reiterating here because it is stated so clearly. Speaking of the inner dynamics of the capitalist system (this starts somewhere in minute 37), he states:

On the one hand, it is characterized by ongoing, even accelerating, transformations of production and of social life. On the other hand, this historical dynamic entails the ongoing reconstitution of its own fundamental conditions as an unchanging feature of social life. Namely, that value is reconstituted, that social mediation ultimately remained affected by labor, and that living labor remains integral to the total social process of production, regardless of the level of productivity. So the historical dynamic of capitalism, and I think people only usually get one side, ceaselessly generates what is the same while always generating what is new. As I will elaborate, it both generates the possibility of another organization of labor and of social life, and at the same time hinders that possibility from being realized.

This dynamic, generated by the dialectic of abstract time and dialectical time, is at the heart of the category of capital, which for Marx is a category of movement. It’s value in motion. It has no fixed material embodiment. Now since this is an institute of philosophy, it’s significant that when Marx first introduces the category of capital in the book Das Kapital, he describes it with exactly the same language that Hegel used with reference to the Geist in the Phenomenology. The “self-moving substance” that is the subject of its own process. People like Althusser say to just forget all of this Hegelian language. In so doing, Marx suggests that Hegel’s notion of history, as having a logic, as the dialectical unfolding of a subject, is valid, but only for capitalist society. Moreover, Marx does not define Hegel’s subject with the proletariat, or even with humanity. Instead he identifies it with capital: a dynamic structure of abstract domination that, although constituted by humans, is independent of their will.

What I’m suggesting is that Marx’s mature critique of Hegel does not involve an anthropological inversion of Hegel’s idealist dialectic. Rather, I’m going to suggest that this is the idealist dialectic’s material justification. Marx implicitly argues that the rational core of Hegel’s dialectic is precisely its idealistic character. It is an expression of a mode of domination constituted by alienated relations – that is, relations that acquire a quasi-independent existence vis-a-vis individuals, exert a certain form of compulsion on them, and that because of their dualistic character are dialectical. Notice that categories like historical subject, totality, labor have now become the objects of Marx’s critique, not the standpoint of his critique.

The first part of the above quoted clearly speaks the central concern reiterated by Deleuze and Guattari in Anti-Oedipus, that of deterritorialization and reterritorialization, of constantly putting things into play, producing the new, even things that threaten to overwhelm itself, but also restraining these things, cutting them off, appropriating and recoding them, or even dredging up archaisms to repress them. In the language of Difference and Repetition, we might describe this situate as the subordination of difference to the Repetition of the Same – and it is probably by no mistake, then, that in the very second paragraph of the book’s introduction Deleuze writes of equivalence as a generality, that is, “a point of view according to which one term may be exchanged or substituted for another”. For Marx, money – an expression of the law of value, that which flows through the self-expanding, self-moving, cyberpositive process of M – C – M’, plays the role of the general equivalent, the special category of commodities that all other commodities can be translated into or otherwise mediated by.

Elsewhere in this lecture Postone posits a Marxist understanding history that is neither linear-determinist or strictly contingent, and in this he comes close to that which has haunted all debates in the accelerationist sphere, the Kantian antimony of causal determinism and spontaneity – or to put it in more contemporary, system theoretic terms, the troubled intermingling of lock-in effects and self-organization. Or again, as the esteemed Thomas Murphy once put it, the Deleuzian problematic of hierarchies and anarchies, ‘solved’ in the form of the morphogenetic crowned anarchy.

Close Encounters (Notes)

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The ‘Hynek scale’ is a tool used for assessing the typology an encounter with the UFO. Initially developed by J. Allen Hynek, an astronomer, UFOlogist and adviser to a series of US Air Force UFO studies (Project Sign, which ran from 1947-1949; Project Grudge, 1949-1952, and Project Blue Book, 1952-1969), the scale is divided amongst Distant Encounters (DE-) and Close Encounters (CE-). Although Hynek’s initial developments divided each into three primary categories, four additional CE types have been since added by later researchers.

The breakdown:

DE-1: Appearance of lights (and lights in motion)  in the nighttime sky that cannot be explained easily by ordinary light sources.

DE-2: Daytime sighting of an inexplicable object that may (or may not) move at immense speeds – metallic saucers or cigar-shaped crafts, primarily.

DE-3: Radar confirmation of unidentified flying objects that occur subsequently with eyewitness confirmation.

CE-1: Close witnessing of a UFO with no interaction, either with the witness or the external environment.

CE-2: Encounter with a UFO that entails some sort of interaction with the environment – strange electrical phenomenon (car ignition problems, radio interferences etc), burn marks on the ground, crop circles, etc.

CE-3: Confirmation of (usually humanoid) occupants of the UFO, which may or may not entail contact or communication.

CE-4: The abduction event proper, in which the witness is taken aboard of the UFO (and often experimented upon).

CE-5: Direct communication between the ‘aliens’ and the humans.

CE-6: Direct communication and engagement between the aliens and the humans that results in long-term injury or even death.

CE-7: The production of an alien-human hybrid through experimental breeding techniques.

After CE-4 comes CE-5 to -6. Schwa-mask peels off, and you’re heading into faceless horror, worm-spillage, losing focus. (1)

The transition from Close Encounter 4 – abduction as such – to CE 5-6 is a switch from the thematics of Science Fiction to those of cyberpunk or cybergothic. At CE5-6, the question of what is experienced is inextricably bound up with the question of what experience itself is, since the events undergone seem to constitute what Templeton calls a “Transcendental Occurrence” a change in the nature of time itself, registering as Freudo-Barkerian trauma. (2)

With the Transcendental Occurrence – the encounter with the Dweller on the Threshold, Yog-Sothoth, the Positive Zero – in mind, consider these AQ equivalences that rotate like beacons:

66 = FEAR = LOL = NET

69 = GATE  = KALI = KATA = LSD 25 = UFO = WAR

96 = DEMON = DJINN = FATES = METAL = PEST = WWW

99 = SCHWA = QABBALA = THETA = XXX

Spooky link round-up from the Sarkon zone:

Cybernetics came from UFOs: letter concerning the flying saucer crash recovery team.

Cybernetics came from UFOs, round 2: delirious conspiracy theory from Jack Shulman of the American Computer Company concerning the Roswell Crash, Bell Laboratories, AT&T and the secret history of the semiconductor.

The real Control Society: Jacques Vallee on UFOs and a cybernetic ‘control system’ – grist for the simulation hypothesis mill? (Bonus: Vallee puts on his accelerationist hat, 1, 2 and 3)

The real Control Society, round 2: Vallee hangs out at ARC.

End Rush

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Virilio unpacks the permanent state of emergency in Speed and Politics (the framing of deterrence and speed no doubt influenced Deleuze and Guattari’s discussion of the global smooth space in A Thousand Plateaus):

The term “deterrence” points to the ambiguity of this situation, in which the weapon replaces the protection of armor, in which the possibilities of offense and offensive ensure in and of themselves the defense, the entire defensive against the “explosive” dimension of strategic arms, but not at all against the “implosive” dimension of the vectors’ performances, since on the contrary the maintenance of a credible “strike power” requires the constant refining of the engines’ power, in other words of their ability to reduce geographic space to nothing or almost nothing

In fact, without the violence of speed, that of weapons would not be so fearsome. In the current context, to disarm would thus mean first and foremost to decelerate, to defuse the race toward the end. Any treaty that does not limit the speed of this race (the speed of means of communicating destruction) will not limit strategic arms, since from now on the essential object of strategy consists in maintaining the non-place of a general delocalization of means that alone still allows us to gain fractions of seconds, which gain is indispensable”to any freedom of action. As General Fuller wrote, “When the combatants threw javelins at each other, the weapon’s initial speed was such that one could see it on its trajectory and parry its effects with one’s shield. But when the javelin was replaced by the bullet, the speed was so great that parry became impossible.” Impossible to move one’s body out of the way, but possible if one moved out of the weapon’s range; possible as well through the shelter of the trench, greater than that of the shield-possible, in other words, through space and matter.

Today, the reduction of warning time that results from the supersonic speeds of assault leaves so little time for detection, identification and response that in the case of a surprise attack the supreme authority would have to risk abandoning his supremacy of decision by authorizing the lowest echelon of the defense system to immediately launch anti-missile missiles. The two political superpowers have thus far preferred to avoid this situation through negotiations, renouncing anti-missile defense at the same time. Given the lack of space, an active defense requires at least the material time to intervene. But these are the “war materials” that disappear in the acceleration of the means of communicating destruction. There remains only a passive defense that consists less in reinforcing itself against the megaton powers of nuclear weapons than in a series of constant, unpredictable, aberrant movements, movements which are thus strategically effective for at least a little while longer, we hope. In fact, war now rests entirely on the deregulation of time and space. This is why the technical maneuver that consists in complexifying the vector by constantly improving its performances has now totally supplanted tactical maneuvers on the terrain, as we have seen.

General Ailleret points this out in his history of weapons by stating that the definition of arms programs has become one of the essential elements of strategy. If in ancient conventional warfare we could still talk about army maneuvers in the fields, in the current state of affairs, if this maneuver still exists, it no longer needs a “field. ” The invasion of the instant succeeds the invasion of the territory. The countdown becomes the scene of battle, the final frontier. (152-153

countdown = convergence = 210 [counting down…]

 

Trauma Core

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This evening I had a chance to finish reading Mark Fisher’s phd thesis Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction. Weaving together the CCRU-era emphasis on capital’s radical deterritorializing edge with foreshadows of the critique honed in his later writings (the concept of ‘capitalist realism’ even makes a brief appearance), Fisher bounces Deleuze and Guattari’s nomad thought and Baudrillard’s cool pessimism off on another to explore the uncanniness creeping in through ultra-late cybernetic capitalism. This uncanniness is explored, as the title of the thesis suggests, through the lenses of “gothic materialism. Fisher:

Gothic Materialism is flat with its material; it names both the mode of analysis and what is to be analyzed. It does not arbitrarily conjoin materialism with the Gothic, but insists that all effective materialism must lead Out towards a non-organic (dis)continuum. Amongst other things, the Gothic can serve as the proper name for this continuum, and cyberpunk is the registering of its arrival on the terminal shores of a wired humanity. Whilst an organicist left finds in cyberpunk the quietist collapse of transformative political projects into a “hardboiled” “survivalist” hyper-nihilism, Gothic materialism locates in Baudrillard’s ecstatic communication, Gibson’s hyperspace, Jameson’s total flow, and Cronenberg’s Videodrome the map of a hypermediatized capitalism that is decoding privatized subjectivity.

Gothic materialism converges with matters of great interest to this blog, particularly where the collision of the “non-organic (dis)continuum” – or, to put it more succinctly, if not redundantly, the anorganic continuum – and cyberculture collide. Cyberpunk isn’t just a hyperstitional space unveiling capital’s templex invasion of the future; it is also in open transit with a deeply alien force. Xenogenetic mutagens range freely through the folding and unfolding of time, an encounter with which is illustrated in the CCRU’s depictions of the cybergothic. The term exhibits the same heat-fucked temporality as retroprogressivism and neoreaction: a looping together of futurity (cyber, progress, neo-) with the past (gothic, retro-, reaction). As Iris Carver wrote some twenty years ago: “Think of cyberspace as a black-mirror. It is where time flips over: collide with it and you travel backwards. As telecommerce accelerates us into the net, it seems that things of ever deeper antiquity awaken, and begin their return. So say the Cybergoths.”

Near the conclusion of Flatline Constructs, Fisher elaborates on the double nature of the black-mirror, placing on one side of it cyberspace (putting special emphasis on its independent economic function), and on the other the zone where cyberspace undergoes “black out”: the “catatonic ‘neuro-electronic void’… the image of the noumenal event horizon which we cannot go”. The time-shattering flip from one side to the other is the plummet into the deeper darkness of the anorganic continuum, described by Deleuze and Guattari as the ‘gothic line’ that gives rises to the “prodigious idea of Nonorganic Life” (ATP 411). Schizophrenia’s intensive voyages move in the direction of this line, taking “the schizo as close as possible to matter, to a burning, living center of matter” (AO 19). Nonorganic life, matter’s burning, living core – the anorganic continuum snakes through the fissure between the dead and the living and problematizes each. It is the plane of unlife, or as it might be called alternatively and without contradiction, the plane of undeath.

Echidna Stillwell: My researches have led me to associate this Chthonian entity with the deep terrestrial intelligence inherent in the electromagnetic cauldron of the inner earth, in all of its intense reality, raw potentiality, and danger. According to the Nma she is the plane of Unlife, a veritable Cthelll – who is trapped under the sea only according to a certain limited perspective – and those who set out to traffick with her do so with the very greatest respect and caution.

Hence the centrality of the Freudian uncanny. Fisher argues that by boxing the uncanny into castration anxiety – fear of punishment by castration for the content of our repressed impulses – Freud is attempting to ward off the true horror that lurks down this road, one that gets to the fiery core of ultimate repression. Dolls coming to life, non-living living doubles, the sudden recognition of likeness in some alien artifact – these are all treated by Freud as the cataloging of childhood traumas and past events that are repeating themselves through life. It is thus a return to the same, or the familiar, even if it wears a mask. It is what Deleuze would describe repetition of the same – but in Fisher’s resistance to Freud’s oedipal recoding, the uncanny’s dreadful mask moves towards the repetition of difference-in-itself, as the anorganic continuum itself. The uncanny, by making something dead spring to life, is a sudden eruption of the undeath into the fragile stability of ‘ordinary’ reality.

While Fisher doesn’t pursue it, it seems to me that this helps us get at Deleuze’s reformulation of Freud’s death instinct. In Coldness and Cruelty, Deleuze had transformed the Thanatropic death instinct into the groundlessness that upheld Eros – “beyond the repetition that links, the repetition that erases and destroys” (C&C 114). In Difference and Repetition this connection is deepened by tying the death instinct to the time of the Eternal Return, that is, the temporal mechanism of difference-in-itself: “Time empty and out of joint, with its rigorous formal and static order, its crushing unity and its irreversible series, is precisely the death instinct” (D&R, 111).

In contrast is the death instinct of Beyond the Pleasure Principle, where Freud finds in the drive the striving to return to the same, in the guise of inorganic matter. Defining an instinct as “an urge inherent in organic matter to restore an earlier state of things”, Freud argued that if “the aim of all life is death”, the death instinct can be characterized the striving to “becoming inorganic once again” (BPP 30, 32). Life as disequilibria trying to loop back to homeostatic equilibrium – but other forces push back against the instinct to “ward off any possible ways of returning to inorganic existence other than those which are immanent in the organism itself” (BPP 33). Life is thus a series of ‘detours’ on the road to the actual event of dying itself, in which homeostasis is achieved.

Deleuze argues in Coldness and Cruelty that Freud contradicts himself at multiple points where the death drive is concerned, repeatedly crossing the line into repetition-of-difference in contrast to repetition-of-the-same, and that he has to fall back at each instant of doing so. This observation parallels Fisher’s arguments in Flatline Constructs that Freud must hold at bay the real source of uncanny dread by routing it back into the familiar. An example of such tension can be found in Freud’s himself complication of the organic/inorganic divide by suggesting that the living substance exhibits a “special envelope or membrane” that protects it from excesses of external stimuli, and that this membrane is “to some degree inorganic” (BPP 21). In this schema, the inorganic membrane is part of the infrastructure that carries out the warding-off of death and aids the ultimate flight into final death – yet by its very existence the categories of the organic and inorganic begin to crumble as the living substance begins morphing into an anorganic entity. By shifting the terrain from the base inorganic matter to an anorganic continuum, the body becomes not some radically distinct from the continuum – it’s continuous with it. This is what engenders the dread of the uncanny. It isn’t the repetition of childhood trauma, trauma being violent external stimuli that has pierced the inorganic membrane. It’s the repressed Secret that everything convergent upon – and emergent from – the anorganic plane of unlife, a trauma of the inside being unfold into its outside.

Professor Daniel Barker: Trauma is a body. Ultimately – at its pole of maximum disequilibrium – it’s an iron thing. At MVU they call it Cthelll: the interior third of terrestrial mass, semifluid metallic ocean, megamolecule, and pressure-cooker beyond imagination. It’s hotter than the surface off the sun down there, three thousand clicks below the crust, and all that thermic energy is sheer impersonal nonsubjective memory of the outside, running the plate-tectonic machinery of the planet via the conductive and convective dynamics of silicate magma flux, bathing the whole system in electomagnetic fields as it tidally pulses to the orbit of the moon. Cthelll is the terrestrial inner nightmare, nocturnal ocean, Xanadu: the anorganic metal-body trauma-howl of the earth, cross-hatched by intensities, traversed by thermic waves and currents, deranged particles, ionic strippings and gluttings, gravitational deep-sensitivities transduced into nonlocal electromesh, and feeding vulcanism … that’s why plutonic science slides continuously into schizophrenic delirium.

The trauma-core threatens the unitary self (as indicated in Anti-Oedipus by the proximity of the schizophrenia and the burning heart of ‘living matter’), just as Eternal Return, repetition-as-difference, dissolves it into the production of the New. Why must the unitary self – or, as Deleuze and Guattari call it, the “body-image” – hide this trauma away, repress it at all costs? Because it voids out the body-image’s interiority: being continuous with the plane of unlife breaks down the external source of trauma, predicated on the membrane that regulates passage from the inside to the outside, by unfoldng interiority into exteriority. The body-image becomes thrown back on what it has obscured, the Body without Organs. Or, in other words, it falls back on the primary process that has given rise to it: the anorganic continuum as auto-production.

In a passage that is as remarkable as it is horrifying, Deleuze and Guattari push deeper into the ruptures between life and death, the organic and anorganic, and along the way reveal the body-image as little more than a parasite on the gears of autoproduction. Taking their cue from Samuel Butler’s “The Book of the Machines”, which asserts that the mechanism-vitalism binary is annihilated under the absolute identity of the machinic and the organic, they write:

…it becomes immaterial whether one says that machines are organs, or organs machines. The two definitions are exact equivalents: man as a “vertebro-machinate mammal”, or as an “aphidian parasite of machines. What is essential is not the passage to infinity itself – the infinity composed of machine parts or the temporal infinity of animalcules – but rather in what this passage blossoms into. Once the structural unity of the machine has been undone, once the personal and specific unity of the living has been laid to rest, a direct link is perceived between the machine and desire, the machine passes to the heart of desire, the machine is desiring and desire, machined. Desire is not in the subject but the machine in the desire – with the residual subject off to the side, alongside the machine, around the entire periphery, a parasite of the machines, an accessory of vertebro-machinate desire. In a word, the real difference is not between the living and the machine, vitalism and mechanism, but between two states of the machine that are two states of living as well. (AO 285-286)

As Fisher notes, what is at stake here is “the delocalization of desire, and its fusion with generalized production”, a maneuver that sets in motion the articulation of this complex as traumatic, and its ultimate repression. The CCRU, following not just Deleuze and Guattari but J.G. Ballard, explore this through the frame of geotrauma, in which the body-image is exploded back onto the monstrous geological flux of deep-time (a prism that pulls together the materiality of the anorganic continuum with the empty time of the Eternal Return), where the grinding slowness of continental drift and the repetitive assault by catastrophic upheaval exerts a pressure that ravages and contorts the evolutionary process. In The Drowned World, Ballard describes the recording of these inhuman processes on the human spine:

The further down the CNS you move, from the hind-brain through the medulla into the spinal cord, you descend back into the neutronic past. For example, the junction between T-12 and L-1 is the great zone of transit between the gill-breathing fish and their air-breathing amphibians with their respiratory rib-cages, the very junction where we stand now on the shores of this lagoon, between the Paleozoic and Triassic eras.

Or, as Professor Barker sums up: “Geotrauma is an ongoing process, whose tension is continually expressed – partially frozen – in biological organization.” Cybernetics is another way to track this process; after all, it was Norbert Wiener who suggested it had “relegated” the vitalist/mechanist debate to “the limbo of badly posed questions” by contextualizing purposefulness in terms distinctly mechanistic terms. Push this a little further and we get to the true core that, in its immensity, shatters the confidence of the body-image’s agency by situating it in the multi-scaled cascades of self-organizing systems. Leveling: the cybernetics of technomic development burns out, more and more, the transcendent notions we had about the world, our place in it, and the interior functions of ourselves. A time-loop that bends the increasingly-close far-future to the deepest past.

Getting to this stage returns us back to the theme of the uncanny. Identifying the anorganic spectrum of systems as exhibiting purposeful behavior schizzes out notions of intelligence by making cyberpositivity transveral across many ruptured orders, imbuing them with a sense of uncanniness that cannot but actor as a destabilizing factor. The implications are of clear for the topics this blog relishes the most – capital, (already defined by Marx in terms of an unliving Gothic entity consuming society) and war (with its tendency towards non-human learning processes). But more at some other time!

Meanwhile, Thomas Murphy on Deleuze and Guattari’s anorganic mysticism:

Screenshot from 2018-03-12 11-02-42

Screenshot from 2018-03-12 11-03-16